A Girl of the Limberlost, by Gene Stratton Porter

A few delicious tidbits in here, to which we will add as the hours, days, weeks, months and years go by.

Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:22 am


The following night Elnora hurried to Sintons'. She threw open the back door and with anxious eyes searched Margaret's face.

“You got it!” panted Elnora. “You got it! I can see by your face that you did. Oh, give it to me!”

“Yes, I got it, honey, I got it all right, but don't be so fast. It had been kept in such a damp place it needed glueing, it had to have strings, and a key was gone. I knew how much you wanted it, so I sent Wesley right to town with it. They said they could fix it good as new, but it should be varnished, and that it would take several days for the glue to set. You can have it Saturday.”

“You found it where you thought it was? You know it's his?”

“Yes, it was just where I thought, and it's the same violin I've seen him play hundreds of times. It's all right, only laying so long it needs fixing.”

“Oh Aunt Margaret! Can I ever wait?”

“It does seem a long time, but how could I help it? You couldn't do anything with it as it was. You see, it had been hidden away in a garret, and it needed cleaning and drying to make it fit to play again. You can have it Saturday sure. But Elnora, you've got to promise me that you will leave it here, or in town, and not let your mother get a hint of it. I don't know what she'd do.”

“Uncle Wesley can bring it here until Monday. Then I will take it to school so that I can practise at noon. Oh, I don't know how to thank you. And there's more than the violin for which to be thankful. You've given me my father. Last night I saw him plainly as life.”

“Elnora you were dreaming!”

“I know I was dreaming, but I saw him. I saw him so closely that a tiny white scar at the corner of his eyebrow showed. I was just reaching out to touch him when he disappeared.”

“Who told you there was a scar on his forehead?”

“No one ever did in all my life. I saw it last night as he went down. And oh, Aunt Margaret! I saw what she did, and I heard his cries! No matter what she does, I don't believe I ever can be angry with her again. Her heart is broken, and she can't help it. Oh, it was terrible, but I am glad I saw it. Now, I will always understand.”

“I don't know what to make of that,” said Margaret. “I don't believe in such stuff at all, but you couldn't make it up, for you didn't know.”

“I only know that I played the violin last night, as he played it, and while I played he came through the woods from the direction of Carneys'. It was summer and all the flowers were in bloom. He wore gray trousers and a blue shirt, his head was bare, and his face was beautiful. I could almost touch him when he sank.”

Margaret stood perplexed. “I don't know what to think of that!” she ejaculated. “I was next to the last person who saw him before he was drowned. It was late on a June afternoon, and he was dressed as you describe. He was bareheaded because he had found a quail's nest before the bird began to brood, and he gathered the eggs in his hat and left it in a fence corner to get on his way home; they found it afterward.”

“Was he coming from Carneys'?”

“He was on that side of the quagmire. Why he ever skirted it so close as to get caught is a mystery you will have to dream out. I never could understand it.”

“Was he doing something he didn't want my mother to know?”


“Because if he had been, he might have cut close the swamp so he couldn't be seen from the garden. You know, the whole path straight to the pool where he sank can be seen from our back door. It's firm on our side. The danger is on the north and east. If he didn't want mother to know, he might have tried to pass on either of those sides and gone too close. Was he in a hurry?”

“Yes, he was,” said Margaret. “He had been away longer than he expected, and he almost ran when he started home.”

“And he'd left his violin somewhere that you knew, and you went and got it. I'll wager he was going to play, and didn't want mother to find it out!”

“It wouldn't make any difference to you if you knew every little thing, so quit thinking about it, and just be glad you are to have what he loved best of anything.”

“That's true. Now I must hurry home. I am dreadfully late.”

Elnora sprang up and ran down the road, but when she approached the cabin she climbed the fence, crossed the open woods pasture diagonally and entered at the back garden gate. As she often came that way when she had been looking for cocoons her mother asked no questions.

Elnora lived by the minute until Saturday, when, contrary to his usual custom, Wesley went to town in the forenoon, taking her along to buy some groceries. Wesley drove straight to the music store, and asked for the violin he had left to be mended.

In its new coat of varnish, with new keys and strings, it seemed much like any other violin to Sinton, but to Elnora it was the most beautiful instrument ever made, and a priceless treasure. She held it in her arms, touched the strings softly and then she drew the bow across them in whispering measure. She had no time to think what a remarkably good bow it was for sixteen years' disuse. The tan leather case might have impressed her as being in fine condition also, had she been in a state to question anything. She did remember to ask for the bill and she was gravely presented with a slip calling for four strings, one key, and a coat of varnish, total, one dollar fifty. It seemed to Elnora she never could put the precious instrument in the case and start home. Wesley left her in the music store where the proprietor showed her all he could about tuning, and gave her several beginners' sheets of notes and scales. She carried the violin in her arms as far as the crossroads at the corner of their land, then reluctantly put it under the carriage seat.

As soon as her work was done she ran down to Sintons' and began to play, and on Monday the violin went to school with her. She made arrangements with the superintendent to leave it in his office and scarcely took time for her food at noon, she was so eager to practise. Often one of the girls asked her to stay in town all night for some lecture or entertainment. She could take the violin with her, practise, and secure help. Her skill was so great that the leader of the orchestra offered to give her lessons if she would play to pay for them, so her progress was rapid in technical work. But from the first day the instrument became hers, with perfect faith that she could play as her father did, she spent half her practice time in imitating the sounds of all outdoors and improvising the songs her happy heart sang in those days.

So the first year went, and the second and third were a repetition; but the fourth was different, for that was the close of the course, ending with graduation and all its attendant ceremonies and expenses. To Elnora these appeared mountain high. She had hoarded every cent, thinking twice before she parted with a penny, but teaching natural history in the grades had taken time from her studies in school which must be made up outside. She was a conscientious student, ranking first in most of her classes, and standing high in all branches. Her interest in her violin had grown with the years. She went to school early and practised half an hour in the little room adjoining the stage, while the orchestra gathered. She put in a full hour at noon, and remained another half hour at night. She carried the violin to Sintons' on Saturday and practised all the time she could there, while Margaret watched the road to see that Mrs. Comstock was not coming. She had become so skilful that it was a delight to hear her play music of any composer, but when she played her own, that was joy inexpressible, for then the wind blew, the water rippled, the Limberlost sang her songs of sunshine, shadow, black storm, and white night.

Since her dream Elnora had regarded her mother with peculiar tenderness. The girl realized, in a measure, what had happened. She avoided anything that possibly could stir bitter memories or draw deeper a line on the hard, white face. This cost many sacrifices, much work, and sometimes delayed progress, but the horror of that awful dream remained with Elnora. She worked her way cheerfully, doing all she could to interest her mother in things that happened in school, in the city, and by carrying books that were entertaining from the public library.

Three years had changed Elnora from the girl of sixteen to the very verge of womanhood. She had grown tall, round, and her face had the loveliness of perfect complexion, beautiful eyes and hair and an added touch from within that might have been called comprehension. It was a compound of self-reliance, hard knocks, heart hunger, unceasing work, and generosity. There was no form of suffering with which the girl could not sympathize, no work she was afraid to attempt, no subject she had investigated she did not understand. These things combined to produce a breadth and depth of character altogether unusual. She was so absorbed in her classes and her music that she had not been able to gather many specimens. When she realized this and hunted assiduously, she soon found that changing natural conditions had affected such work. Men all around were clearing available land. The trees fell wherever corn would grow. The swamp was broken by several gravel roads, dotted in places around the edge with little frame houses, and the machinery of oil wells; one especially low place around the region of Freckles's room was nearly all that remained of the original. Wherever the trees fell the moisture dried, the creeks ceased to flow, the river ran low, and at times the bed was dry. With unbroken sweep the winds of the west came, gathering force with every mile and howled and raved; threatening to tear the shingles from the roof, blowing the surface from the soil in clouds of fine dust and rapidly changing everything. From coming in with two or three dozen rare moths in a day, in three years' time Elnora had grown to be delighted with finding two or three. Big pursy caterpillars could not be picked from their favourite bushes, when there were no bushes. Dragonflies would not hover over dry places, and butterflies became scarce in proportion to the flowers, while no land yields over three crops of Indian relics.

All the time the expense of books, clothing and incidentals had continued. Elnora added to her bank account whenever she could, and drew out when she was compelled, but she omitted the important feature of calling for a balance. So, one early spring morning in the last quarter of the fourth year, she almost fainted when she learned that her funds were gone. Commencement with its extra expense was coming, she had no money, and very few cocoons to open in June, which would be too late. She had one collection for the Bird Woman complete to a pair of Imperialis moths, and that was her only asset. On the day she added these big Yellow Emperors she had been promised a check for three hundred dollars, but she would not get it until these specimens were secured. She remembered that she never had found an Emperor before June.

Moreover, that sum was for her first year in college. Then she would be of age, and she meant to sell enough of her share of her father's land to finish. She knew her mother would oppose her bitterly in that, for Mrs. Comstock had clung to every acre and tree that belonged to her husband. Her land was almost complete forest where her neighbours owned cleared farms, dotted with wells that every hour sucked oil from beneath her holdings, but she was too absorbed in the grief she nursed to know or care. The Brushwood road and the redredging of the big Limberlost ditch had been more than she could pay from her income, and she had trembled before the wicket as she asked the banker if she had funds to pay it, and wondered why he laughed when he assured her she had. For Mrs. Comstock had spent no time on compounding interest, and never added the sums she had been depositing through nearly twenty years. Now she thought her funds were almost gone, and every day she worried over expenses. She could see no reason in going through the forms of graduation when pupils had all in their heads that was required to graduate. Elnora knew she had to have her diploma in order to enter the college she wanted to attend, but she did not dare utter the word, until high school was finished, for, instead of softening as she hoped her mother had begun to do, she seemed to remain very much the same.

When the girl reached the swamp she sat on a log and thought over the expense she was compelled to meet. Every member of her particular set was having a large photograph taken to exchange with the others. Elnora loved these girls and boys, and to say she could not have their pictures to keep was more than she could endure. Each one would give to all the others a handsome graduation present. She knew they would prepare gifts for her whether she could make a present in return or not. Then it was the custom for each graduating class to give a great entertainment and use the funds to present the school with a statue for the entrance hall. Elnora had been cast for and was practising a part in that performance. She was expected to furnish her dress and personal necessities. She had been told that she must have a green gauze dress, and where was it to come from?

Every girl of the class would have three beautiful new frocks for Commencement: one for the baccalaureate sermon, another, which could be plain, for graduation exercises, and a handsome one for the banquet and ball. Elnora faced the past three years and wondered how she could have spent so much money and not kept account of it. She did not realize where it had gone. She did not know what she could do now. She thought over the photographs, and at last settled that question to her satisfaction. She studied longer over the gifts, ten handsome ones there must be, and at last decided she could arrange for them. The green dress came first. The lights would be dim in the scene, and the setting deep woods. She could manage that. She simply could not have three dresses. She would have to get a very simple one for the sermon and do the best she could for graduation. Whatever she got for that must be made with a guimpe that could be taken out to make it a little more festive for the ball. But where could she get even two pretty dresses?

The only hope she could see was to break into the collection of the man from India, sell some moths, and try to replace them in June. But in her soul she knew that never would do. No June ever brought just the things she hoped it would. If she spent the college money she knew she could not replace it. If she did not, the only way was to secure a room in the grades and teach a year. Her work there had been so appreciated that Elnora felt with the recommendation she knew she could get from the superintendent and teachers she could secure a position. She was sure she could pass the examinations easily. She had once gone on Saturday, taken them and secured a license for a year before she left the Brushwood school.

She wanted to start to college when the other girls were going. If she could make the first year alone, she could manage the remainder. But make that first year herself, she must. Instead of selling any of her collection, she must hunt as she never before had hunted and find a Yellow Emperor. She had to have it, that was all. Also, she had to have those dresses. She thought of Wesley and dismissed it. She thought of the Bird Woman, and knew she could not tell her. She thought of every way in which she ever had hoped to earn money and realized that with the play, committee meetings, practising, and final examinations she scarcely had time to live, much less to do more than the work required for her pictures and gifts. Again Elnora was in trouble, and this time it seemed the worst of all.

It was dark when she arose and went home.

“Mother,” she said, “I have a piece of news that is decidedly not cheerful.”

“Then keep it to yourself!” said Mrs. Comstock. “I think I have enough to bear without a great girl like you piling trouble on me.”

“My money is all gone!” said Elnora.

“Well, did you think it would last forever? It's been a marvel to me that it's held out as well as it has, the way you've dressed and gone.”

“I don't think I've spent any that I was not compelled to,” said Elnora. “I've dressed on just as little as I possibly could to keep going. I am heartsick. I thought I had over fifty dollars to put me through Commencement, but they tell me it is all gone.”

“Fifty dollars! To put you through Commencement! What on earth are you proposing to do?”

“The same as the rest of them, in the very cheapest way possible.”

“And what might that be?”

Elnora omitted the photographs, the gifts and the play. She told only of the sermon, graduation exercises, and the ball.

“Well, I wouldn't trouble myself over that,” sniffed Mrs. Comstock. “If you want to go to a sermon, put on the dress you always use for meeting. If you need white for the exercises wear the new dress you got last spring. As for the ball, the best thing for you to do is to stay a mile away from such folly. In my opinion you'd best bring home your books, and quit right now. You can't be fixed like the rest of them, don't be so foolish as to run into it. Just stay here and let these last few days go. You can't learn enough more to be of any account.”

“But, mother,” gasped Elnora. “You don't understand!”

“Oh, yes, I do!” said Mrs. Comstock. “I understand perfectly. So long as the money lasted, you held up your head, and went sailing without even explaining how you got it from the stuff you gathered. Goodness knows I couldn't see. But now it's gone, you come whining to me. What have I got? Have you forgot that the ditch and the road completely strapped me? I haven't any money. There's nothing for you to do but get out of it.”

“I can't!” said Elnora desperately. “I've gone on too long. It would make a break in everything. They wouldn't let me have my diploma!”

“What's the difference? You've got the stuff in your head. I wouldn't give a rap for a scrap of paper. That don't mean anything!”

“But I've worked four years for it, and I can't enter—I ought to have it to help me get a school, when I want to teach. If I don't have my grades to show, people will think I quit because I couldn't pass my examinations. I must have my diploma!”

“Then get it!” said Mrs. Comstock.

“The only way is to graduate with the others.”

“Well, graduate if you are bound to!”

“But I can't, unless I have things enough like the class, that I don't look as I did that first day.”

“Well, please remember I didn't get you into this, and I can't get you out. You are set on having your own way. Go on, and have it, and see how you like it!”

Elnora went upstairs and did not come down again that night, which her mother called pouting.

“I've thought all night,” said the girl at breakfast, “and I can't see any way but to borrow the money of Uncle Wesley and pay it back from some that the Bird Woman will owe me, when I get one more specimen. But that means that I can't go to—that I will have to teach this winter, if I can get a city grade or a country school.”

“Just you dare go dinging after Wesley Sinton for money,” cried Mrs. Comstock. “You won't do any such a thing!”

“I can't see any other way. I've got to have the money!”

“Quit, I tell you!”

“I can't quit!—I've gone too far!”

“Well then, let me get your clothes, and you can pay me back.”

“But you said you had no money!”

“Maybe I can borrow some at the bank. Then you can return it when the Bird Woman pays you.”

“All right,” said Elnora. “I don't need expensive things. Just some kind of a pretty cheap white dress for the sermon, and a white one a little better than I had last summer, for Commencement and the ball. I can use the white gloves and shoes I got myself for last year, and you can get my dress made at the same place you did that one. They have my measurements, and do perfect work. Don't get expensive things. It will be warm so I can go bareheaded.”

Then she started to school, but was so tired and discouraged she scarcely could walk. Four years' plans going in one day! For she felt that if she did not start to college that fall she never would. Instead of feeling relieved at her mother's offer, she was almost too ill to go on. For the thousandth time she groaned: “Oh, why didn't I keep account of my money?”

After that the days passed so swiftly she scarcely had time to think, but several trips her mother made to town, and the assurance that everything was all right, satisfied Elnora. She worked very hard to pass good final examinations and perfect herself for the play. For two days she had remained in town with the Bird Woman in order to spend more time practising and at her work.

Often Margaret had asked about her dresses for graduation, and Elnora had replied that they were with a woman in the city who had made her a white dress for last year's Commencement when she was a junior usher, and they would be all right. So Margaret, Wesley, and Billy concerned themselves over what they would give her for a present. Margaret suggested a beautiful dress. Wesley said that would look to every one as if she needed dresses. The thing was to get a handsome gift like all the others would have. Billy wanted to present her a five-dollar gold piece to buy music for her violin. He was positive Elnora would like that best of anything.

It was toward the close of the term when they drove to town one evening to try to settle this important question. They knew Mrs. Comstock had been alone several days, so they asked her to accompany them. She had been more lonely than she would admit, filled with unusual unrest besides, and so she was glad to go. But before they had driven a mile Billy had told that they were going to buy Elnora a graduation present, and Mrs. Comstock devoutly wished that she had remained at home. She was prepared when Billy asked: “Aunt Kate, what are you going to give Elnora when she graduates?”

“Plenty to eat, a good bed to sleep in, and do all the work while she trollops,” answered Mrs. Comstock dryly.

Billy reflected. “I guess all of them have that,” he said. “I mean a present you buy at the store, like Christmas?”

“It is only rich folks who buy presents at stores,” replied Mrs. Comstock. “I can't afford it.”

“Well, we ain't rich,” he said, “but we are going to buy Elnora something as fine as the rest of them have if we sell a corner of the farm. Uncle Wesley said so.”

“A fool and his land are soon parted,” said Mrs. Comstock tersely. Wesley and Billy laughed, but Margaret did not enjoy the remark.

While they were searching the stores for something on which all of them could decide, and Margaret was holding Billy to keep him from saying anything before Mrs. Comstock about the music on which he was determined, Mr. Brownlee met Wesley and stopped to shake hands.

“I see your boy came out finely,” he said.

“I don't allow any boy anywhere to be finer than Billy,” said Wesley.

“I guess you don't allow any girl to surpass Elnora,” said Mr. Brownlee. “She comes home with Ellen often, and my wife and I love her. Ellen says she is great in her part to-night. Best thing in the whole play! Of course, you are in to see it! If you haven't reserved seats, you'd better start pretty soon, for the high school auditorium only seats a thousand. It's always jammed at these home-talent plays. All of us want to see how our children perform.”

“Why yes, of course,” said the bewildered Wesley. Then he hurried to Margaret. “Say,” he said, “there is going to be a play at the high school to-night; and Elnora is in it. Why hasn't she told us?”

“I don't know,” said Margaret, “but I'm going.”

“So am I,” said Billy.

“Me too!” said Wesley, “unless you think for some reason she doesn't want us. Looks like she would have told us if she had. I'm going to ask her mother.”

“Yes, that's what's she's been staying in town for,” said Mrs. Comstock. “It's some sort of a swindle to raise money for her class to buy some silly thing to stick up in the school house hall to remember them by. I don't know whether it's now or next week, but there's something of the kind to be done.”

“Well, it's to-night,” said Wesley, “and we are going. It's my treat, and we've got to hurry or we won't get in. There are reserved seats, and we have none, so it's the gallery for us, but I don't care so I get to take one good peep at Elnora.”

“S'pose she plays?” whispered Margaret in his ear.

“Aw, tush! She couldn't!” said Wesley.

“Well, she's been doing it three years in the orchestra, and working like a slave at it.”

“Oh, well that's different. She's in the play to-night. Brownlee told me so. Come on, quick! We'll drive and hitch closest place we can find to the building.”

Margaret went in the excitement of the moment, but she was troubled.

When they reached the building Wesley tied the team to a railing and Billy sprang out to help Margaret. Mrs. Comstock sat still.

“Come on, Kate,” said Wesley, reaching his hand.

“I'm not going anywhere,” said Mrs. Comstock, settling comfortably back against the cushions.

All of them begged and pleaded, but it was no use. Not an inch would Mrs. Comstock budge. The night was warm and the carriage comfortable, the horses were securely hitched. She did not care to see what idiotic thing a pack of school children were doing, she would wait until the Sintons returned. Wesley told her it might be two hours, and she said she did not care if it were four, so they left her.

“Did you ever see such——?”

“Cookies!” cried Billy.

“Such blamed stubbornness in all your life?” demanded Wesley. “Won't come to see as fine a girl as Elnora in a stage performance. Why, I wouldn't miss it for fifty dollars!

“I think it's a blessing she didn't,” said Margaret placidly. “I begged unusually hard so she wouldn't. I'm scared of my life for fear Elnora will play.”

They found seats near the door where they could see fairly well. Billy stood at the back of the hall and had a good view. By and by, a great volume of sound welled from the orchestra, but Elnora was not playing.

“Told you so!” said Sinton. “Got a notion to go out and see if Kate won't come now. She can take my seat, and I'll stand with Billy.”

“You sit still!” said Margaret emphatically. “This is not over yet.”

So Wesley remained in his seat. The play opened and progressed very much as all high school plays have gone for the past fifty years. But Elnora did not appear in any of the scenes.

Out in the warm summer night a sour, grim woman nursed an aching heart and tried to justify herself. The effort irritated her intensely. She felt that she could not afford the things that were being done. The old fear of losing the land that she and Robert Comstock had purchased and started clearing was strong upon her. She was thinking of him, how she needed him, when the orchestra music poured from the open windows near her. Mrs. Comstock endured it as long as she could, and then slipped from the carriage and fled down the street.

She did not know how far she went or how long she stayed, but everything was still, save an occasional raised voice when she wandered back. She stood looking at the building. Slowly she entered the wide gates and followed up the walk. Elnora had been coming here for almost four years. When Mrs. Comstock reached the door she looked inside. The wide hall was lighted with electricity, and the statuary and the decorations of the walls did not seem like pieces of foolishness. The marble appeared pure, white, and the big pictures most interesting. She walked the length of the hall and slowly read the titles of the statues and the names of the pupils who had donated them. She speculated on where the piece Elnora's class would buy could be placed to advantage.

Then she wondered if they were having a large enough audience to buy marble. She liked it better than the bronze, but it looked as if it cost more. How white the broad stairway was! Elnora had been climbing those stairs for years and never told her they were marble. Of course, she thought they were wood. Probably the upper hall was even grander than this. She went over to the fountain, took a drink, climbed to the first landing and looked around her, and then without thought to the second. There she came opposite the wide-open doors and the entrance to the auditorium packed with people and a crowd standing outside. When they noticed a tall woman with white face and hair and black dress, one by one they stepped a little aside, so that Mrs. Comstock could see the stage. It was covered with curtains, and no one was doing anything. Just as she turned to go a sound so faint that every one leaned forward and listened, drifted down the auditorium. It was difficult to tell just what it was; after one instant half the audience looked toward the windows, for it seemed only a breath of wind rustling freshly opened leaves; merely a hint of stirring air.

Then the curtains were swept aside swiftly. The stage had been transformed into a lovely little corner of creation, where trees and flowers grew and moss carpeted the earth. A soft wind blew and it was the gray of dawn. Suddenly a robin began to sing, then a song sparrow joined him, and then several orioles began talking at once. The light grew stronger, the dew drops trembled, flower perfume began to creep out to the audience; the air moved the branches gently and a rooster crowed. Then all the scene was shaken with a babel of bird notes in which you could hear a cardinal whistling, and a blue finch piping. Back somewhere among the high branches a dove cooed and then a horse neighed shrilly. That set a blackbird crying, “T'check,” and a whole flock answered it. The crows began to caw and a lamb bleated. Then the grosbeaks, chats, and vireos had something to say, and the sun rose higher, the light grew stronger and the breeze rustled the treetops loudly; a cow bawled and the whole barnyard answered. The guineas were clucking, the turkey gobbler strutting, the hens calling, the chickens cheeping, the light streamed down straight overhead and the bees began to hum. The air stirred strongly, and away in an unseen field a reaper clacked and rattled through ripening wheat while the driver whistled. An uneasy mare whickered to her colt, the colt answered, and the light began to decline. Miles away a rooster crowed for twilight, and dusk was coming down. Then a catbird and a brown thrush sang against a grosbeak and a hermit thrush. The air was tremulous with heavenly notes, the lights went out in the hall, dusk swept across the stage, a cricket sang and a katydid answered, and a wood pewee wrung the heart with its lonesome cry. Then a night hawk screamed, a whip-poor-will complained, a belated killdeer swept the sky, and the night wind sang a louder song. A little screech owl tuned up in the distance, a barn owl replied, and a great horned owl drowned both their voices. The moon shone and the scene was warm with mellow light. The bird voices died and soft exquisite melody began to swell and roll. In the centre of the stage, piece by piece the grasses, mosses and leaves dropped from an embankment, the foliage softly blew away, while plainer and plainer came the outlines of a lovely girl figure draped in soft clinging green. In her shower of bright hair a few green leaves and white blossoms clung, and they fell over her robe down to her feet. Her white throat and arms were bare, she leaned forward a little and swayed with the melody, her eyes fast on the clouds above her, her lips parted, a pink tinge of exercise in her cheeks as she drew her bow. She played as only a peculiar chain of circumstances puts it in the power of a very few to play. All nature had grown still, the violin sobbed, sang, danced and quavered on alone, no voice in particular; the soul of the melody of all nature combined in one great outpouring.

At the doorway, a white-faced woman endured it as long as she could and then fell senseless. The men nearest carried her down the hall to the fountain, revived her, and then placed her in the carriage to which she directed them. The girl played on and never knew. When she finished, the uproar of applause sounded a block down the street, but the half-senseless woman scarcely realized what it meant. Then the girl came to the front of the stage, bowed, and lifting the violin she played her conception of an invitation to dance. Every living soul within sound of her notes strained their nerves to sit still and let only their hearts dance with her. When that began the woman ran toward the country. She never stopped until the carriage overtook her half-way to her cabin. She said she had grown tired of sitting, and walked on ahead. That night she asked Billy to remain with her and sleep on Elnora's bed. Then she pitched headlong upon her own, and suffered agony of soul such as she never before had known. The swamp had sent back the soul of her loved dead and put it into the body of the daughter she resented, and it was almost more than she could endure and live.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:22 am


That was Friday night. Elnora came home Saturday morning and began work. Mrs. Comstock asked no questions, and the girl only told her that the audience had been large enough to more than pay for the piece of statuary the class had selected for the hall. Then she inquired about her dresses and was told they would be ready for her. She had been invited to go to the Bird Woman's to prepare for both the sermon and Commencement exercises. Since there was so much practising to do, it had been arranged that she should remain there from the night of the sermon until after she was graduated. If Mrs. Comstock decided to attend she was to drive in with the Sintons. When Elnora begged her to come she said she cared nothing about such silliness.

It was almost time for Wesley to come to take Elnora to the city, when fresh from her bath, and dressed to her outer garment, she stood with expectant face before her mother and cried: “Now my dress, mother!”

Mrs. Comstock was pale as she replied: “It's on my bed. Help yourself.”

Elnora opened the door and stepped into her mother's room with never a misgiving. Since the night Margaret and Wesley had brought her clothing, when she first started to school, her mother had selected all of her dresses, with Mrs. Sinton's help made most of them, and Elnora had paid the bills. The white dress of the previous spring was the first made at a dressmaker's. She had worn that as junior usher at Commencement; but her mother had selected the material, had it made, and it had fitted perfectly and had been suitable in every way. So with her heart at rest on that point, Elnora hurried to the bed to find only her last summer's white dress, freshly washed and ironed. For an instant she stared at it, then she picked up the garment, looked at the bed beneath it, and her gaze slowly swept the room.

It was unfamiliar. Perhaps this was the third time she had been in it since she was a very small child. Her eyes ranged over the beautiful walnut dresser, the tall bureau, the big chest, inside which she never had seen, and the row of masculine attire hanging above it. Somewhere a dainty lawn or mull dress simply must be hanging: but it was not. Elnora dropped on the chest because she felt too weak to stand. In less than two hours she must be in the church, at Onabasha. She could not wear a last year's washed dress. She had nothing else. She leaned against the wall and her father's overcoat brushed her face. She caught the folds and clung to it with all her might.

“Oh father! Father!” she moaned. “I need you! I don't believe you would have done this!” At last she opened the door.

“I can't find my dress,” she said.

“Well, as it's the only one there I shouldn't think it would be much trouble.”

“You mean for me to wear an old washed dress to-night?”

“It's a good dress. There isn't a hole in it! There's no reason on earth why you shouldn't wear it.”

“Except that I will not,” said Elnora. “Didn't you provide any dress for Commencement, either?”

“If you soil that to-night, I've plenty of time to wash it again.”

Wesley's voice called from the gate.

“In a minute,” answered Elnora.

She ran upstairs and in an incredibly short time came down wearing one of her gingham school dresses. Her face cold and hard, she passed her mother and went into the night. Half an hour later Margaret and Billy stopped for Mrs. Comstock with the carriage. She had determined fully that she would not go before they called. With the sound of their voices a sort of horror of being left seized her, so she put on her hat, locked the door and went out to them.

“How did Elnora look?” inquired Margaret anxiously.

“Like she always does,” answered Mrs. Comstock curtly.

“I do hope her dresses are as pretty as the others,” said Margaret. “None of them will have prettier faces or nicer ways.”

Wesley was waiting before the big church to take care of the team. As they stood watching the people enter the building, Mrs. Comstock felt herself growing ill. When they went inside among the lights, saw the flower-decked stage, and the masses of finely dressed people, she grew no better. She could hear Margaret and Billy softly commenting on what was being done.

“That first chair in the very front row is Elnora's,” exulted Billy, “cos she's got the highest grades, and so she gets to lead the procession to the platform.”

“The first chair!” “Lead the procession!” Mrs. Comstock was dumbfounded. The notes of the pipe organ began to fill the building in a slow rolling march. Would Elnora lead the procession in a gingham dress? Or would she be absent and her chair vacant on this great occasion? For now, Mrs. Comstock could see that it was a great occasion. Every one would remember how Elnora had played a few nights before, and they would miss her and pity her. Pity? Because she had no one to care for her. Because she was worse off than if she had no mother. For the first time in her life, Mrs. Comstock began to study herself as she would appear to others. Every time a junior girl came fluttering down the aisle, leading some one to a seat, and Mrs. Comstock saw a beautiful white dress pass, a wave of positive illness swept over her. What had she done? What would become of Elnora?

As Elnora rode to the city, she answered Wesley's questions in monosyllables so that he thought she was nervous or rehearsing her speech and did not care to talk. Several times the girl tried to tell him and realized that if she said the first word it would bring uncontrollable tears. The Bird Woman opened the screen and stared unbelievingly.

“Why, I thought you would be ready; you are so late!” she said. “If you have waited to dress here, we must hurry.”

“I have nothing to put on,” said Elnora.

In bewilderment the Bird Woman drew her inside.

“Did—did—” she faltered. “Did you think you would wear that?”

“No. I thought I would telephone Ellen that there had been an accident and I could not come. I don't know yet how to explain. I'm too sick to think. Oh, do you suppose I can get something made by Tuesday, so that I can graduate?”

“Yes; and you'll get something on you to-night, so that you can lead your class, as you have done for four years. Go to my room and take off that gingham, quickly. Anna, drop everything, and come help me.”

The Bird Woman ran to the telephone and called Ellen Brownlee.

“Elnora has had an accident. She will be a little late,” she said. “You have got to make them wait. Have them play extra music before the march.”

Then she turned to the maid. “Tell Benson to have the carriage at the gate, just as soon as he can get it there. Then come to my room. Bring the thread box from the sewing-room, that roll of wide white ribbon on the cutting table, and gather all the white pins from every dresser in the house. But first come with me a minute.”

“I want that trunk with the Swamp Angel's stuff in it, from the cedar closet,” she panted as they reached the top of the stairs.

They hurried down the hall together and dragged the big trunk to the Bird Woman's room. She opened it and began tossing out white stuff.

“How lucky that she left these things!” she cried. “Here are white shoes, gloves, stockings, fans, everything!”

“I am all ready but a dress,” said Elnora.

The Bird Woman began opening closets and pulling out drawers and boxes.

“I think I can make it this way,” she said.

She snatched up a creamy lace yoke with long sleeves that recently had been made for her and held it out. Elnora slipped into it, and the Bird Woman began smoothing out wrinkles and sewing in pins. It fitted very well with a little lapping in the back. Next, from among the Angel's clothing she caught up a white silk waist with low neck and elbow sleeves, and Elnora put it on. It was large enough, but distressingly short in the waist, for the Angel had worn it at a party when she was sixteen. The Bird Woman loosened the sleeves and pushed them to a puff on the shoulders, catching them in places with pins. She began on the wide draping of the yoke, fastening it front, back and at each shoulder. She pulled down the waist and pinned it. Next came a soft white dress skirt of her own. By pinning her waist band quite four inches above Elnora's, the Bird Woman could secure a perfect Empire sweep, with the clinging silk. Then she began with the wide white ribbon that was to trim a new frock for herself, bound it three times around the high waist effect she had managed, tied the ends in a knot and let them fall to the floor in a beautiful sash.

“I want four white roses, each with two or three leaves,” she cried.

Anna ran to bring them, while the Bird Woman added pins.

“Elnora,” she said, “forgive me, but tell me truly. Is your mother so poor as to make this necessary?”

“No,” answered Elnora. “Next year I am heir to my share of over three hundred acres of land covered with almost as valuable timber as was in the Limberlost. We adjoin it. There could be thirty oil wells drilled that would yield to us the thousands our neighbours are draining from under us, and the bare land is worth over one hundred dollars an acre for farming. She is not poor, she is—I don't know what she is. A great trouble soured and warped her. It made her peculiar. She does not in the least understand, but it is because she doesn't care to, instead of ignorance. She does not——”

Elnora stopped.

“She is—is different,” finished the girl.

Anna came with the roses. The Bird Woman set one on the front of the draped yoke, one on each shoulder and the last among the bright masses of brown hair. Then she turned the girl facing the tall mirror.

“Oh!” panted Elnora. “You are a genius! Why, I will look as well as any of them.”

“Thank goodness for that!” cried the Bird Woman. “If it wouldn't do, I should have been ill. You are lovely; altogether lovely! Ordinarily I shouldn't say that; but when I think of how you are carpentered, I'm admiring the result.”

The organ began rolling out the march as they came in sight. Elnora took her place at the head of the procession, while every one wondered. Secretly they had hoped that she would be dressed well enough, that she would not appear poor and neglected. What this radiant young creature, gowned in the most recent style, her smooth skin flushed with excitement, and a rose-set coronet of red gold on her head, had to do with the girl they knew was difficult to decide. The signal was given and Elnora began the slow march across the vestry and down the aisle. The music welled softly, and Margaret began to sob without knowing why.

Mrs. Comstock gripped her hands together and shut her eyes. It seemed an eternity to the suffering woman before Margaret caught her arm and whispered, “Oh, Kate! For any sake look at her! Here! The aisle across!”

Mrs. Comstock opened her eyes and directing them where she was told, gazed intently, and slid down in her seat close to collapse. She was saved by Margaret's tense clasp and her command: “Here! Idiot! Stop that!”

In the blaze of light Elnora climbed the steps to the palm-embowered platform, crossed it and took her place. Sixty young men and women, each of them dressed the best possible, followed her. There were manly, fine-looking men in that class which Elnora led. There were girls of beauty and grace, but not one of them was handsomer or clothed in better taste than she.

Billy thought the time never would come when Elnora would see him, but at last she met his eye, then Margaret and Wesley had faint signs of recognition in turn, but there was no softening of the girl's face and no hint of a smile when she saw her mother.

Heartsick, Katharine Comstock tried to prove to herself that she was justified in what she had done, but she could not. She tried to blame Elnora for not saying that she was to lead a procession and sit on a platform in the sight of hundreds of people; but that was impossible, for she realized that she would have scoffed and not understood if she had been told. Her heart pained until she suffered with every breath.

When at last the exercises were over she climbed into the carriage and rode home without a word. She did not hear what Margaret and Billy were saying. She scarcely heard Wesley, who drove behind, when he told her that Elnora would not be home until Wednesday. Early the next morning Mrs. Comstock was on her way to Onabasha. She was waiting when the Brownlee store opened. She examined ready-made white dresses, but they had only one of the right size, and it was marked forty dollars. Mrs. Comstock did not hesitate over the price, but whether the dress would be suitable. She would have to ask Elnora. She inquired her way to the home of the Bird Woman and knocked.

“Is Elnora Comstock here?” she asked the maid.

“Yes, but she is still in bed. I was told to let her sleep as long as she would.”

“Maybe I could sit here and wait,” said Mrs. Comstock. “I want to see about getting her a dress for to-morrow. I am her mother.”

“Then you don't need wait or worry,” said the girl cheerfully. “There are two women up in the sewing-room at work on a dress for her right now. It will be done in time, and it will be a beauty.”

Mrs. Comstock turned and trudged back to the Limberlost. The bitterness in her soul became a physical actuality, which water would not wash from her lips. She was too late! She was not needed. Another woman was mothering her girl. Another woman would prepare a beautiful dress such as Elnora had worn the previous night. The girl's love and gratitude would go to her. Mrs. Comstock tried the old process of blaming some one else, but she felt no better. She nursed her grief as closely as ever in the long days of the girl's absence. She brooded over Elnora's possession of the forbidden violin and her ability to play it until the performance could not have been told from her father's. She tried every refuge her mind could conjure, to quiet her heart and remove the fear that the girl never would come home again, but it persisted. Mrs. Comstock could neither eat nor sleep. She wandered around the cabin and garden. She kept far from the pool where Robert Comstock had sunk from sight for she felt that it would entomb her also if Elnora did not come home Wednesday morning. The mother told herself that she would wait, but the waiting was as bitter as anything she ever had known.

When Elnora awoke Monday another dress was in the hands of a seamstress and was soon fitted. It had belonged to the Angel, and was a soft white thing that with a little alteration would serve admirably for Commencement and the ball. All that day Elnora worked, helping prepare the auditorium for the exercises, rehearsing the march and the speech she was to make in behalf of the class. The following day was even busier. But her mind was at rest, for the dress was a soft delicate lace easy to change, and the marks of alteration impossible to detect.

The Bird Woman had telephoned to Grand Rapids, explained the situation and asked the Angel if she might use it. The reply had been to give the girl the contents of the chest. When the Bird Woman told Elnora, tears filled her eyes.

“I will write at once and thank her,” she said. “With all her beautiful gowns she does not need them, and I do. They will serve for me often, and be much finer than anything I could afford. It is lovely of her to give me the dress and of you to have it altered for me, as I never could.”

The Bird Woman laughed. “I feel religious to-day,” she said. “You know the first and greatest rock of my salvation is 'Do unto others.' I'm only doing to you what there was no one to do for me when I was a girl very like you. Anna tells me your mother was here early this morning and that she came to see about getting you a dress.”

“She is too late!” said Elnora coldly. “She had over a month to prepare my dresses, and I was to pay for them, so there is no excuse.”

“Nevertheless, she is your mother,” said the Bird Woman, softly. “I think almost any kind of a mother must be better than none at all, and you say she has had great trouble.”

“She loved my father and he died,” said Elnora. “The same thing, in quite as tragic a manner, has happened to thousands of other women, and they have gone on with calm faces and found happiness in life by loving others. There was something else I am afraid I never shall forget; this I know I shall not, but talking does not help. I must deliver my presents and photographs to the crowd. I have a picture and I made a present for you, too, if you would care for them.”

“I shall love anything you give me,” said the Bird Woman. “I know you well enough to know that whatever you do will be beautiful.”

Elnora was pleased over that, and as she tried on her dress for the last fitting she was really happy. She was lovely in the dainty gown: it would serve finely for the ball and many other like occasions, and it was her very own.

The Bird Woman's driver took Elnora in the carriage and she called on all the girls with whom she was especially intimate, and left her picture and the package containing her gift to them. By the time she returned parcels for her were arriving. Friends seemed to spring from everywhere. Almost every one she knew had some gift for her, while because they so loved her the members of her crowd had made her beautiful presents. There were books, vases, silver pieces, handkerchiefs, fans, boxes of flowers and candy. One big package settled the trouble at Sinton's, for it contained a dainty dress from Margaret, a five-dollar gold piece, conspicuously labelled, “I earned this myself,” from Billy, with which to buy music; and a gorgeous cut-glass perfume bottle, it would have cost five dollars to fill with even a moderate-priced scent, from Wesley.

In an expressed crate was a fine curly-maple dressing table, sent by Freckles. The drawers were filled with wonderful toilet articles from the Angel. The Bird Woman added an embroidered linen cover and a small silver vase for a few flowers, so no girl of the class had finer gifts. Elnora laid her head on the table sobbing happily, and the Bird Woman was almost crying herself. Professor Henley sent a butterfly book, the grade rooms in which Elnora had taught gave her a set of volumes covering every phase of life afield, in the woods, and water. Elnora had no time to read so she carried one of these books around with her hugging it as she went. After she had gone to dress a queer-looking package was brought by a small boy who hopped on one foot as he handed it in and said: “Tell Elnora that is from her ma.”

“Who are you?” asked the Bird Woman as she took the bundle.

“I'm Billy!” announced the boy. “I gave her the five dollars. I earned it myself dropping corn, sticking onions, and pulling weeds. My, but you got to drop, and stick, and pull a lot before it's five dollars' worth.”

“Would you like to come in and see Elnora's gifts?”

“Yes, ma'am!” said Billy, trying to stand quietly.

“Gee-mentley!” he gasped. “Does Elnora get all this?”


“I bet you a thousand dollars I be first in my class when I graduate. Say, have the others got a lot more than Elnora?”

“I think not.”

“Well, Uncle Wesley said to find out if I could, and if she didn't have as much as the rest, he'd buy till she did, if it took a hundred dollars. Say, you ought to know him! He's just scrumptious! There ain't anybody any where finer 'an he is. My, he's grand!”

“I'm very sure of it!” said the Bird Woman. “I've often heard Elnora say so.”

“I bet you nobody can beat this!” he boasted. Then he stopped, thinking deeply. “I don't know, though,” he began reflectively. “Some of them are awful rich; they got big families to give them things and wagon loads of friends, and I haven't seen what they have. Now, maybe Elnora is getting left, after all!”

“Don't worry, Billy,” she said. “I will watch, and if I find Elnora is 'getting left' I'll buy her some more things myself. But I'm sure she is not. She has more beautiful gifts now than she will know what to do with, and others will come. Tell your Uncle Wesley his girl is bountifully remembered, very happy, and she sends her dearest love to all of you. Now you must go, so I can help her dress. You will be there to-night of course?”

“Yes, sir-ee! She got me a seat, third row from the front, middle section, so I can see, and she's going to wink at me, after she gets her speech off her mind. She kissed me, too! She's a perfect lady, Elnora is. I'm going to marry her when I am big enough.”

“Why isn't that splendid!” laughed the Bird Woman as she hurried upstairs.

“Dear!” she called. “Here is another gift for you.”

Elnora was half disrobed as she took the package and, sitting on a couch, opened it. The Bird Woman bent over her and tested the fabric with her fingers.

“Why, bless my soul!” she cried. “Hand-woven, hand-embroidered linen, fine as silk. It's priceless' I haven't seen such things in years. My mother had garments like those when I was a child, but my sisters had them cut up for collars, belts, and fancy waists while I was small. Look at the exquisite work!”

“Where could it have come from?” cried Elnora.

She shook out a petticoat, with a hand-wrought ruffle a foot deep, then an old-fashioned chemise the neck and sleeve work of which was elaborate and perfectly wrought. On the breast was pinned a note that she hastily opened.

“I was married in these,” it read, “and I had intended to be buried in them, but perhaps it would be more sensible for you to graduate and get married in them yourself, if you like. Your mother.”

“From my mother!” Wide-eyed, Elnora looked at the Bird Woman. “I never in my life saw the like. Mother does things I think I never can forgive, and when I feel hardest, she turns around and does something that makes me think she just must love me a little bit, after all. Any of the girls would give almost anything to graduate in hand-embroidered linen like that. Money can't buy such things. And they came when I was thinking she didn't care what became of me. Do you suppose she can be insane?”

“Yes,” said the Bird Woman. “Wildly insane, if she does not love you and care what becomes of you.”

Elnora arose and held the petticoat to her. “Will you look at it?” she cried. “Only imagine her not getting my dress ready, and then sending me such a petticoat as this! Ellen would pay fifty dollars for it and never blink. I suppose mother has had it all my life, and I never saw it before.”

“Go take your bath and put on those things,” said the Bird Woman. “Forget everything and be happy. She is not insane. She is embittered. She did not understand how things would be. When she saw, she came at once to provide you a dress. This is her way of saying she is sorry she did not get the other. You notice she has not spent any money, so perhaps she is quite honest in saying she has none.”

“Oh, she is honest!” said Elnora. “She wouldn't care enough to tell an untruth. She'd say just how things were, no matter what happened.”

Soon Elnora was ready for her dress. She never had looked so well as when she again headed the processional across the flower and palm decked stage of the high school auditorium. As she sat there she could have reached over and dropped a rose she carried into the seat she had occupied that September morning when she entered the high school. She spoke the few words she had to say in behalf of the class beautifully, had the tiny wink ready for Billy, and the smile and nod of recognition for Wesley and Margaret. When at last she looked into the eyes of a white-faced woman next them, she slipped a hand to her side and raised her skirt the fraction of an inch, just enough to let the embroidered edge of a petticoat show a trifle. When she saw the look of relief which flooded her mother's face, Elnora knew that forgiveness was in her heart, and that she would go home in the morning.

It was late afternoon before she arrived, and a dray followed with a load of packages. Mrs. Comstock was overwhelmed. She sat half dazed and made Elnora show her each costly and beautiful or simple and useful gift, tell her carefully what it was and from where it came. She studied the faces of Elnora's particular friends. The gifts from them had to be set in a group. Several times she started to speak and then stopped. At last, between her dry lips, came a harsh whisper.

“Elnora, what did you give back for these things?”

“I'll show you,” said Elnora cheerfully. “I made the same gifts for the Bird Woman, Aunt Margaret and you if you care for it. But I have to run upstairs to get it.”

When she returned she handed her mother an oblong frame, hand carved, enclosing Elnora's picture, taken by a schoolmate's camera. She wore her storm-coat and carried a dripping umbrella. From under it looked her bright face; her books and lunchbox were on her arm, and across the bottom of the frame was carved, “Your Country Classmate.”

Then she offered another frame.

“I am strong on frames,” she said. “They seemed to be the best I could do without money. I located the maple and the black walnut myself, in a little corner that had been overlooked between the river and the ditch. They didn't seem to belong to any one so I just took them. Uncle Wesley said it was all right, and he cut and hauled them for me. I gave the mill half of each tree for sawing and curing the remainder. Then I gave the wood-carver half of that for making my frames. A photographer gave me a lot of spoiled plates, and I boiled off the emulsion, and took the specimens I framed from my stuff. The man said the white frames were worth three and a half, and the black ones five. I exchanged those little framed pictures for the photographs of the others. For presents, I gave each one of my crowd one like this, only a different moth. The Bird Woman gave me the birch bark. She got it up north last summer.”

Elnora handed her mother a handsome black-walnut frame a foot and a half wide by two long. It finished a small, shallow glass-covered box of birch bark, to the bottom of which clung a big night moth with delicate pale green wings and long exquisite trailers.

“So you see I did not have to be ashamed of my gifts,” said Elnora. “I made them myself and raised and mounted the moths.”

“Moth, you call it,” said Mrs. Comstock. “I've seen a few of the things before.”

“They are numerous around us every June night, or at least they used to be,” said Elnora. “I've sold hundreds of them, with butterflies, dragonflies, and other specimens. Now, I must put away these and get to work, for it is almost June and there are a few more I want dreadfully. If I find them I will be paid some money for which I have been working.”

She was afraid to say college at that time. She thought it would be better to wait a few days and see if an opportunity would not come when it would work in more naturally. Besides, unless she could secure the Yellow Emperor she needed to complete her collection, she could not talk college until she was of age, for she would have no money.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:23 am


“Elnora, bring me the towel, quick!” cried Mrs Comstock.

“In a minute, mother,” mumbled Elnora.

She was standing before the kitchen mirror, tying the back part of her hair, while the front turned over her face.

“Hurry! There's a varmint of some kind!”

Elnora ran into the sitting-room and thrust the heavy kitchen towel into her mother's hand. Mrs. Comstock swung open the screen door and struck at some object, Elnora tossed the hair from her face so that she could see past her mother. The girl screamed wildly.

“Don't! Mother, don't!”

Mrs. Comstock struck again. Elnora caught her arm. “It's the one I want! It's worth a lot of money! Don't! Oh, you shall not!”

“Shan't, missy?” blazed Mrs. Comstock. “When did you get to bossing me?”

The hand that held the screen swept a half-circle and stopped at Elnora's cheek. She staggered with the blow, and across her face, paled with excitement, a red mark arose rapidly. The screen slammed shut, throwing the creature on the floor before them. Instantly Mrs. Comstock crushed it with her foot. Elnora stepped back. Excepting the red mark, her face was very white.

“That was the last moth I needed,” she said, “to complete a collection worth three hundred dollars. You've ruined it before my eyes!”

“Moth!” cried Mrs. Comstock. “You say that because you are mad. Moths have big wings. I know a moth!”

“I've kept things from you,” said Elnora, “because I didn't dare confide in you. You had no sympathy with me. But you know I never told you untruths in all my life.”

“It's no moth!” reiterated Mrs. Comstock.

“It is!” cried Elnora. “It's from a case in the ground. Its wings take two or three hours to expand and harden.”

“If I had known it was a moth——” Mrs. Comstock wavered.

“You did know! I told you! I begged you to stop! It meant just three hundred dollars to me.”

“Bah! Three hundred fiddlesticks!”

“They are what have paid for books, tuition, and clothes for the past four years. They are what I could have started on to college. You've ruined the very one I needed. You never made any pretence of loving me. At last I'll be equally frank with you. I hate you! You are a selfish, wicked woman! I hate you!”

Elnora turned, went through the kitchen and from the back door. She followed the garden path to the gate and walked toward the swamp a short distance when reaction overtook her. She dropped on the ground and leaned against a big log. When a little child, desperate as now, she had tried to die by holding her breath. She had thought in that way to make her mother sorry, but she had learned that life was a thing thrust upon her and she could not leave it at her wish.

She was so stunned over the loss of that moth, which she had childishly named the Yellow Emperor, that she scarcely remembered the blow. She had thought no luck in all the world would be so rare as to complete her collection; now she had been forced to see a splendid Imperialis destroyed before her. There was a possibility that she could find another, but she was facing the certainty that the one she might have had and with which she undoubtedly could have attracted others, was spoiled by her mother. How long she sat there Elnora did not know or care. She simply suffered in dumb, abject misery, an occasional dry sob shaking her. Aunt Margaret was right. Elnora felt that morning that her mother never would be any different. The girl had reached the place where she realized that she could endure it no longer.

As Elnora left the room, Mrs. Comstock took one step after her.

“You little huzzy!” she gasped.

But Elnora was gone. Her mother stood staring.

“She never did lie to me,” she muttered. “I guess it was a moth. And the only one she needed to get three hundred dollars, she said. I wish I hadn't been so fast! I never saw anything like it. I thought it was some deadly, stinging, biting thing. A body does have to be mighty careful here. But likely I've spilt the milk now. Pshaw! She can find another! There's no use to be foolish. Maybe moths are like snakes, where there's one, there are two.”

Mrs. Comstock took the broom and swept the moth out of the door. Then she got down on her knees and carefully examined the steps, logs and the earth of the flower beds at each side. She found the place where the creature had emerged from the ground, and the hard, dark-brown case which had enclosed it, still wet inside. Then she knew Elnora had been right. It was a moth. Its wings had been damp and not expanded. Mrs. Comstock never before had seen one in that state, and she did not know how they originated. She had thought all of them came from cases spun on trees or against walls or boards. She had seen only enough to know that there were such things; as a flash of white told her that an ermine was on her premises, or a sharp “buzzzzz” warned her of a rattler.

So it was from creatures like that Elnora had secured her school money. In one sickening sweep there rushed into the heart of the woman a full realization of the width of the gulf that separated her from her child. Lately many things had pointed toward it, none more plainly than when Elnora, like a reincarnation of her father, had stood fearlessly before a large city audience and played with even greater skill than he, on what Mrs. Comstock felt very certain was his violin. But that little crawling creature of earth, crushed by her before its splendid yellow and lavender wings could spread and carry it into the mystery of night, had performed a miracle.

“We are nearer strangers to each other than we are with any of the neighbours,” she muttered.

So one of the Almighty's most delicate and beautiful creations was sacrificed without fulfilling the law, yet none of its species ever served so glorious a cause, for at last Mrs. Comstock's inner vision had cleared. She went through the cabin mechanically. Every few minutes she glanced toward the back walk to see if Elnora were coming. She knew arrangements had been made with Margaret to go to the city some time that day, so she grew more nervous and uneasy every moment. She was haunted by the fear that the blow might discolour Elnora's cheek; that she would tell Margaret. She went down the back walk, looking intently in all directions, left the garden and followed the swamp path. Her step was noiseless on the soft, black earth, and soon she came close enough to see Elnora. Mrs. Comstock stood looking at the girl in troubled uncertainty. Not knowing what to say, at last she turned and went back to the cabin.

Noon came and she prepared dinner, calling, as she always did, when Elnora was in the garden, but she got no response, and the girl did not come. A little after one o'clock Margaret stopped at the gate.

“Elnora has changed her mind. She is not going,” called Mrs. Comstock.

She felt that she hated Margaret as she hitched her horse and came up the walk instead of driving on.

“You must be mistaken,” said Margaret. “I was going on purpose for her. She asked me to take her. I had no errand. Where is she?”

“I will call her,” said Mrs. Comstock.

She followed the path again, and this time found Elnora sitting on the log. Her face was swollen and discoloured, and her eyes red with crying. She paid no attention to her mother.

“Mag Sinton is here,” said Mrs. Comstock harshly. “I told her you had changed your mind, but she said you asked her to go with you, and she had nothing to go for herself.”

Elnora arose, recklessly waded through the deep swamp grasses and so reached the path ahead of her mother. Mrs. Comstock followed as far as the garden, but she could not enter the cabin. She busied herself among the vegetables, barely looking up when the back-door screen slammed noisily. Margaret Sinton approached colourless, her eyes so angry that Mrs. Comstock shrank back.

“What's the matter with Elnora's face?” demanded Margaret.

Mrs. Comstock made no reply.

“You struck her, did you?”

“I thought you wasn't blind!”

“I have been, for twenty long years now, Kate Comstock,” said Margaret Sinton, “but my eyes are open at last. What I see is that I've done you no good and Elnora a big wrong. I had an idea that it would kill you to know, but I guess you are tough enough to stand anything. Kill or cure, you get it now!”

“What are you frothing about?” coolly asked Mrs. Comstock.

“You!” cried Margaret. “You! The woman who doesn't pretend to love her only child. Who lets her grow to a woman, as you have let Elnora, and can't be satisfied with every sort of neglect, but must add abuse yet; and all for a fool idea about a man who wasn't worth his salt!”

Mrs. Comstock picked up a hoe.

“Go right on!” she said. “Empty yourself. It's the last thing you'll ever do!”

“Then I'll make a tidy job of it,” said Margaret. “You'll not touch me. You'll stand there and hear the truth at last, and because I dare face you and tell it, you will know in your soul it is truth. When Robert Comstock shaved that quagmire out there so close he went in, he wanted to keep you from knowing where he was coming from. He'd been to see Elvira Carney. They had plans to go to a dance that night——”

“Close your lips!” said Mrs. Comstock in a voice of deadly quiet.

“You know I wouldn't dare open them if I wasn't telling you the truth. I can prove what I say. I was coming from Reeds. It was hot in the woods and I stopped at Carney's as I passed for a drink. Elvira's bedridden old mother heard me, and she was so crazy for some one to talk with, I stepped in a minute. I saw Robert come down the path. Elvira saw him, too, so she ran out of the house to head him off. It looked funny, and I just deliberately moved where I could see and hear. He brought her his violin, and told her to get ready and meet him in the woods with it that night, and they would go to a dance. She took it and hid it in the loft to the well-house and promised she'd go.”

“Are you done?” demanded Mrs. Comstock.

“No. I am going to tell you the whole story. You don't spare Elnora anything. I shan't spare you. I hadn't been here that day, but I can tell you just how he was dressed, which way he went and every word they said, though they thought I was busy with her mother and wouldn't notice them. Put down your hoe, Kate. I went to Elvira, told her what I knew and made her give me Comstock's violin for Elnora over three years ago. She's been playing it ever since. I won't see her slighted and abused another day on account of a man who would have broken your heart if he had lived. Six months more would have showed you what everybody else knew. He was one of those men who couldn't trust himself, and so no woman was safe with him. Now, will you drop grieving over him, and do Elnora justice?”

Mrs. Comstock grasped the hoe tighter and turning she went down the walk, and started across the woods to the home of Elvira Carney. With averted head she passed the pool, steadily pursuing her way. Elvira Carney, hanging towels across the back fence, saw her coming and went toward the gate to meet her. Twenty years she had dreaded that visit. Since Margaret Sinton had compelled her to produce the violin she had hidden so long, because she was afraid to destroy it, she had come closer expectation than dread. The wages of sin are the hardest debts on earth to pay, and they are always collected at inconvenient times and unexpected places. Mrs. Comstock's face and hair were so white, that her dark eyes seemed burned into their setting. Silently she stared at the woman before her a long time.

“I might have saved myself the trouble of coming,” she said at last, “I see you are guilty as sin!”

“What has Mag Sinton been telling you?” panted the miserable woman, gripping the fence.

“The truth!” answered Mrs. Comstock succinctly. “Guilt is in every line of your face, in your eyes, all over your wretched body. If I'd taken a good look at you any time in all these past years, no doubt I could have seen it just as plain as I can now. No woman or man can do what you've done, and not get a mark set on them for every one to read.”

“Mercy!” gasped weak little Elvira Carney. “Have mercy!”

“Mercy?” scoffed Mrs. Comstock. “Mercy! That's a nice word from you! How much mercy did you have on me? Where's the mercy that sent Comstock to the slime of the bottomless quagmire, and left me to see it, and then struggle on in agony all these years? How about the mercy of letting me neglect my baby all the days of her life? Mercy! Do you really dare use the word to me?”

“If you knew what I've suffered!”

“Suffered?” jeered Mrs. Comstock. “That's interesting. And pray, what have you suffered?”

“All the neighbours have suspected and been down on me. I ain't had a friend. I've always felt guilty of his death! I've seen him go down a thousand times, plain as ever you did. Many's the night I've stood on the other bank of that pool and listened to you, and I tried to throw myself in to keep from hearing you, but I didn't dare. I knew God would send me to burn forever, but I'd better done it; for now, He has set the burning on my body, and every hour it is slowly eating the life out of me. The doctor says it's a cancer——”

Mrs. Comstock exhaled a long breath. Her grip on the hoe relaxed and her stature lifted to towering height.

“I didn't know, or care, when I came here, just what I did,” she said. “But my way is beginning to clear. If the guilt of your soul has come to a head, in a cancer on your body, it looks as if the Almighty didn't need any of my help in meting out His punishments. I really couldn't fix up anything to come anywhere near that. If you are going to burn until your life goes out with that sort of fire, you don't owe me anything!”

“Oh, Katharine Comstock!” groaned Elvira Carney, clinging to the fence for support.

“Looks as if the Bible is right when it says, 'The wages of sin is death,' doesn't it?” asked Mrs. Comstock. “Instead of doing a woman's work in life, you chose the smile of invitation, and the dress of unearned cloth. Now you tell me you are marked to burn to death with the unquenchable fire. And him! It was shorter with him, but let me tell you he got his share! He left me with an untruth on his lips, for he told me he was going to take his violin to Onabasha for a new key, when he carried it to you. Every vow of love and constancy he ever made me was a lie, after he touched your lips, so when he tried the wrong side of the quagmire, to hide from me the direction in which he was coming, it reached out for him, and it got him. It didn't hurry, either! It sucked him down, slow and deliberate.”

“Mercy!” groaned Elvira Carney. “Mercy!”

“I don't know the word,” said Mrs. Comstock. “You took all that out of me long ago. The past twenty years haven't been of the sort that taught mercy. I've never had any on myself and none on my child. Why in the name of justice, should I have mercy on you, or on him? You were both older than I, both strong, sane people, you deliberately chose your course when you lured him, and he, when he was unfaithful to me. When a Loose Man and a Light Woman face the end the Almighty ordained for them, why should they shout at me for mercy? What did I have to do with it?”

Elvira Carney sobbed in panting gasps.

“You've got tears, have you?” marvelled Mrs. Comstock. “Mine all dried long ago. I've none left to shed over my wasted life, my disfigured face and hair, my years of struggle with a man's work, my wreck of land among the tilled fields of my neighbours, or the final knowledge that the man I so gladly would have died to save, wasn't worth the sacrifice of a rattlesnake. If anything yet could wring a tear from me, it would be the thought of the awful injustice I always have done my girl. If I'd lay hand on you for anything, it would be for that.”

“Kill me if you want to,” sobbed Elvira Carney. “I know that I deserve it, and I don't care.”

“You are getting your killing fast enough to suit me,” said Mrs. Comstock. “I wouldn't touch you, any more than I would him, if I could. Once is all any man or woman deceives me about the holiest things of life. I wouldn't touch you any more than I would the black plague. I am going back to my girl.”

Mrs. Comstock turned and started swiftly through the woods, but she had gone only a few rods when she stopped, and leaning on the hoe, she stood thinking deeply. Then she turned back. Elvira still clung to the fence, sobbing bitterly.

“I don't know,” said Mrs. Comstock, “but I left a wrong impression with you. I don't want you to think that I believe the Almighty set a cancer to burning you as a punishment for your sins. I don't! I think a lot more of the Almighty. With a whole sky-full of worlds on His hands to manage, I'm not believing that He has time to look down on ours, and pick you out of all the millions of us sinners, and set a special kind of torture to eating you. It wouldn't be a gentlemanly thing to do, and first of all, the Almighty is bound to be a gentleman. I think likely a bruise and bad blood is what caused your trouble. Anyway, I've got to tell you that the cleanest housekeeper I ever knew, and one of the noblest Christian women, was slowly eaten up by a cancer. She got hers from the careless work of a poor doctor. The Almighty is to forgive sin and heal disease, not to invent and spread it.”

She had gone only a few steps when she again turned back.

“If you will gather a lot of red clover bloom, make a tea strong as lye of it, and drink quarts, I think likely it will help you, if you are not too far gone. Anyway, it will cool your blood and make the burning easier to bear.”

Then she swiftly went home. Enter the lonely cabin she could not, neither could she sit outside and think. She attacked a bed of beets and hoed until the perspiration ran from her face and body, then she began on the potatoes. When she was too tired to take another stroke she bathed and put on dry clothing. In securing her dress she noticed her husband's carefully preserved clothing lining one wall. She gathered it in an armload and carried it to the swamp. Piece by piece she pitched into the green maw of the quagmire all those articles she had dusted carefully and fought moths from for years, and stood watching as it slowly sucked them down. She went back to her room and gathered every scrap that had in any way belonged to Robert Comstock, excepting his gun and revolver, and threw it into the swamp. Then for the first time she set her door wide open.

She was too weary now to do more, but an urging unrest drove her. She wanted Elnora. It seemed to her she never could wait until the girl came and delivered her judgment. At last in an effort to get nearer to her, Mrs. Comstock climbed the stairs and stood looking around Elnora's room. It was very unfamiliar. The pictures were strange to her. Commencement had filled it with packages and bundles. The walls were covered with cocoons; moths and dragonflies were pinned everywhere. Under the bed she could see half a dozen large white boxes. She pulled out one and lifted the lid. The bottom was covered with a sheet of thin cork, and on long pins sticking in it were large, velvet-winged moths. Each one was labelled, always there were two of a kind, in many cases four, showing under and upper wings of both male and female. They were of every colour and shape.

Mrs. Comstock caught her breath sharply. When and where had Elnora found them? They were the most exquisite sight the woman ever had seen, so she opened all the boxes to feast on their beautiful contents. As she did so there came more fully a sense of the distance between her and her child. She could not understand how Elnora had gone to school, and performed so much work secretly. When it was finished, to the last moth, she, the mother who should have been the first confidant and helper, had been the one to bring disappointment. Small wonder Elnora had come to hate her.

Mrs. Comstock carefully closed and replaced the boxes; and again stood looking around the room. This time her eyes rested on some books she did not remember having seen before, so she picked up one and found that it was a moth book. She glanced over the first pages and was soon eagerly reading. When the text reached the classification of species, she laid it down, took up another and read the introductory chapters. By that time her brain was in a confused jumble of ideas about capturing moths with differing baits and bright lights.

She went down stairs thinking deeply. Being unable to sit still and having nothing else to do she glanced at the clock and began preparing supper. The work dragged. A chicken was snatched up and dressed hurriedly. A spice cake sprang into being. Strawberries that had been intended for preserves went into shortcake. Delicious odours crept from the cabin. She put many extra touches on the table and then commenced watching the road. Everything was ready, but Elnora did not come. Then began the anxious process of trying to keep cooked food warm and not spoil it. The birds went to bed and dusk came. Mrs. Comstock gave up the fire and set the supper on the table. Then she went out and sat on the front-door step watching night creep around her. She started eagerly as the gate creaked, but it was only Wesley Sinton coming.

“Katharine, Margaret and Elnora passed where I was working this afternoon, and Margaret got out of the carriage and called me to the fence. She told me what she had done. I've come to say to you that I am sorry. She has heard me threaten to do it a good many times, but I never would have got it done. I'd give a good deal if I could undo it, but I can't, so I've come to tell you how sorry I am.”

“You've got something to be sorry for,” said Mrs. Comstock, “but likely we ain't thinking of the same thing. It hurts me less to know the truth, than to live in ignorance. If Mag had the sense of a pewee, she'd told me long ago. That's what hurts me, to think that both of you knew Robert was not worth an hour of honest grief, yet you'd let me mourn him all these years and neglect Elnora while I did it. If I have anything to forgive you, that is what it is.”

Wesley removed his hat and sat on a bench.

“Katharine,” he said solemnly, “nobody ever knows how to take you.”

“Would it be asking too much to take me for having a few grains of plain common sense?” she inquired. “You've known all this time that Comstock got what he deserved, when he undertook to sneak in an unused way across a swamp, with which he was none too familiar. Now I should have thought that you'd figure that knowing the same thing would be the best method to cure me of pining for him, and slighting my child.”

“Heaven only knows we have thought of that, and talked of it often, but we were both too big cowards. We didn't dare tell you.”

“So you have gone on year after year, watching me show indifference to Elnora, and yet a little horse-sense would have pointed out to you that she was my salvation. Why look at it! Not married quite a year. All his vows of love and fidelity made to me before the Almighty forgotten in a few months, and a dance and a Light Woman so alluring he had to lie and sneak for them. What kind of a prospect is that for a life? I know men and women. An honourable man is an honourable man, and a liar is a liar; both are born and not made. One cannot change to the other any more than that same old leopard can change its spots. After a man tells a woman the first untruth of that sort, the others come piling thick, fast, and mountain high. The desolation they bring in their wake overshadows anything I have suffered completely. If he had lived six months more I should have known him for what he was born to be. It was in the blood of him. His father and grandfather before him were fiddling, dancing people; but I was certain of him. I thought we could leave Ohio and come out here alone, and I could so love him and interest him in his work, that he would be a man. Of all the fool, fruitless jobs, making anything of a creature that begins by deceiving her, is the foolest a sane woman ever undertook. I am more than sorry you and Margaret didn't see your way clear to tell me long ago. I'd have found it out in a few more months if he had lived, and I wouldn't have borne it a day. The man who breaks his vows to me once, doesn't get the second chance. I give truth and honour. I have a right to ask it in return. I am glad I understand at last. Now, if Elnora will forgive me, we will take a new start and see what we can make out of what is left of life. If she won't, then it will be my time to learn what suffering really means.”

“But she will,” said Wesley. “She must! She can't help it when things are explained.”

“I notice she isn't hurrying any about coming home. Do you know where she is or what she is doing?”

“I do not. But likely she will be along soon. I must go help Billy with the night work. Good-bye, Katharine. Thank the Lord you have come to yourself at last!”

They shook hands and Wesley went down the road while Mrs. Comstock entered the cabin. She could not swallow food. She stood in the back door watching the sky for moths, but they did not seem to be very numerous. Her spirits sank and she breathed unevenly. Then she heard the front screen. She reached the middle door as Elnora touched the foot of the stairs.

“Hurry, and get ready, Elnora,” she said. “Your supper is almost spoiled now.”

Elnora closed the stair door behind her, and for the first time in her life, threw the heavy lever which barred out anyone from down stairs. Mrs. Comstock heard the thud, and knew what it meant. She reeled slightly and caught the doorpost for support. For a few minutes she clung there, then sank to the nearest chair. After a long time she arose and stumbling half blindly, she put the food in the cupboard and covered the table. She took the lamp in one hand, the butter in the other, and started to the spring house. Something brushed close by her face, and she looked just in time to see a winged creature rise above the cabin and sail away.

“That was a night bird,” she muttered. As she stopped to set the butter in the water, came another thought. “Perhaps it was a moth!” Mrs. Comstock dropped the butter and hurried out with the lamp; she held it high above her head and waited until her arms ached. Small insects of night gathered, and at last a little dusty miller, but nothing came of any size.

“I must go where they are, if I get them,” muttered Mrs. Comstock.

She went to the barn after the stout pair of high boots she used in feeding stock in deep snow. Throwing these beside the back door she climbed to the loft over the spring house, and hunted an old lard oil lantern and one of first manufacture for oil. Both these she cleaned and filled. She listened until everything up stairs had been still for over half an hour. By that time it was past eleven o'clock. Then she took the lantern from the kitchen, the two old ones, a handful of matches, a ball of twine, and went from the cabin, softly closing the door.

Sitting on the back steps, she put on the boots, and then stood gazing into the perfumed June night, first in the direction of the woods on her land, then toward the Limberlost. Its outline was so dark and forbidding she shuddered and went down the garden, following the path toward the woods, but as she neared the pool her knees wavered and her courage fled. The knowledge that in her soul she was now glad Robert Comstock was at the bottom of it made a coward of her, who fearlessly had mourned him there, nights untold. She could not go on. She skirted the back of the garden, crossed a field, and came out on the road. Soon she reached the Limberlost. She hunted until she found the old trail, then followed it stumbling over logs and through clinging vines and grasses. The heavy boots clumped on her feet, overhanging branches whipped her face and pulled her hair. But her eyes were on the sky as she went straining into the night, hoping to find signs of a living creature on wing.

By and by she began to see the wavering flight of something she thought near the right size. She had no idea where she was, but she stopped, lighted a lantern and hung it as high as she could reach. A little distance away she placed the second and then the third. The objects came nearer and sick with disappointment she saw that they were bats. Crouching in the damp swamp grasses, without a thought of snakes or venomous insects, she waited, her eyes roving from lantern to lantern. Once she thought a creature of high flight dropped near the lard oil light, so she arose breathlessly waiting, but either it passed or it was an illusion. She glanced at the old lantern, then at the new, and was on her feet in an instant creeping close. Something large as a small bird was fluttering around. Mrs. Comstock began to perspire, while her hand shook wildly. Closer she crept and just as she reached for it, something similar swept past and both flew away together.

Mrs. Comstock set her teeth and stood shivering. For a long time the locusts rasped, the whip-poor-wills cried and a steady hum of night life throbbed in her ears. Away in the sky she saw something coming when it was no larger than a falling leaf. Straight toward the light it flew. Mrs. Comstock began to pray aloud.

“This way, O Lord! Make it come this way! Please! O Lord, send it lower!”

The moth hesitated at the first light, then slowly, easily it came toward the second, as if following a path of air. It touched a leaf near the lantern and settled. As Mrs. Comstock reached for it a thin yellow spray wet her hand and the surrounding leaves. When its wings raised above its back, her fingers came together. She held the moth to the light. It was nearer brown than yellow, and she remembered having seen some like it in the boxes that afternoon. It was not the one needed to complete the collection, but Elnora might want it, so Mrs. Comstock held on. Then the Almighty was kind, or nature was sufficient, as you look at it, for following the law of its being when disturbed, the moth again threw the spray by which some suppose it attracts its kind, and liberally sprinkled Mrs. Comstock's dress front and arms. From that instant, she became the best moth bait ever invented. Every Polyphemus in range hastened to her, and other fluttering creatures of night followed. The influx came her way. She snatched wildly here and there until she had one in each hand and no place to put them. She could see more coming, and her aching heart, swollen with the strain of long excitement, hurt pitifully. She prayed in broken exclamations that did not always sound reverent, but never was human soul in more intense earnest.

Moths were coming. She had one in each hand. They were not yellow, and she did not know what to do. She glanced around to try to discover some way to keep what she had, and her throbbing heart stopped and every muscle stiffened. There was the dim outline of a crouching figure not two yards away, and a pair of eyes their owner thought hidden, caught the light in a cold stream. Her first impulse was to scream and fly for life. Before her lips could open a big moth alighted on her breast while she felt another walking over her hair. All sense of caution deserted her. She did not care to live if she could not replace the yellow moth she had killed. She turned her eyes to those among the leaves.

“Here, you!” she cried hoarsely. “I need you! Get yourself out here, and help me. These critters are going to get away from me. Hustle!”

Pete Corson parted the bushes and stepped into the light.

“Oh, it's you!” said Mrs. Comstock. “I might have known! But you gave me a start. Here, hold these until I make some sort of bag for them. Go easy! If you break them I don't guarantee what will happen to you!”

“Pretty fierce, ain't you!” laughed Pete, but he advanced and held out his hands. “For Elnora, I s'pose?”

“Yes,” said Mrs. Comstock. “In a mad fit, I trampled one this morning, and by the luck of the old boy himself it was the last moth she needed to complete a collection. I got to get another one or die.”

“Then I guess it's your funeral,” said Pete. “There ain't a chance in a dozen the right one will come. What colour was it?”

“Yellow, and big as a bird.”

“The Emperor, likely,” said Pete. “You dig for that kind, and they are not numerous, so's 'at you can smash 'em for fun.”

“Well, I can try to get one, anyway,” said Mrs. Comstock. “I forgot all about bringing anything to put them in. You take a pinch on their wings until I make a poke.”

Mrs. Comstock removed her apron, tearing off the strings. She unfastened and stepped from the skirt of her calico dress. With one apron string she tied shut the band and placket. She pulled a wire pin from her hair, stuck it through the other string, and using it as a bodkin ran it around the hem of her skirt, so shortly she had a large bag. She put several branches inside to which the moths could cling, closed the mouth partially and held it toward Pete.

“Put your hand well down and let the things go!” she ordered. “But be careful, man! Don't run into the twigs! Easy! That's one. Now the other. Is the one on my head gone? There was one on my dress, but I guess it flew. Here comes a kind of a gray-looking one.”

Pete slipped several more moths into the bag.

“Now, that's five, Mrs. Comstock,” he said. “I'm sorry, but you'll have to make that do. You must get out of here lively. Your lights will be taken for hurry calls, and inside the next hour a couple of men will ride here like fury. They won't be nice Sunday-school men, and they won't hold bags and catch moths for you. You must go quick!”

Mrs. Comstock laid down the bag and pulled one of the lanterns lower.

“I won't budge a step,” she said. “This land doesn't belong to you. You have no right to order me off it. Here I stay until I get a Yellow Emperor, and no little petering thieves of this neighbourhood can scare me away.”

“You don't understand,” said Pete. “I'm willing to help Elnora, and I'd take care of you, if I could, but there will be too many for me, and they will be mad at being called out for nothing.”

“Well, who's calling them out?” demanded Mrs. Comstock. “I'm catching moths. If a lot of good-for-nothings get fooled into losing some sleep, why let them, they can't hurt me, or stop my work.”

“They can, and they'll do both.”

“Well, I'll see them do it!” said Mrs. Comstock. “I've got Robert's revolver in my dress, and I can shoot as straight as any man, if I'm mad enough. Any one who interferes with me to-night will find me mad a-plenty. There goes another!”

She stepped into the light and waited until a big brown moth settled on her and was easily taken. Then in light, airy flight came a delicate pale green thing, and Mrs. Comstock started in pursuit. But the scent was not right. The moth fluttered high, then dropped lower, still lower, and sailed away. With outstretched hands Mrs. Comstock pursued it. She hurried one way and another, then ran over an object which tripped her and she fell. She regained her feet in an instant, but she had lost sight of the moth. With livid face she turned to the crouching man.

“You nasty, sneaking son of Satan!” she cried. “Why are you hiding there? You made me lose the one I wanted most of any I've had a chance at yet. Get out of here! Go this minute, or I'll fill your worthless carcass so full of holes you'll do to sift cornmeal. Go, I say! I'm using the Limberlost to-night, and I won't be stopped by the devil himself! Cut like fury, and tell the rest of them they can just go home. Pete is going to help me, and he is all of you I need. Now go!”

The man turned and went. Pete leaned against a tree, held his mouth shut and shook inwardly. Mrs. Comstock came back panting.

“The old scoundrel made me lose that!” she said. “If any one else comes snooping around here I'll just blow them up to start with. I haven't time to talk. Suppose that had been yellow! I'd have killed that man, sure! The Limberlost isn't safe to-night, and the sooner those whelps find it out, the better it will be for them.”

Pete stopped laughing to look at her. He saw that she was speaking the truth. She was quite past reason, sense, or fear. The soft night air stirred the wet hair around her temples, the flickering lanterns made her face a ghastly green. She would stop at nothing, that was evident. Pete suddenly began catching moths with exemplary industry. In putting one into the bag, another escaped.

“We must not try that again,” said Mrs. Comstock. “Now, what will we do?”

“We are close to the old case,” said Pete. “I think I can get into it. Maybe we could slip the rest in there.”

“That's a fine idea!” said Mrs. Comstock. “They'll have so much room there they won't be likely to hurt themselves, and the books say they don't fly in daytime unless they are disturbed, so they will settle when it's light, and I can come with Elnora to get them.”

They captured two more, and then Pete carried them to the case.

“Here comes a big one!” he cried as he returned.

Mrs. Comstock looked up and stepped out with a prayer on her lips. She could not tell the colour at that distance, but the moth appeared different from the others. On it came, dropping lower and darting from light to light. As it swept near her, “O Heavenly Father!” exulted Mrs. Comstock, “it's yellow! Careful Pete! Your hat, maybe!”

Pete made a long sweep. The moth wavered above the hat and sailed away. Mrs. Comstock leaned against a tree and covered her face with her shaking hands.

“That is my punishment!” she cried. “Oh, Lord, if you will give a moth like that into my possession, I'll always be a better woman!”

The Emperor again came in sight. Pete stood tense and ready. Mrs. Comstock stepped into the light and watched the moth's course. Then a second appeared in pursuit of the first. The larger one wavered into the radius of light once more. The perspiration rolled down the man's face. He half lifted the hat.

“Pray, woman! Pray now!” he panted.

“I guess I best get over by that lard oil light and go to work,” breathed Mrs. Comstock. “The Lord knows this is all in prayer, but it's no time for words just now. Ready, Pete! You are going to get a chance first!”

Pete made another long, steady sweep, but the moth darted beneath the hat. In its flight it came straight toward Mrs. Comstock. She snatched off the remnant of apron she had tucked into her petticoat band and held the calico before her. The moth struck full against it and clung to the goods. Pete crept up stealthily. The second moth followed the first, and the spray showered the apron.

“Wait!” gasped Mrs. Comstock. “I think they have settled. The books say they won't leave now.”

The big pale yellow creature clung firmly, lowering and raising its wings. The other came nearer. Mrs. Comstock held the cloth with rigid hands, while Pete could hear her breathing in short gusts.

“Shall I try now?” he implored.

“Wait!” whispered the woman. “Something seems to say wait!”

The night breeze stiffened and gently waved the apron. Locusts rasped, mosquitoes hummed and frogs sang uninterruptedly. A musky odour slowly filled the air.

“Now shall I?” questioned Pete.

“No. Leave them alone. They are safe now. They are mine. They are my salvation. God and the Limberlost gave them to me! They won't move for hours. The books all say so. O Heavenly Father, I am thankful to You, and you, too, Pete Corson! You are a good man to help me. Now, I can go home and face my girl.”

Instead, Mrs. Comstock dropped suddenly. She spread the apron across her knees. The moths remained undisturbed. Then her tired white head dropped, the tears she had thought forever dried gushed forth, and she sobbed for pure joy.

“Oh, I wouldn't do that now, you know!” comforted Pete. “Think of getting two! That's more than you ever could have expected. A body would think you would cry, if you hadn't got any. Come on, now. It's almost morning. Let me help you home.”

Pete took the bag and the two old lanterns. Mrs. Comstock carried her moths and the best lantern and went ahead to light the way.

Elnora had sat beside her window far into the night. At last she undressed and went to bed, but sleep would not come. She had gone to the city to talk with members of the School Board about a room in the grades. There was a possibility that she might secure the moth, and so be able to start to college that fall, but if she did not, then she wanted the school. She had been given some encouragement, but she was so unhappy that nothing mattered. She could not see the way open to anything in life, save a long series of disappointments, while she remained with her mother. Yet Margaret Sinton had advised her to go home and try once more. Margaret had seemed so sure there would be a change for the better, that Elnora had consented, although she had no hope herself. So strong is the bond of blood, she could not make up her mind to seek a home elsewhere, even after the day that had passed. Unable to sleep she arose at last, and the room being warm, she sat on the floor close the window. The lights in the swamp caught her eye. She was very uneasy, for quite a hundred of her best moths were in the case. However, there was no money, and no one ever had touched a book or any of her apparatus. Watching the lights set her thinking, and before she realized it, she was in a panic of fear.

She hurried down the stairway softly calling her mother. There was no answer. She lightly stepped across the sitting-room and looked in at the open door. There was no one, and the bed had not been used. Her first thought was that her mother had gone to the pool; and the Limberlost was alive with signals. Pity and fear mingled in the heart of the girl. She opened the kitchen door, crossed the garden and ran back to the swamp. As she neared it she listened, but she could hear only the usual voices of night.

“Mother!” she called softly. Then louder, “Mother!”

There was not a sound. Chilled with fright she hurried back to the cabin. She did not know what to do. She understood what the lights in the Limberlost meant. Where was her mother? She was afraid to enter, while she was growing very cold and still more fearful about remaining outside. At last she went to her mother's room, picked up the gun, carried it into the kitchen, and crowding in a little corner behind the stove, she waited in trembling anxiety. The time was dreadfully long before she heard her mother's voice. Then she decided some one had been ill and sent for her, so she took courage, and stepping swiftly across the kitchen she unbarred the door and drew back from sight beside the table.

Mrs. Comstock entered dragging her heavy feet. Her dress skirt was gone, her petticoat wet and drabbled, and the waist of her dress was almost torn from her body. Her hair hung in damp strings; her eyes were red with crying. In one hand she held the lantern, and in the other stiffly extended before her, on a wad of calico reposed a magnificent pair of Yellow Emperors. Elnora stared, her lips parted.

“Shall I put these others in the kitchen?” inquired a man's voice.

The girl shrank back to the shadows.

“Yes, anywhere inside the door,” replied Mrs. Comstock as she moved a few steps to make way for him. Pete's head appeared. He set down the moths and was gone.

“Thank you, Pete, more than ever woman thanked you before!” said Mrs. Comstock.

She placed the lantern on the table and barred the door. As she turned Elnora came into view. Mrs. Comstock leaned toward her, and held out the moths. In a voice vibrant with tones never before heard she said: “Elnora, my girl, mother's found you another moth!”
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:23 am


Elnora awoke at dawn and lay gazing around the unfamiliar room. She noticed that every vestige of masculine attire and belongings was gone, and knew, without any explanation, what that meant. For some reason every tangible evidence of her father was banished, and she was at last to be allowed to take his place. She turned to look at her mother. Mrs. Comstock's face was white and haggard, but on it rested an expression of profound peace Elnora never before had seen. As she studied the features on the pillow beside her, the heart of the girl throbbed in tenderness. She realized as fully as any one else could what her mother had suffered. Thoughts of the night brought shuddering fear. She softly slipped from the bed, went to her room, dressed and entered the kitchen to attend the Emperors and prepare breakfast. The pair had been left clinging to the piece of calico. The calico was there and a few pieces of beautiful wing. A mouse had eaten the moths!

“Well, of all the horrible luck!” gasped Elnora.

With the first thought of her mother, she caught up the remnants of the moths, burying them in the ashes of the stove. She took the bag to her room, hurriedly releasing its contents, but there was not another yellow one. Her mother had said some had been confined in the case in the Limberlost. There was still a hope that an Emperor might be among them. She peeped at her mother, who still slept soundly.

Elnora took a large piece of mosquito netting, and ran to the swamp. Throwing it over the top of the case, she unlocked the door. She reeled, faint with distress. The living moths that had been confined there in their fluttering to escape to night and the mates they sought not only had wrecked the other specimens of the case, but torn themselves to fringes on the pins. A third of the rarest moths of the collection for the man of India were antennaless, legless, wingless, and often headless. Elnora sobbed aloud.

“This is overwhelming,” she said at last. “It is making a fatalist of me. I am beginning to think things happen as they are ordained from the beginning, this plainly indicating that there is to be no college, at least, this year, for me. My life is all mountain-top or canon. I wish some one would lead me into a few days of 'green pastures.' Last night I went to sleep on mother's arm, the moths all secured, love and college, certainties. This morning I wake to find all my hopes wrecked. I simply don't dare let mother know that instead of helping me, she has ruined my collection. Everything is gone—unless the love lasts. That actually seemed true. I believe I will go see.”

The love remained. Indeed, in the overflow of the long-hardened, pent-up heart, the girl was almost suffocated with tempestuous caresses and generous offerings. Before the day was over, Elnora realized that she never had known her mother. The woman who now busily went through the cabin, her eyes bright, eager, alert, constantly planning, was a stranger. Her very face was different, while it did not seem possible that during one night the acid of twenty years could disappear from a voice and leave it sweet and pleasant.

For the next few days Elnora worked at mounting the moths her mother had taken. She had to go to the Bird Woman and tell about the disaster, but Mrs. Comstock was allowed to think that Elnora delivered the moths when she made the trip. If she had told her what actually happened, the chances were that Mrs. Comstock again would have taken possession of the Limberlost, hunting there until she replaced all the moths that had been destroyed. But Elnora knew from experience what it meant to collect such a list in pairs. It would require steady work for at least two summers to replace the lost moths. When she left the Bird Woman she went to the president of the Onabasha schools and asked him to do all in his power to secure her a room in one of the ward buildings.

The next morning the last moth was mounted, and the housework finished. Elnora said to her mother, “If you don't mind, I believe I will go into the woods pasture beside Sleepy Snake Creek and see if I can catch some dragonflies or moths.”

“Wait until I get a knife and a pail and I will go along,” answered Mrs. Comstock. “The dandelions are plenty tender for greens among the deep grasses, and I might just happen to see something myself. My eyes are pretty sharp.”

“I wish you could realize how young you are,” said Elnora. “I know women in Onabasha who are ten years older than you, yet they look twenty years younger. So could you, if you would dress your hair becomingly, and wear appropriate clothes.”

“I think my hair puts me in the old woman class permanently,” said Mrs. Comstock.

“Well, it doesn't!” cried Elnora. “There is a woman of twenty-eight who has hair as white as yours from sick headaches, but her face is young and beautiful. If your face would grow a little fuller and those lines would go away, you'd be lovely!”

“You little pig!” laughed Mrs. Comstock. “Any one would think you would be satisfied with having a splinter new mother, without setting up a kick on her looks, first thing. Greedy!”

“That is a good word,” said Elnora. “I admit the charge. I am greedy over every wasted year. I want you young, lovely, suitably dressed and enjoying life like the other girls' mothers.”

Mrs. Comstock laughed softly as she pushed back her sunbonnet so that shrubs and bushes beside the way could be scanned closely. Elnora walked ahead with a case over her shoulder, a net in her hand. Her head was bare, the rolling collar of her lavender gingham dress was cut in a V at the throat, the sleeves only reached the elbows. Every few steps she paused and examined the shrubbery carefully, while Mrs. Comstock was watching until her eyes ached, but there were no dandelions in the pail she carried.

Early June was rioting in fresh grasses, bright flowers, bird songs, and gay-winged creatures of air. Down the footpath the two went through the perfect morning, the love of God and all nature in their hearts. At last they reached the creek, following it toward the bridge. Here Mrs. Comstock found a large bed of tender dandelions and stopped to fill her pail. Then she sat on the bank, picking over the greens, while she listened to the creek softly singing its June song.

Elnora remained within calling distance, and was having good success. At last she crossed the creek, following it up to a bridge. There she began a careful examination of the under sides of the sleepers and flooring for cocoons. Mrs. Comstock could see her and the creek for several rods above. The mother sat beating the long green leaves across her hand, carefully picking out the white buds, because Elnora liked them, when a splash up the creek attracted her attention.

Around the bend came a man. He was bareheaded, dressed in a white sweater, and waders which reached his waist. He walked on the bank, only entering the water when forced. He had a queer basket strapped on his hip, and with a small rod he sent a long line spinning before him down the creek, deftly manipulating with it a little floating object. He was closer Elnora than her mother, but Mrs. Comstock thought possibly by hurrying she could remain unseen and yet warn the girl that a stranger was coming. As she approached the bridge, she caught a sapling and leaned over the water to call Elnora. With her lips parted to speak she hesitated a second to watch a sort of insect that flashed past on the water, when a splash from the man attracted the girl.

She was under the bridge, one knee planted in the embankment and a foot braced to support her. Her hair was tousled by wind and bushes, her face flushed, and she lifted her arms above her head, working to loosen a cocoon she had found. The call Mrs. Comstock had intended to utter never found voice, for as Elnora looked down at the sound, “Possibly I could get that for you,” suggested the man.

Mrs. Comstock drew back. He was a young man with a wonderfully attractive face, although it was too white for robust health, broad shoulders, and slender, upright frame.

“Oh, I do hope you can!” answered Elnora. “It's quite a find! It's one of those lovely pale red cocoons described in the books. I suspect it comes from having been in a dark place and screened from the weather.”

“Is that so?” cried the man. “Wait a minute. I've never seen one. I suppose it's a Cecropia, from the location.”

“Of course,” said Elnora. “It's so cool here the moth hasn't emerged. The cocoon is a big, baggy one, and it is as red as fox tail.”

“What luck!” he cried. “Are you making a collection?”

He reeled in his line, laid his rod across a bush and climbed the embankment to Elnora's side, produced a knife and began the work of whittling a deep groove around the cocoon.

“Yes. I paid my way through the high school in Onabasha with them. Now I am starting a collection which means college.”

“Onabasha!” said the man. “That is where I am visiting. Possibly you know my people—Dr. Ammon's? The doctor is my uncle. My home is in Chicago. I've been having typhoid fever, something fierce. In the hospital six weeks. Didn't gain strength right, so Uncle Doc sent for me. I am to live out of doors all summer, and exercise until I get in condition again. Do you know my uncle?”

“Yes. He is Aunt Margaret's doctor, and he would be ours, only we are never ill.”

“Well, you look it!” said the man, appraising Elnora at a glance.

“Strangers always mention it,” sighed Elnora. “I wonder how it would seem to be a pale, languid lady and ride in a carriage.”

“Ask me!” laughed the man. “It feels like the—dickens! I'm so proud of my feet. It's quite a trick to stand on them now. I have to keep out of the water all I can and stop to baby every half-mile. But with interesting outdoor work I'll be myself in a week.”

“Do you call that work?” Elnora indicated the creek.

“I do, indeed! Nearly three miles, banks too soft to brag on and never a strike. Wouldn't you call that hard labour?”

“Yes,” laughed Elnora. “Work at which you might kill yourself and never get a fish. Did any one tell you there were trout in Sleepy Snake Creek?”

“Uncle said I could try.”

“Oh, you can,” said Elnora. “You can try no end, but you'll never get a trout. This is too far south and too warm for them. If you sit on the bank and use worms you might catch some perch or catfish.”

“But that isn't exercise.”

“Well, if you only want exercise, go right on fishing. You will have a creel full of invisible results every night.”

“I object,” said the man emphatically. He stopped work again and studied Elnora. Even the watching mother could not blame him. In the shade of the bridge Elnora's bright head and her lavender dress made a picture worthy of much contemplation.

“I object!” repeated the man. “When I work I want to see results. I'd rather exercise sawing wood, making one pile grow little and the other big than to cast all day and catch nothing because there is not a fish to take. Work for work's sake doesn't appeal to me.”

He digged the groove around the cocoon with skilled hand. “Now there is some fun in this!” he said. “It's going to be a fair job to cut it out, but when it comes, it is not only beautiful, but worth a price; it will help you on your way. I think I'll put up my rod and hunt moths. That would be something like! Don't you want help?”

Elnora parried the question. “Have you ever hunted moths, Mr. Ammon?”

“Enough to know the ropes in taking them and to distinguish the commonest ones. I go wild on Catocalae. There's too many of them, all too much alike for Philip, but I know all these fellows. One flew into my room when I was about ten years old, and we thought it a miracle. None of us ever had seen one so we took it over to the museum to Dr. Dorsey. He said they were common enough, but we didn't see them because they flew at night. He showed me the museum collection, and I was so interested I took mine back home and started to hunt them. Every year after that we went to our cottage a month earlier, so I could find them, and all my family helped. I stuck to it until I went to college. Then, keeping the little moths out of the big ones was too much for the mater, so father advised that I donate mine to the museum. He bought a fine case for them with my name on it, which constitutes my sole contribution to science. I know enough to help you all right.”

“Aren't you going north this year?”

“All depends on how this fever leaves me. Uncle says the nights are too cold and the days too hot there for me. He thinks I had better stay in an even temperature until I am strong again. I am going to stick pretty close to him until I know I am. I wouldn't admit it to any one at home, but I was almost gone. I don't believe anything can eat up nerve much faster than the burning of a slow fever. No, thanks, I have enough. I stay with Uncle Doc, so if I feel it coming again he can do something quickly.”

“I don't blame you,” said Elnora. “I never have been sick, but it must be dreadful. I am afraid you are tiring yourself over that. Let me take the knife awhile.”

“Oh, it isn't so bad as that! I wouldn't be wading creeks if it were. I only need a few more days to get steady on my feet again. I'll soon have this out.”

“It is kind of you to get it,” said Elnora. “I should have had to peel it, which would spoil the cocoon for a' specimen and ruin the moth.”

“You haven't said yet whether I may help you while I am here.”

Elnora hesitated.

“You better say 'yes,'” he persisted. “It would be a real kindness. It would keep me outdoors all day and give an incentive to work. I'm good at it. I'll show you if I am not in a week or so. I can 'sugar,' manipulate lights, and mirrors, and all the expert methods. I'll wager, moths are numerous in the old swamp over there.”

“They are,” said Elnora. “Most I have I took there. A few nights ago my mother caught a number, but we don't dare go alone.”

“All the more reason why you need me. Where do you live? I can't get an answer from you, I'll go tell your mother who I am and ask her if I may help you. I warn you, young lady, I have a very effective way with mothers. They almost never turn me down.”

“Then it's probable you will have a new experience when you meet mine,” said Elnora. “She never was known to do what any one expected she surely would.”

The cocoon came loose. Philip Ammon stepped down the embankment turning to offer his hand to Elnora. She ran down as she would have done alone, and taking the cocoon turned it end for end to learn if the imago it contained were alive. Then Ammon took back the cocoon to smooth the edges. Mrs. Comstock gave them one long look as they stood there, and returned to her dandelions. While she worked she paused occasionally, listening intently. Presently they came down the creek, the man carrying the cocoon as if it were a jewel, while Elnora made her way along the bank, taking a lesson in casting. Her face was flushed with excitement, her eyes shining, the bushes taking liberties with her hair. For a picture of perfect loveliness she scarcely could have been surpassed, and the eyes of Philip Ammon seemed to be in working order.

“Moth-er!” called Elnora.

There was an undulant, caressing sweetness in the girl's voice, as she sung out the call in perfect confidence that it would bring a loving answer, that struck deep in Mrs. Comstock's heart. She never had heard that word so pronounced before and a lump arose in her throat.

“Here!” she answered, still cleaning dandelions.

“Mother, this is Mr. Philip Ammon, of Chicago,” said Elnora. “He has been ill and he is staying with Dr. Ammon in Onabasha. He came down the creek fishing and cut this cocoon from under the bridge for me. He feels that it would be better to hunt moths than to fish, until he is well. What do you think about it?”

Philip Ammon extended his hand. “I am glad to know you,” he said.

“You may take the hand-shaking for granted,” replied Mrs. Comstock. “Dandelions have a way of making fingers sticky, and I like to know a man before I take his hand, anyway. That introduction seems mighty comprehensive on your part, but it still leaves me unclassified. My name is Comstock.”

Philip Ammon bowed.

“I am sorry to hear you have been sick,” said Mrs. Comstock. “But if people will live where they have such vile water as they do in Chicago, I don't see what else they are to expect.”

Philip studied her intently.

“I am sure I didn't have a fever on purpose,” he said.

“You do seem a little wobbly on your legs,” she observed. “Maybe you had better sit and rest while I finish these greens. It's late for the genuine article, but in the shade, among long grass they are still tender.”

“May I have a leaf?” he asked, reaching for one as he sat on the bank, looking from the little creek at his feet, away through the dim cool spaces of the June forest on the opposite side. He drew a deep breath. “Glory, but this is good after almost two months inside hospital walls!”

He stretched on the grass and lay gazing up at the leaves, occasionally asking the interpretation of a bird note or the origin of an unfamiliar forest voice. Elnora began helping with the dandelions.

“Another, please,” said the young man, holding out his hand.

“Do you suppose this is the kind of grass Nebuchadnezzar ate?” Elnora asked, giving the leaf.

“He knew a good thing if it is.”

“Oh, you should taste dandelions boiled with bacon and served with mother's cornbread.”

“Don't! My appetite is twice my size now. While it is—how far is it to Onabasha, shortest cut?”

“Three miles.”

The man lay in perfect content, nibbling leaves.

“This surely is a treat,” he said. “No wonder you find good hunting here. There seems to be foliage for almost every kind of caterpillar. But I suppose you have to exchange for northern species and Pacific Coast kinds?”

“Yes. And every one wants Regalis in trade. I never saw the like. They consider a Cecropia or a Polyphemus an insult, and a Luna is barely acceptable.”

“What authorities have you?”

Elnora began to name text-books which started a discussion. Mrs. Comstock listened. She cleaned dandelions with greater deliberation than they ever before were examined. In reality she was taking stock of the young man's long, well-proportioned frame, his strong hands, his smooth, fine-textured skin, his thick shock of dark hair, and making mental notes of his simple manly speech and the fact that he evidently did know much about moths. It pleased her to think that if he had been a neighbour boy who had lain beside her every day of his life while she worked, he could have been no more at home. She liked the things he said, but she was proud that Elnora had a ready answer which always seemed appropriate.

At last Mrs. Comstock finished the greens.

“You are three miles from the city and less than a mile from where we live,” she said. “If you will tell me what you dare eat, I suspect you had best go home with us and rest until the cool of the day before you start back. Probably some one that you can ride in with will be passing before evening.”

“That is mighty kind of you,” said Philip. “I think I will. It doesn't matter so much what I eat, the point is that I must be moderate. I am hungry all the time.”

“Then we will go,” said Mrs. Comstock, “and we will not allow you to make yourself sick with us.”

Philip Ammon arose: picking up the pail of greens and his fishing rod, he stood waiting. Elnora led the way. Mrs. Comstock motioned Philip to follow and she walked in the rear. The girl carried the cocoon and the box of moths she had taken, searching every step for more. The young man frequently set down his load to join in the pursuit of a dragonfly or moth, while Mrs. Comstock watched the proceedings with sharp eyes. Every time Philip picked up the pail of greens she struggled to suppress a smile.

Elnora proceeded slowly, chattering about everything beside the trail. Philip was interested in all the objects she pointed out, noticing several things which escaped her. He carried the greens as casually when they took a short cut down the roadway as on the trail. When Elnora turned toward the gate of her home Philip Ammon stopped, took a long look at the big hewed log cabin, the vines which clambered over it, the flower garden ablaze with beds of bright bloom interspersed with strawberries and tomatoes, the trees of the forest rising north and west like a green wall and exclaimed: “How beautiful!”

Mrs. Comstock was pleased. “If you think that,” she said, “perhaps you will understand how, in all this present-day rush to be modern, I have preferred to remain as I began. My husband and I took up this land, and enough trees to build the cabin, stable, and outbuildings are nearly all we ever cut. Of course, if he had lived, I suppose we should have kept up with our neighbours. I hear considerable about the value of the land, the trees which are on it, and the oil which is supposed to be under it, but as yet I haven't brought myself to change anything. So we stand for one of the few remaining homes of first settlers in this region. Come in. You are very welcome to what we have.”

Mrs. Comstock stepped forward and took the lead. She had a bowl of soft water and a pair of boots to offer for the heavy waders, for outer comfort, a glass of cold buttermilk and a bench on which to rest, in the circular arbour until dinner was ready. Philip Ammon splashed in the water. He followed to the stable and exchanged boots there. He was ravenous for the buttermilk, and when he stretched on the bench in the arbour the flickering patches of sunlight so tantalized his tired eyes, while the bees made such splendid music, he was soon sound asleep. When Elnora and her mother came out with a table they stood a short time looking at him. It is probable Mrs. Comstock voiced a united thought when she said: “What a refined, decent looking young man! How proud his mother must be of him! We must be careful what we let him eat.”

Then they returned to the kitchen where Mrs. Comstock proceeded to be careful. She broiled ham of her own sugar-curing, creamed potatoes, served asparagus on toast, and made a delicious strawberry shortcake. As she cooked dandelions with bacon, she feared to serve them to him, so she made an excuse that it took too long to prepare them, blanched some and made a salad. When everything was ready she touched Philip's sleeve.

“Best have something to eat, lad, before you get too hungry,” she said.

“Please hurry!” he begged laughingly as he held a plate toward her to be filled. “I thought I had enough self-restraint to start out alone, but I see I was mistaken. If you would allow me, just now, I am afraid I should start a fever again. I never did smell food so good as this. It's mighty kind of you to take me in. I hope I will be man enough in a few days to do something worth while in return.”

Spots of sunshine fell on the white cloth and blue china, the bees and an occasional stray butterfly came searching for food. A rose-breasted grosbeak, released from a three hours' siege of brooding, while his independent mate took her bath and recreation, mounted the top branch of a maple in the west woods from which he serenaded the dinner party with a joyful chorus in celebration of his freedom. Philip's eyes strayed to the beautiful cabin, to the mixture of flowers and vegetables stretching down to the road, and to the singing bird with his red-splotched breast of white and he said: “I can't realize now that I ever lay in ice packs in a hospital. How I wish all the sick folks could come here to grow strong!”

The grosbeak sang on, a big Turnus butterfly sailed through the arbour and poised over the table. Elnora held up a lump of sugar and the butterfly, clinging to her fingers, tasted daintily. With eager eyes and parted lips, the girl held steadily. When at last it wavered away, “That made a picture!” said Philip. “Ask me some other time how I lost my illusions concerning butterflies. I always thought of them in connection with sunshine, flower pollen, and fruit nectar, until one sad day.”

“I know!” laughed Elnora. “I've seen that, too, but it didn't destroy any illusion for me. I think quite as much of the butterflies as ever.”

Then they talked of flowers, moths, dragonflies, Indian relics, and all the natural wonders the swamp afforded, straying from those subjects to books and school work. When they cleared the table Philip assisted, carrying several tray loads to the kitchen. He and Elnora mounted specimens while Mrs Comstock washed the dishes. Then she came out with a ruffle she was embroidering.

“I wonder if I did not see a picture of you in Onabasha last night,” Philip said to Elnora. “Aunt Anna took me to call on Miss Brownlee. She was showing me her crowd—of course, it was you! But it didn't half do you justice, although it was the nearest human of any of them. Miss Brownlee is very fond of you. She said the finest things.”

Then they talked of Commencement, and at last Philip said he must go or his friends would become anxious about him.

Mrs. Comstock brought him a blue bowl of creamy milk and a plate of bread. She stopped a passing team and secured a ride to the city for him, as his exercise of the morning had been too violent, and he was forced to admit he was tired.

“May I come to-morrow afternoon and hunt moths awhile?” he asked Mrs. Comstock as he arose. “We will 'sugar' a tree and put a light beside it, if I can get stuff to make the preparation. Possibly we can take some that way. I always enjoy moth hunting, I'd like to help Miss Elnora, and it would be a charity to me. I've got to remain outdoors some place, and I'm quite sure I'd get well faster here than anywhere else. Please say I may come.”

“I have no objections, if Elnora really would like help,” said Mrs. Comstock.

In her heart she wished he would not come. She wanted her newly found treasure all to herself, for a time, at least. But Elnora's were eager, shining eyes. She thought it would be splendid to have help, and great fun to try book methods for taking moths, so it was arranged. As Philip rode away, Mrs. Comstock's eyes followed him. “What a nice young man!” she said.

“He seems fine,” agreed Elnora.

“He comes of a good family, too. I've often heard of his father. He is a great lawyer.”

“I am glad he likes it here. I need help. Possibly——”

“Possibly what?”

“We can find many moths.”

“What did he mean about the butterflies?”

“That he always had connected them with sunshine, flowers, and fruits, and thought of them as the most exquisite of creations; then one day he found some clustering thickly over carrion.”

“Come to think of it, I have seen butterflies——”

“So had he,” laughed Elnora. “And that is what he meant.”
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:23 am


The next morning Mrs. Comstock called to Elnora, “The mail carrier stopped at our box.”

Elnora ran down the walk and came back carrying an official letter. She tore it open and read:


At the weekly meeting of the Onabasha School Board last night, it was decided to add the position of Lecturer on Natural History to our corps of city teachers. It will be the duty of this person to spend two hours a week in each of the grade schools exhibiting and explaining specimens of the most prominent objects in nature: animals, birds, insects, flowers, vines, shrubs, bushes, and trees. These specimens and lectures should be appropriate to the seasons and the comprehension of the grades. This position was unanimously voted to you. I think you will find the work delightful and much easier than the routine grind of the other teachers. It is my advice that you accept and begin to prepare yourself at once. Your salary will be $750 a year, and you will be allowed $200 for expenses in procuring specimens and books. Let us know at once if you want the position, as it is going to be difficult to fill satisfactorily if you do not.

Very truly yours,

DAVID THOMPSON, President, Onabasha Schools.

“I hardly understand,” marvelled Mrs. Comstock.

“It is a new position. They never have had anything like it before. I suspect it arose from the help I've been giving the grade teachers in their nature work. They are trying to teach the children something, and half the instructors don't know a blue jay from a king-fisher, a beech leaf from an elm, or a wasp from a hornet.”

“Well, do you?” anxiously inquired Mrs. Comstock.

“Indeed, I do!” laughed Elnora, “and several other things beside. When Freckles bequeathed me the swamp, he gave me a bigger inheritance than he knew. While you have thought I was wandering aimlessly, I have been following a definite plan, studying hard, and storing up the stuff that will earn these seven hundred and fifty dollars. Mother dear, I am going to accept this, of course. The work will be a delight. I'd love it most of anything in teaching. You must help me. We must find nests, eggs, leaves, queer formations in plants and rare flowers. I must have flower boxes made for each of the rooms and filled with wild things. I should begin to gather specimens this very day.”

Elnora's face was flushed and her eyes bright.

“Oh, what great work that will be!” she cried. “You must go with me so you can see the little faces when I tell them how the goldfinch builds its nest, and how the bees make honey.”

So Elnora and her mother went into the woods behind the cabin to study nature.

“I think,” said Elnora, “the idea is to begin with fall things in the fall, keeping to the seasons throughout the year.”

“What are fall things?” inquired Mrs. Comstock.

“Oh, fringed gentians, asters, ironwort, every fall flower, leaves from every tree and vine, what makes them change colour, abandoned bird nests, winter quarters of caterpillars and insects, what becomes of the butterflies and grasshoppers—myriads of stuff. I shall have to be very wise to select the things it will be most beneficial for the children to learn.”

“Can I really help you?” Mrs. Comstock's strong face was pathetic.

“Indeed, yes!” cried Elnora. “I never can get through it alone. There will be an immense amount of work connected with securing and preparing specimens.”

Mrs. Comstock lifted her head proudly and began doing business at once. Her sharp eyes ranged from earth to heaven. She investigated everything, asking innumerable questions. At noon Mrs. Comstock took the specimens they had collected, and went to prepare dinner, while Elnora followed the woods down to the Sintons' to show her letter.

She had to explain what became of her moths, and why college would have to be abandoned for that year, but Margaret and Wesley vowed not to tell. Wesley waved the letter excitedly, explaining it to Margaret as if it were a personal possession. Margaret was deeply impressed, while Billy volunteered first aid in gathering material.

“Now anything you want in the ground, Snap can dig it out,” he said. “Uncle Wesley and I found a hole three times as big as Snap, that he dug at the roots of a tree.”

“We will train him to hunt pupae cases,” said Elnora.

“Are you going to the woods this afternoon?” asked Billy.

“Yes,” answered Elnora. “Dr. Ammon's nephew from Chicago is visiting in Onabasha. He is going to show me how men put some sort of compound on a tree, hang a light beside it, and take moths that way. It will be interesting to watch and learn.”

“May I come?” asked Billy.

“Of course you may come!” answered Elnora.

“Is this nephew of Dr. Ammon a young man?” inquired Margaret.

“About twenty-six, I should think,” said Elnora. “He said he had been out of college and at work in his father's law office three years.”

“Does he seem nice?” asked Margaret, and Wesley smiled.

“Finest kind of a person,” said Elnora. “He can teach me so much. It is very interesting to hear him talk. He knows considerable about moths that will be a help to me. He had a fever and he has to stay outdoors until he grows strong again.”

“Billy, I guess you better help me this afternoon,” said Margaret. “Maybe Elnora had rather not bother with you.”

“There's no reason on earth why Billy should not come!” cried Elnora, and Wesley smiled again.

“I must hurry home or I won't be ready,” she added.

Hastening down the road she entered the cabin, her face glowing.

“I thought you never would come,” said Mrs. Comstock. “If you don't hurry Mr. Ammon will be here before you are dressed.”

“I forgot about him until just now,” said Elnora. “I am not going to dress. He's not coming to visit. We are only going to the woods for more specimens. I can't wear anything that requires care. The limbs take the most dreadful liberties with hair and clothing.”

Mrs. Comstock opened her lips, looked at Elnora and closed them. In her heart she was pleased that the girl was so interested in her work that she had forgotten Philip Ammon's coming. But it did seem to her that such a pleasant young man should have been greeted by a girl in a fresh dress. “If she isn't disposed to primp at the coming of a man, heaven forbid that I should be the one to start her,” thought Mrs. Comstock.

Philip came whistling down the walk between the cinnamon pinks, pansies, and strawberries. He carried several packages, while his face flushed with more colour than on the previous day.

“Only see what has happened to me!” cried Elnora, offering her letter.

“I'll wager I know!” answered Philip. “Isn't it great! Every one in Onabasha is talking about it. At last there is something new under the sun. All of them are pleased. They think you'll make a big success. This will give an incentive to work. In a few days more I'll be myself again, and we'll overturn the fields and woods around here.”

He went on to congratulate Mrs. Comstock.

“Aren't you proud of her, though?” he asked. “You should hear what folks are saying! They say she created the necessity for the position, and every one seems to feel that it is a necessity. Now, if she succeeds, and she will, all of the other city schools will have such departments, and first thing you know she will have made the whole world a little better. Let me rest a few seconds; my feet are acting up again. Then we will cook the moth compound and put it to cool.”

He laughed as he sat breathing shortly.

“It doesn't seem possible that a fellow could lose his strength like this. My knees are actually trembling, but I'll be all right in a minute. Uncle Doc said I could come. I told him how you took care of me, and he said I would be safe here.”

Then he began unwrapping packages and explaining to Mrs. Comstock how to cook the compound to attract the moths. He followed her into the kitchen, kindled the fire, and stirred the preparation as he talked. While the mixture cooled, he and Elnora walked through the vegetable garden behind the cabin and strayed from there into the woods.

“What about college?” he asked. “Miss Brownlee said you were going.”

“I had hoped to,” replied Elnora, “but I had a streak of dreadful luck, so I'll have to wait until next year. If you won't speak of it, I'll tell you.”

Philip promised, so Elnora recited the history of the Yellow Emperor. She was so interested in doing the Emperor justice she did not notice how many personalities went into the story. A few pertinent questions told him the remainder. He looked at the girl in wonder. In face and form she was as lovely as any one of her age and type he ever had seen. Her school work far surpassed that of most girls of her age he knew. She differed in other ways. This vast store of learning she had gathered from field and forest was a wealth of attraction no other girl possessed. Her frank, matter-of-fact manner was an inheritance from her mother, but there was something more. Once, as they talked he thought “sympathy” was the word to describe it and again “comprehension.” She seemed to possess a large sense of brotherhood for all human and animate creatures. She spoke to him as if she had known him all her life. She talked to the grosbeak in exactly the same manner, as she laid strawberries and potato bugs on the fence for his family. She did not swerve an inch from her way when a snake slid past her, while the squirrels came down from the trees and took corn from her fingers. She might as well have been a boy, so lacking was she in any touch of feminine coquetry toward him. He studied her wonderingly. As they went along the path they reached a large slime-covered pool surrounded by decaying stumps and logs thickly covered with water hyacinths and blue flags. Philip stopped.

“Is that the place?” he asked.

Elnora assented. “The doctor told you?”

“Yes. It was tragic. Is that pool really bottomless?”

“So far as we ever have been able to discover.”

Philip stood looking at the water, while the long, sweet grasses, thickly sprinkled with blue flag bloom, over which wild bees clambered, swayed around his feet. Then he turned to the girl. She had worked hard. The same lavender dress she had worn the previous day clung to her in limp condition. But she was as evenly coloured and of as fine grain as a wild rose petal, her hair was really brown, but never was such hair touched with a redder glory, while her heavy arching brows added a look of strength to her big gray-blue eyes.

“And you were born here?”

He had not intended to voice that thought.

“Yes,” she said, looking into his eyes. “Just in time to prevent my mother from saving the life of my father. She came near never forgiving me.”

“Ah, cruel!” cried Philip.

“I find much in life that is cruel, from our standpoints,” said Elnora. “It takes the large wisdom of the Unfathomable, the philosophy of the Almighty, to endure some of it. But there is always right somewhere, and at last it seems to come.”

“Will it come to you?” asked Philip, who found himself deeply affected.

“It has come,” said the girl serenely. “It came a week ago. It came in fullest measure when my mother ceased to regret that I had been born. Now, work that I love has come—that should constitute happiness. A little farther along is my violet bed. I want you to see it.”

As Philip Ammon followed he definitely settled upon the name of the unusual feature of Elnora's face. It should be called “experience.” She had known bitter experiences early in life. Suffering had been her familiar more than joy. He watched her earnestly, his heart deeply moved. She led him into a swampy half-open space in the woods, stopped and stepped aside. He uttered a cry of surprised delight.

A few decaying logs were scattered around, the grass grew in tufts long and fine. Blue flags waved, clusters of cowslips nodded gold heads, but the whole earth was purple with a thick blanket of violets nodding from stems a foot in length. Elnora knelt and slipping her fingers between the leaves and grasses to the roots, gathered a few violets and gave them to Philip.

“Can your city greenhouses surpass them?” she asked.

He sat on a log to examine the blooms.

“They are superb!” he said. “I never saw such length of stem or such rank leaves, while the flowers are the deepest blue, the truest violet I ever saw growing wild. They are coloured exactly like the eyes of the girl I am going to marry.”

Elnora handed him several others to add to those he held. “She must have wonderful eyes,” she commented.

“No other blue eyes are quite so beautiful,” he said. “In fact, she is altogether lovely.”

“Is it customary for a man to think the girl he is going to marry lovely? I wonder if I should find her so.”

“You would,” said Philip. “No one ever fails to. She is tall as you, very slender, but perfectly rounded; you know about her eyes; her hair is black and wavy—while her complexion is clear and flushed with red.”

“Why, she must be the most beautiful girl in the whole world!” she cried.

“No, indeed!” he said. “She is not a particle better looking in her way than you are in yours. She is a type of dark beauty, but you are equally as perfect. She is unusual in her combination of black hair and violet eyes, although every one thinks them black at a little distance. You are quite as unusual with your fair face, black brows, and brown hair; indeed, I know many people who would prefer your bright head to her dark one. It's all a question of taste—and being engaged to the girl,” he added.

“That would be likely to prejudice one,” laughed Elnora.

“Edith has a birthday soon; if these last will you let me have a box of them to send her?”

“I will help gather and pack them for you, so they will carry nicely. Does she hunt moths with you?”

Back went Philip Ammon's head in a gale of laughter.

“No!” he cried. “She says they are 'creepy.' She would go into a spasm if she were compelled to touch those caterpillars I saw you handling yesterday.”

“Why would she?” marvelled Elnora. “Haven't you told her that they are perfectly clean, helpless, and harmless as so much animate velvet?”

“No, I have not told her. She wouldn't care enough about caterpillars to listen.”

“In what is she interested?”

“What interests Edith Carr? Let me think! First, I believe she takes pride in being a little handsomer and better dressed than any girl of her set. She is interested in having a beautiful home, fine appointments, in being petted, praised, and the acknowledged leader of society.

“She likes to find new things which amuse her, and to always and in all circumstances have her own way about everything.”

“Good gracious!” cried Elnora, staring at him. “But what does she do? How does she spend her time?”

“Spend her time!” repeated Philip. “Well, she would call that a joke. Her days are never long enough. There is endless shopping, to find the pretty things; regular visits to the dressmakers, calls, parties, theatres, entertainments. She is always rushed. I never am able to be with her half as much as I would like.”

“But I mean work,” persisted Elnora. “In what is she interested that is useful to the world?”

“Me!” cried Philip promptly.

“I can understand that,” laughed Elnora. “What I can't understand is how you can be in——” She stopped in confusion, but she saw that he had finished the sentence as she had intended. “I beg your pardon!” she cried. “I didn't intend to say that. But I cannot understand these people I hear about who live only for their own amusement. Perhaps it is very great; I'll never have a chance to know. To me, it seems the only pleasure in this world worth having is the joy we derive from living for those we love, and those we can help. I hope you are not angry with me.”

Philip sat silently looking far away, with deep thought in his eyes.

“You are angry,” faltered Elnora.

His look came back to her as she knelt before him among the flowers and he gazed at her steadily.

“No doubt I should be,” he said, “but the fact is I am not. I cannot understand a life purely for personal pleasure myself. But she is only a girl, and this is her playtime. When she is a woman in her own home, then she will be different, will she not?”

Elnora never resembled her mother so closely as when she answered that question.

“I would have to be well acquainted with her to know, but I should hope so. To make a real home for a tired business man is a very different kind of work from that required to be a leader of society. It demands different talent and education. Of course, she means to change, or she would not have promised to make a home for you. I suspect our dope is cool now, let's go try for some butterflies.”

As they went along the path together Elnora talked of many things but Philip answered absently. Evidently he was thinking of something else. But the moth bait recalled him and he was ready for work as they made their way back to the woods. He wanted to try the Limberlost, but Elnora was firm about remaining on home ground. She did not tell him that lights hung in the swamp would be a signal to call up a band of men whose presence she dreaded. So they started, Ammon carrying the dope, Elnora the net, Billy and Mrs. Comstock following with cyanide boxes and lanterns.

First they tried for butterflies and captured several fine ones without trouble. They also called swarms of ants, bees, beetles, and flies. When it grew dusk, Mrs. Comstock and Philip went to prepare supper. Elnora and Billy remained until the butterflies disappeared. Then they lighted the lanterns, repainted the trees and followed the home trail.

“Do you 'spec you'll get just a lot of moths?” asked Billy, as he walked beside Elnora.

“I am sure I hardly know,” said the girl. “This is a new way for me. Perhaps they will come to the lights, but few moths eat; and I have some doubt about those which the lights attract settling on the right trees. Maybe the smell of that dope will draw them. Between us, Billy, I think I like my old way best. If I can find a hidden moth, slip up and catch it unawares, or take it in full flight, it's my captive, and I can keep it until it dies naturally. But this way you seem to get it under false pretences, it has no chance, and it will probably ruin its wings struggling for freedom before morning.”

“Well, any moth ought to be proud to be taken anyway, by you,” said Billy. “Just look what you do! You can make everybody love them. People even quit hating caterpillars when they see you handle them and hear you tell all about them. You must have some to show people how they are. It's not like killing things to see if you can, or because you want to eat them, the way most men kill birds. I think it is right for you to take enough for collections, to show city people, and to illustrate the Bird Woman's books. You go on and take them! The moths don't care. They're glad to have you. They like it!”

“Billy, I see your future,” said Elnora. “We will educate you and send you up to Mr. Ammon to make a great lawyer. You'd beat the world as a special pleader. You actually make me feel that I am doing the moths a kindness to take them.”

“And so you are!” cried Billy. “Why, just from what you have taught them Uncle Wesley and Aunt Margaret never think of killing a caterpillar until they look whether it's the beautiful June moth kind, or the horrid tent ones. That's what you can do. You go straight ahead!”

“Billy, you are a jewel!” cried Elnora, throwing her arm across his shoulders as they came down the path.

“My, I was scared!” said Billy with a deep breath.

“Scared?” questioned Elnora.

“Yes sir-ee! Aunt Margaret scared me. May I ask you a question?”

“Of course, you may!”

“Is that man going to be your beau?”

“Billy! No! What made you think such a thing?”

“Aunt Margaret said likely he would fall in love with you, and you wouldn't want me around any more. Oh, but I was scared! It isn't so, is it?”

“Indeed, no!”

“I am your beau, ain't I?”

“Surely you are!” said Elnora, tightening her arm.

“I do hope Aunt Kate has ginger cookies,” said Billy with a little skip of delight.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:24 am


Mrs. Comstock and Elnora were finishing breakfast the following morning when they heard a cheery whistle down the road. Elnora with surprised eyes looked at her mother.

“Could that be Mr. Ammon?” she questioned.

“I did not expect him so soon,” commented Mrs. Comstock.

It was sunrise, but the musician was Philip Ammon. He appeared stronger than on yesterday.

“I hope I am not too early,” he said. “I am consumed with anxiety to learn if we have made a catch. If we have, we should beat the birds to it. I promised Uncle Doc to put on my waders and keep dry for a few days yet, when I go to the woods. Let's hurry! I am afraid of crows. There might be a rare moth.”

The sun was topping the Limberlost when they started. As they neared the place Philip stopped.

“Now we must use great caution,” he said. “The lights and the odours always attract numbers that don't settle on the baited trees. Every bush, shrub, and limb may hide a specimen we want.”

So they approached with much care.

“There is something, anyway!” cried Philip.

“There are moths! I can see them!” exulted Elnora.

“Those you see are fast enough. It's the ones for which you must search that will escape. The grasses are dripping, and I have boots, so you look beside the path while I take the outside,” suggested Ammon.

Mrs. Comstock wanted to hunt moths, but she was timid about making a wrong movement, so she wisely sat on a log and watched Philip and Elnora to learn how they proceeded. Back in the deep woods a hermit thrush was singing his chant to the rising sun. Orioles were sowing the pure, sweet air with notes of gold, poured out while on wing. The robins were only chirping now, for their morning songs had awakened all the other birds an hour ago. Scolding red-wings tilted on half the bushes. Excepting late species of haws, tree bloom was almost gone, but wild flowers made the path border and all the wood floor a riot of colour. Elnora, born among such scenes, worked eagerly, but to the city man, recently from a hospital, they seemed too good to miss. He frequently stooped to examine a flower face, paused to listen intently to the thrush or lifted his head to see the gold flash which accompanied the oriole's trailing notes. So Elnora uttered the first cry, as she softly lifted branches and peered among the grasses.

“My find!” she called. “Bring the box, mother!”

Philip came hurrying also. When they reached her she stood on the path holding a pair of moths. Her eyes were wide with excitement, her cheeks pink, her red lips parted, and on the hand she held out to them clung a pair of delicate blue-green moths, with white bodies, and touches of lavender and straw colour. All around her lay flower-brocaded grasses, behind the deep green background of the forest, while the sun slowly sifted gold from heaven to burnish her hair. Mrs. Comstock heard a sharp breath behind her.

“Oh, what a picture!” exulted Philip at her shoulder. “She is absolutely and altogether lovely! I'd give a small fortune for that faithfully set on canvas!”

He picked the box from Mrs. Comstock's fingers and slowly advanced with it. Elnora held down her hand and transferred the moths. Philip closed the box carefully, but the watching mother saw that his eyes were following the girl's face. He was not making the slightest attempt to conceal his admiration.

“I wonder if a woman ever did anything lovelier than to find a pair of Luna moths on a forest path, early on a perfect June morning,” he said to Mrs. Comstock, when he returned the box.

She glanced at Elnora who was intently searching the bushes.

“Look here, young man,” said Mrs. Comstock. “You seem to find that girl of mine about right.”

“I could suggest no improvement,” said Philip. “I never saw a more attractive girl anywhere. She seems absolutely perfect to me.”

“Then suppose you don't start any scheme calculated to spoil her!” proposed Mrs. Comstock dryly. “I don't think you can, or that any man could, but I'm not taking any risks. You asked to come here to help in this work. We are both glad to have you, if you confine yourself to work; but it's the least you can do to leave us as you find us.”

“I beg your pardon!” said Philip. “I intended no offence. I admire her as I admire any perfect creation.”

“And nothing in all this world spoils the average girl so quickly and so surely,” said Mrs. Comstock. She raised her voice. “Elnora, fasten up that tag of hair over your left ear. These bushes muss you so you remind me of a sheep poking its nose through a hedge fence.”

Mrs. Comstock started down the path toward the log again, when she reached it she called sharply: “Elnora, come here! I believe I have found something myself.”

The “something” was a Citheronia Regalis which had emerged from its case on the soft earth under the log. It climbed up the wood, its stout legs dragging a big pursy body, while it wildly flapped tiny wings the size of a man's thumb-nail. Elnora gave one look and a cry which brought Philip.

“That's the rarest moth in America!” he announced. “Mrs. Comstock, you've gone up head. You can put that in a box with a screen cover to-night, and attract half a dozen, possibly.”

“Is it rare, Elnora?” inquired Mrs. Comstock, as if no one else knew.

“It surely is,” answered Elnora. “If we can find it a mate to-night, it will lay from two hundred and fifty to three hundred eggs to-morrow. With any luck at all I can raise two hundred caterpillars from them. I did once before. And they are worth a dollar apiece.”

“Was the one I killed like that?”

“No. That was a different moth, but its life processes were the same as this. The Bird Woman calls this the King of the Poets.”

“Why does she?”

“Because it is named for Citheron who was a poet, and regalis refers to a king. You mustn't touch it or you may stunt wing development. You watch and don't let that moth out of sight, or anything touch it. When the wings are expanded and hardened we will put it in a box.”

“I am afraid it will race itself to death,” objected Mrs. Comstock.

“That's a part of the game,” said Philip. “It is starting circulation now. When the right moment comes, it will stop and expand its wings. If you watch closely you can see them expand.”

Presently the moth found a rough projection of bark and clung with its feet, back down, its wings hanging. The body was an unusual orange red, the tiny wings were gray, striped with the red and splotched here and there with markings of canary yellow. Mrs. Comstock watched breathlessly. Presently she slipped from the log and knelt to secure a better view.

“Are its wings developing?” called Elnora.

“They are growing larger and the markings coming stronger every minute.”

“Let's watch, too,” said Elnora to Philip.

They came and looked over Mrs. Comstock's shoulder. Lower drooped the gay wings, wider they spread, brighter grew the markings as if laid off in geometrical patterns. They could hear Mrs. Comstock's tense breath and see her absorbed expression.

“Young people,” she said solemnly, “if your studying science and the elements has ever led you to feel that things just happen, kind of evolve by chance, as it were, this sight will be good for you. Maybe earth and air accumulate, but it takes the wisdom of the Almighty God to devise the wing of a moth. If there ever was a miracle, this whole process is one. Now, as I understand it, this creature is going to keep on spreading those wings, until they grow to size and harden to strength sufficient to bear its body. Then it flies away, mates with its kind, lays its eggs on the leaves of a certain tree, and the eggs hatch tiny caterpillars which eat just that kind of leaves, and the worms grow and grow, and take on different forms and colours until at last they are big caterpillars six inches long, with large horns. Then they burrow into the earth, build a water-proof house around themselves from material which is inside them, and lie through rain and freezing cold for months. A year from egg laying they come out like this, and begin the process all over again. They don't eat, they don't see distinctly, they live but a few days, and fly only at night; then they drop off easy, but the process goes on.”

A shivering movement went over the moth. The wings drooped and spread wider. Mrs. Comstock sank into soft awed tones.

“There never was a moment in my life,” she said, “when I felt so in the Presence, as I do now. I feel as if the Almighty were so real, and so near, that I could reach out and touch Him, as I could this wonderful work of His, if I dared. I feel like saying to Him: 'To the extent of my brain power I realize Your presence, and all it is in me to comprehend of Your power. Help me to learn, even this late, the lessons of Your wonderful creations. Help me to unshackle and expand my soul to the fullest realization of Your wonders. Almighty God, make me bigger, make me broader!'”

The moth climbed to the end of the projection, up it a little way, then suddenly reversed its wings, turned the hidden sides out and dropped them beside its abdomen, like a large fly. The upper side of the wings, thus exposed, was far richer colour, more exquisite texture than the under, and they slowly half lifted and drooped again. Mrs. Comstock turned her face to Philip.

“Am I an old fool, or do you feel it, too?” she half whispered.

“You are wiser than you ever have been before,” answered he. “I feel it, also.”

“And I,” breathed Elnora.

The moth spread its wings, shivered them tremulously, opening and closing them rapidly. Philip handed the box to Elnora.

She shook her head.

“I can't take that one,” she said. “Give her freedom.”

“But, Elnora,” protested Mrs. Comstock, “I don't want to let her go. She's mine. She's the first one I ever found this way. Can't you put her in a big box, and let her live, without hurting her? I can't bear to let her go. I want to learn all about her.”

“Then watch while we gather these on the trees,” said Elnora. “We will take her home until night and then decide what to do. She won't fly for a long time yet.”

Mrs. Comstock settled on the ground, gazing at the moth. Elnora and Philip went to the baited trees, placing several large moths and a number of smaller ones in the cyanide jar, and searching the bushes beyond where they found several paired specimens of differing families. When they returned Elnora showed her mother how to hold her hand before the moth so that it would climb upon her fingers. Then they started back to the cabin, Elnora and Philip leading the way; Mrs. Comstock followed slowly, stepping with great care lest she stumble and injure the moth. Her face wore a look of comprehension, in her eyes was an exalted light. On she came to the blue-bordered pool lying beside her path.

A turtle scrambled from a log and splashed into the water, while a red-wing shouted, “O-ka-lee!” to her. Mrs. Comstock paused and looked intently at the slime-covered quagmire, framed in a flower riot and homed over by sweet-voiced birds. Then she gazed at the thing of incomparable beauty clinging to her fingers and said softly: “If you had known about wonders like these in the days of your youth, Robert Comstock, could you ever have done what you did?”

Elnora missed her mother, and turning to look for her, saw her standing beside the pool. Would the old fascination return? A panic of fear seized the girl. She went back swiftly.

“Are you afraid she is going?” Elnora asked. “If you are, cup your other hand over her for shelter. Carrying her through this air and in the hot sunshine will dry her wings and make them ready for flight very quickly. You can't trust her in such air and light as you can in the cool dark woods.”

While she talked she took hold of her mother's sleeve, anxiously smiling a pitiful little smile that Mrs. Comstock understood. Philip set his load at the back door, returning to hold open the garden gate for Elnora and Mrs. Comstock. He reached it in time to see them standing together beside the pool. The mother bent swiftly and kissed the girl on the lips. Philip turned and was busily hunting moths on the raspberry bushes when they reached the gate. And so excellent are the rewards of attending your own business, that he found a Promethea on a lilac in a corner; a moth of such rare wine-coloured, velvety shades that it almost sent Mrs. Comstock to her knees again. But this one was fully developed, able to fly, and had to be taken into the cabin hurriedly. Mrs. Comstock stood in the middle of the room holding up her Regalis.

“Now what must I do?” she asked.

Elnora glanced at Philip Ammon. Their eyes met and both of them smiled; he with amusement at the tall, spare figure, with dark eyes and white crown, asking the childish question so confidingly; and Elnora with pride. She was beginning to appreciate the character of her mother.

“How would you like to sit and see her finish development? I'll get dinner,” proposed the girl.

After they had dined, Philip and Elnora carried the dishes to the kitchen, brought out boxes, sheets of cork, pins, ink, paper slips and everything necessary for mounting and classifying the moths they had taken. When the housework was finished Mrs. Comstock with her ruffle sat near, watching and listening. She remembered all they said that she understood, and when uncertain she asked questions. Occasionally she laid down her work to straighten some flower which needed attention or to search the garden for a bug for the grosbeak. In one of these absences Elnora said to Philip: “These replace quite a number of the moths I lost for the man of India. With a week of such luck, I could almost begin to talk college again.”

“There is no reason why you should not have the week and the luck,” said he. “I have taken moths until the middle of August, though I suspect one is more likely to find late ones in the north where it is colder than here. The next week is hay-time, but we can count on a few double-brooders and strays, and by working the exchange method for all it is worth, I think we can complete the collection again.”

“You almost make me hope,” said Elnora, “but I must not allow myself. I don't truly think I can replace all I lost, not even with your help. If I could, I scarcely see my way clear to leave mother this winter. I have found her so recently, and she is so precious, I can't risk losing her again. I am going to take the nature position in the Onabasha schools, and I shall be most happy doing the work. Only, these are a temptation.”

“I wish you might go to college this fall with the other girls,” said Philip. “I feel that if you don't you never will. Isn't there some way?”

“I can't see it if there is, and I really don't want to leave mother.”

“Well, mother is mighty glad to hear it,” said Mrs. Comstock, entering the arbour.

Philip noticed that her face was pale, her lips quivering, her voice cold.

“I was telling your daughter that she should go to college this winter,” he explained, “but she says she doesn't want to leave you.”

“If she wants to go, I wish she could,” said Mrs. Comstock, a look of relief spreading over her face.

“Oh, all girls want to go to college,” said Philip. “It's the only proper place to learn bridge and embroidery; not to mention midnight lunches of mixed pickles and fruit cake, and all the delights of the sororities.”

“I have thought for years of going to college,” said Elnora, “but I never thought of any of those things.”

“That is because your education in fudge and bridge has been sadly neglected,” said Philip. “You should hear my sister Polly! This was her final year! Lunches and sororities were all I heard her mention, until Tom Levering came on deck; now he is the leading subject. I can't see from her daily conversation that she knows half as much really worth knowing as you do, but she's ahead of you miles on fun.”

“Oh, we had some good times in the high school,” said Elnora. “Life hasn't been all work and study. Is Edith Carr a college girl?”

“No. She is the very selectest kind of a private boarding-school girl.”

“Who is she?” asked Mrs. Comstock.

Philip opened his lips.

“She is a girl in Chicago, that Mr. Ammon knows very well,” said Elnora. “She is beautiful and rich, and a friend of his sister's. Or, didn't you say that?”

“I don't remember, but she is,” said Philip. “This moth needs an alcohol bath to remove the dope.”

“Won't the down come, too?” asked Elnora anxiously.

“No. You watch and you will see it come out, as Polly would say, 'a perfectly good' moth.”

“Is your sister younger than you?” inquired Elnora.

“Yes,” said Philip, “but she is three years older than you. She is the dearest sister in all the world. I'd love to see her now.”

“Why don't you send for her,” suggested Elnora. “Perhaps she'd like to help us catch moths.”

“Yes, I think Polly in a Virot hat, Picot embroidered frock and three-inch heels would take more moths than any one who ever tried the Limberlost,” laughed Philip.

“Well, you find many of them, and you are her brother.”

“Yes, but that is different. Father was reared in Onabasha, and he loved the country. He trained me his way and mother took charge of Polly. I don't quite understand it. Mother is a great home body herself, but she did succeed in making Polly strictly ornamental.”

“Does Tom Levering need a 'strictly ornamental' girl?”

“You are too matter of fact! Too 'strictly' material. He needs a darling girl who will love him plenty, and Polly is that.”

“Well, then, does the Limberlost need a 'strictly ornamental' girl?”

“No!” cried Philip. “You are ornament enough for the Limberlost. I have changed my mind. I don't want Polly here. She would not enjoy catching moths, or anything we do.”

“She might,” persisted Elnora. “You are her brother, and surely you care for these things.”

“The argument does not hold,” said Philip. “Polly and I do not like the same things when we are at home, but we are very fond of each other. The member of my family who would go crazy about this is my father. I wish he could come, if only for a week. I'd send for him, but he is tied up in preparing some papers for a great corporation case this summer. He likes the country. It was his vote that brought me here.”

Philip leaned back against the arbour, watching the grosbeak as it hunted food between a tomato vine and a day lily. Elnora set him to making labels, and when he finished them he asked permission to write a letter. He took no pains to conceal his page, and from where she sat opposite him, Elnora could not look his way without reading: “My dearest Edith.” He wrote busily for a time and then sat staring across the garden.

“Have you run out of material so quickly?” asked Elnora.

“That's about it,” said Philip. “I have said that I am getting well as rapidly as possible, that the air is fine, the folks at Uncle Doc's all well, and entirely too good to me; that I am spending most of my time in the country helping catch moths for a collection, which is splendid exercise; now I can't think of another thing that will be interesting.”

There was a burst of exquisite notes in the maple.

“Put in the grosbeak,” suggested Elnora. “Tell her you are so friendly with him you feed him potato bugs.”

Philip lowered the pen to the sheet, bent forward, then hesitated.

“Blest if I do!” he cried. “She'd think a grosbeak was a depraved person with a large nose. She'd never dream that it was a black-robed lover, with a breast of snow and a crimson heart. She doesn't care for hungry babies and potato bugs. I shall write that to father. He will find it delightful.”

Elnora deftly picked up a moth, pinned it and placed its wings. She straightened the antennae, drew each leg into position and set it in perfectly lifelike manner. As she lifted her work to see if she had it right, she glanced at Philip. He was still frowning and hesitating over the paper.

“I dare you to let me dictate a couple of paragraphs.”

“Done!” cried Philip. “Go slowly enough that I can write it.”

Elnora laughed gleefully.

“I am writing this,” she began, “in an old grape arbour in the country, near a log cabin where I had my dinner. From where I sit I can see directly into the home of the next-door neighbour on the west. His name is R. B. Grosbeak. From all I have seen of him, he is a gentleman of the old school; the oldest school there is, no doubt. He always wears a black suit and cap and a white vest, decorated with one large red heart, which I think must be the emblem of some ancient order. I have been here a number of times, and I never have seen him wear anything else, or his wife appear in other than a brown dress with touches of white.

“It has appealed to me at times that she was a shade neglectful of her home duties, but he does not seem to feel that way. He cheerfully stays in the sitting-room, while she is away having a good time, and sings while he cares for the four small children. I must tell you about his music. I am sure he never saw inside a conservatory. I think he merely picked up what he knows by ear and without vocal training, but there is a tenderness in his tones, a depth of pure melody, that I never have heard surpassed. It may be that I think more of his music than that of some other good vocalists hereabout, because I see more of him and appreciate his devotion to his home life.

“I just had an encounter with him at the west fence, and induced him to carry a small gift to his children. When I see the perfect harmony in which he lives, and the depth of content he and the brown lady find in life, I am almost persuaded to— Now this is going to be poetry,” said Elnora. “Move your pen over here and begin with a quote and a cap.”

Philip's face had been an interesting study while he wrote her sentences. Now he gravely set the pen where she indicated, and Elnora dictated—

“Buy a nice little home in the country,
And settle down there for life.”

“That's the truth!” cried Philip. “It's as big a temptation as I ever had. Go on!”

“That's all,” said Elnora. “You can finish. The moths are done. I am going hunting for whatever I can find for the grades.”

“Wait a minute,” begged Philip. “I am going, too.”

“No. You stay with mother and finish your letter.”

“It is done. I couldn't add anything to that.”

“Very well! Sign your name and come on. But I forgot to tell you all the bargain. Maybe you won't send the letter when you hear that. The remainder is that you show me the reply to my part of it.”

“Oh, that's easy! I wouldn't have the slightest objection to showing you the whole letter.”

He signed his name, folded the sheets and slipped them into his pocket.

“Where are we going and what do we take?”

“Will you go, mother?” asked Elnora.

“I have a little work that should be done,” said Mrs. Comstock. “Could you spare me? Where do you want to go?”

“We will go down to Aunt Margaret's and see her a few minutes and get Billy. We will be back in time for supper.”

Mrs. Comstock smiled as she watched them down the road. What a splendid-looking pair of young creatures they were! How finely proportioned, how full of vitality! Then her face grew troubled as she saw them in earnest conversation. Just as she was wishing she had not trusted her precious girl with so much of a stranger, she saw Elnora stoop to lift a branch and peer under. The mother grew content. Elnora was thinking only of her work. She was to be trusted utterly.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:24 am


A few days later Philip handed Elnora a sheet of paper and she read: “In your condition I should think the moth hunting and life at that cabin would be very good for you, but for any sake keep away from that Grosbeak person, and don't come home with your head full of granger ideas. No doubt he has a remarkable voice, but I can't bear untrained singers, and don't you get the idea that a June song is perennial. You are not hearing the music he will make when the four babies have the scarlet fever and the measles, and the gadding wife leaves him at home to care for them then. Poor soul, I pity her! How she exists where rampant cows bellow at you, frogs croak, mosquitoes consume you, the butter goes to oil in summer and bricks in winter, while the pump freezes every day, and there is no earthly amusement, and no society! Poor things! Can't you influence him to move? No wonder she gads when she has a chance! I should die. If you are thinking of settling in the country, think also of a woman who is satisfied with white and brown to accompany you! Brown! Of all deadly colours! I should go mad in brown.”

Elnora laughed while she read. Her face was dimpling, as she returned the sheet. “Who's ahead?” she asked.

“Who do you think?” he parried.

“She is,” said Elnora. “Are you going to tell her in your next that R. B. Grosbeak is a bird, and that he probably will spend the winter in a wild plum thicket in Tennessee?”

“No,” said Philip. “I shall tell her that I understand her ideas of life perfectly, and, of course, I never shall ask her to deal with oily butter and frozen pumps—”

“—and measley babies,” interpolated Elnora.

“Exactly!” said Philip. “At the same time I find so much to counterbalance those things, that I should not object to bearing them myself, in view of the recompense. Where do we go and what do we do to-day?”

“We will have to hunt beside the roads and around the edge of the Limberlost to-day,” said Elnora. “Mother is making strawberry preserves, and she can't come until she finishes. Suppose we go down to the swamp and I'll show you what is left of the flower-room that Terence O'More, the big lumber man of Great Rapids, made when he was a homeless boy here. Of course, you have heard the story?”

“Yes, and I've met the O'Mores who are frequently in Chicago society. They have friends there. I think them one ideal couple.”

“That sounds as if they might be the only one,” said Elnora, “and, indeed, they are not. I know dozens. Aunt Margaret and Uncle Wesley are another, the Brownlees another, and my mathematics professor and his wife. The world is full of happy people, but no one ever hears of them. You must fight and make a scandal to get into the papers. No one knows about all the happy people. I am happy myself, and look how perfectly inconspicuous I am.”

“You only need go where you will be seen,” began Philip, when he remembered and finished. “What do we take to-day?”

“Ourselves,” said Elnora. “I have a vagabond streak in my blood and it's in evidence. I am going to show you where real flowers grow, real birds sing, and if I feel quite right about it, perhaps I shall raise a note or two myself.”

“Oh, do you sing?” asked Philip politely.

“At times,” answered Elnora. “'As do the birds; because I must,' but don't be scared. The mood does not possess me often. Perhaps I shan't raise a note.”

They went down the road to the swamp, climbed the snake fence, followed the path to the old trail and then turned south upon it. Elnora indicated to Philip the trail with remnants of sagging barbed wire.

“It was ten years ago,” she said. “I was a little school girl, but I wandered widely even then, and no one cared. I saw him often. He had been in a city institution all his life, when he took the job of keeping timber thieves out of this swamp, before many trees had been cut. It was a strong man's work, and he was a frail boy, but he grew hardier as he lived out of doors. This trail we are on is the path his feet first wore, in those days when he was insane with fear and eaten up with loneliness, but he stuck to his work and won out. I used to come down to the road and creep among the bushes as far as I dared, to watch him pass. He walked mostly, at times he rode a wheel.

“Some days his face was dreadfully sad, others it was so determined a little child could see the force in it, and once he was radiant. That day the Swamp Angel was with him. I can't tell you what she was like. I never saw any one who resembled her. He stopped close here to show her a bird's nest. Then they went on to a sort of flower-room he had made, and he sang for her. By the time he left, I had gotten bold enough to come out on the trail, and I met the big Scotchman Freckles lived with. He saw me catching moths and butterflies, so he took me to the flower-room and gave me everything there. I don't dare come alone often, so I can't keep it up as he did, but you can see something of how it was.”

Elnora led the way and Philip followed. The outlines of the room were not distinct, because many of the trees were gone, but Elnora showed how it had been as nearly as she could.

“The swamp is almost ruined now,” she said. “The maples, walnuts, and cherries are all gone. The talking trees are the only things left worth while.”

“The 'talking trees!' I don't understand,” commented Philip.

“No wonder!” laughed Elnora. “They are my discovery. You know all trees whisper and talk during the summer, but there are two that have so much to say they keep on the whole winter, when the others are silent. The beeches and oaks so love to talk, they cling to their dead, dry leaves. In the winter the winds are stiffest and blow most, so these trees whisper, chatter, sob, laugh, and at times roar until the sound is deafening. They never cease until new leaves come out in the spring to push off the old ones. I love to stand beneath them with my ear to the trunks, interpreting what they say to fit my moods. The beeches branch low, and their leaves are small so they only know common earthly things; but the oaks run straight above almost all other trees before they branch, their arms are mighty, their leaves large. They meet the winds that travel around the globe, and from them learn the big things.”

Philip studied the girls face. “What do the beeches tell you, Elnora?” he asked gently.

“To be patient, to be unselfish, to do unto others as I would have them do to me.”

“And the oaks?”

“They say 'be true,' 'live a clean life,' 'send your soul up here and the winds of the world will teach it what honour achieves.'”

“Wonderful secrets, those!” marvelled Philip. “Are they telling them now? Could I hear?”

“No. They are only gossiping now. This is play-time. They tell the big secrets to a white world, when the music inspires them.”

“The music?”

“All other trees are harps in the winter. Their trunks are the frames, their branches the strings, the winds the musicians. When the air is cold and clear, the world very white, and the harp music swelling, then the talking trees tell the strengthening, uplifting things.”

“You wonderful girl!” cried Philip. “What a woman you will be!”

“If I am a woman at all worth while, it will be because I have had such wonderful opportunities,” said Elnora. “Not every girl is driven to the forest to learn what God has to say there. Here are the remains of Freckles's room. The time the Angel came here he sang to her, and I listened. I never heard music like that. No wonder she loved him. Every one who knew him did, and they do yet. Try that log, it makes a fairly good seat. This old store box was his treasure house, just as it's now mine. I will show you my dearest possession. I do not dare take it home because mother can't overcome her dislike for it. It was my father's, and in some ways I am like him. This is the strongest.”

Elnora lifted the violin and began to play. She wore a school dress of green gingham, with the sleeves rolled to the elbows. She seemed a part of the setting all around her. Her head shone like a small dark sun, and her face never had seemed so rose-flushed and fair. From the instant she drew the bow, her lips parted and her eyes turned toward something far away in the swamp, and never did she give more of that impression of feeling for her notes and repeating something audible only to her. Philip was too close to get the best effect. He arose and stepped back several yards, leaning against a large tree, looking and listening intently.

As he changed positions he saw that Mrs. Comstock had followed them, and was standing on the trail, where she could not have helped hearing everything Elnora had said.

So to Philip before her and the mother watching on the trail, Elnora played the Song of the Limberlost. It seemed as if the swamp hushed all its other voices and spoke only through her dancing bow. The mother out on the trail had heard it all, once before from the girl, many times from her father. To the man it was a revelation. He stood so stunned he forgot Mrs. Comstock. He tried to realize what a city audience would say to that music, from such a player, with a similar background, and he could not imagine.

He was wondering what he dared say, how much he might express, when the last note fell and the girl laid the violin in the case, closed the door, locked it and hid the key in the rotting wood at the end of a log. Then she came to him. Philip stood looking at her curiously.

“I wonder,” he said, “what people would say to that?”

“I played that in public once,” said Elnora. “I think they liked it, fairly well. I had a note yesterday offering me the leadership of the high school orchestra in Onabasha. I can take it as well as not. None of my talks to the grades come the first thing in the morning. I can play a few minutes in the orchestra and reach the rooms in plenty of time. It will be more work that I love, and like finding the money. I would gladly play for nothing, merely to be able to express myself.”

“With some people it makes a regular battlefield of the human heart—this struggle for self-expression,” said Philip. “You are going to do beautiful work in the world, and do it well. When I realize that your violin belonged to your father, that he played it before you were born, and it no doubt affected your mother strongly, and then couple with that the years you have roamed these fields and swamps finding in nature all you had to lavish your heart upon, I can see how you evolved. I understand what you mean by self-expression. I know something of what you have to express. The world never so wanted your message as it does now. It is hungry for the things you know. I can see easily how your position came to you. What you have to give is taught in no college, and I am not sure but you would spoil yourself if you tried to run your mind through a set groove with hundreds of others. I never thought I should say such a thing to any one, but I do say to you, and I honestly believe it; give up the college idea. Your mind does not need that sort of development. Stick close to your work in the woods. You are becoming so infinitely greater on it, than the best college girl I ever knew, that there is no comparison. When you have money to spend, take that violin and go to one of the world's great masters and let the Limberlost sing to him; if he thinks he can improve it, very well. I have my doubts.”

“Do you really mean that you would give up all idea of going to college, in my place?”

“I really mean it,” said Philip. “If I now held the money in my hands to send you, and could give it to you in some way you would accept I would not. I do not know why it is the fate of the world always to want something different from what life gives them. If you only could realize it, my girl, you are in college, and have been always. You are in the school of experience, and it has taught you to think, and given you a heart. God knows I envy the man who wins it! You have been in the college of the Limberlost all your life, and I never met a graduate from any other institution who could begin to compare with you in sanity, clarity, and interesting knowledge. I wouldn't even advise you to read too many books on your lines. You acquire your material first hand, and you know that you are right. What you should do is to begin early to practise self-expression. Don't wait too long to tell us about the woods as you know them.”

“Follow the course of the Bird Woman, you mean?” asked Elnora.

“In your own way; with your own light. She won't live forever. You are younger, and you will be ready to begin where she ends. The swamp has given you all you need so far; now you give it to the world in payment. College be confounded! Go to work and show people what there is in you!”

Not until then did he remember Mrs. Comstock.

“Should we go out to the trail and see if your mother is coming?” he asked.

“Here she is now,” said Elnora. “Gracious, it's a mercy I got that violin put away in time! I didn't expect her so soon,” whispered the girl as she turned and went toward her mother. Mrs. Comstock's expression was peculiar as she looked at Elnora.

“I forgot that you were making sun-preserves and they didn't require much cooking,” she said. “We should have waited for you.”

“Not at all!” answered Mrs. Comstock. “Have you found anything yet?”

“Nothing that I can show you,” said Elnora. “I am almost sure I have found an idea that will revolutionize the whole course of my work, thought, and ambitions.”

“'Ambitions!' My, what a hefty word!” laughed Mrs. Comstock. “Now who would suspect a little red-haired country girl of harbouring such a deadly germ in her body? Can you tell mother about it?”

“Not if you talk to me that way, I can't,” said Elnora.

“Well, I guess we better let ambition lie. I've always heard it was safest asleep. If you ever get a bona fide attack, it will be time to attend it. Let's hunt specimens. It is June. Philip and I are in the grades. You have an hour to put an idea into our heads that will stick for a lifetime, and grow for good. That's the way I look at your job. Now, what are you going to give us? We don't want any old silly stuff that has been hashed over and over, we want a big new idea to plant in our hearts. Come on, Miss Teacher, what is the boiled-down, double-distilled essence of June? Give it to us strong. We are large enough to furnish it developing ground. Hurry up! Time is short and we are waiting. What is the miracle of June? What one thing epitomizes the whole month, and makes it just a little different from any other?”

“The birth of these big night moths,” said Elnora promptly.

Philip clapped his hands. The tears started to Mrs. Comstock's eyes. She took Elnora in her arms, and kissed her forehead.

“You'll do!” she said. “June is June, not because it has bloom, bird, fruit, or flower, exclusive to it alone.

“It's half May and half July in all of them. But to me, it's just June, when it comes to these great, velvet-winged night moths which sweep its moonlit skies, consummating their scheme of creation, and dropping like a bloomed-out flower. Give them moths for June. Then make that the basis of your year's work. Find the distinctive feature of each month, the one thing which marks it a time apart, and hit them squarely between the eyes with it. Even the babies of the lowest grades can comprehend moths when they see a few emerge, and learn their history, as it can be lived before them. You should show your specimens in pairs, then their eggs, the growing caterpillars, and then the cocoons. You want to dig out the red heart of every month in the year, and hold it pulsing before them.

“I can't name all of them off-hand, but I think of one more right now. February belongs to our winter birds. It is then the great horned owl of the swamp courts his mate, the big hawks pair, and even the crows begin to take notice. These are truly our birds. Like the poor we have them always with us. You should hear the musicians of this swamp in February, Philip, on a mellow night. Oh, but they are in earnest! For twenty-one years I've listened by night to the great owls, all the smaller sizes, the foxes, coons, and every resident left in these woods, and by day to the hawks, yellow-hammers, sap-suckers, titmice, crows, and other winter birds. Only just now it's come to me that the distinctive feature of February is not linen bleaching, nor sugar making; it's the love month of our very own birds. Give them hawks and owls for February, Elnora.”

With flashing eyes the girl looked at Philip. “How's that?” she said. “Don't you think I will succeed, with such help? You should hear the concert she is talking about! It is simply indescribable when the ground is covered with snow, and the moonlight white.”

“It's about the best music we have,” said Mrs. Comstock. “I wonder if you couldn't copy that and make a strong, original piece out of it for your violin, Elnora?”

There was one tense breath, then—— “I could try,” said Elnora simply.

Philip rushed to the rescue. “We must go to work,” he said, and began examining a walnut branch for Luna moth eggs. Elnora joined him while Mrs. Comstock drew her embroidery from her pocket and sat on a log. She said she was tired, they could come for her when they were ready to go. She could hear their voices around her until she called them at supper time. When they came to her she stood waiting on the trail, the sewing in one hand, the violin in the other. Elnora became very white, but followed the trail without a word. Philip, unable to see a woman carry a heavier load than he, reached for the instrument. Mrs. Comstock shook her head. She carried the violin home, took it into her room and closed the door. Elnora turned to Philip.

“If she destroys that, I shall die!” cried the girl.

“She won't!” said Philip. “You misunderstand her. She wouldn't have said what she did about the owls, if she had meant to. She is your mother. No one loves you as she does. Trust her! Myself—I think she's simply great!”

Mrs. Comstock returned with serene face, and all of them helped with the supper. When it was over Philip and Elnora sorted and classified the afternoon's specimens, and made a trip to the woods to paint and light several trees for moths. When they came back Mrs. Comstock sat in the arbour, and they joined her. The moonlight was so intense, print could have been read by it. The damp night air held odours near to earth, making flower and tree perfume strong. A thousand insects were serenading, and in the maple the grosbeak occasionally said a reassuring word to his wife, while she answered that all was well. A whip-poor-will wailed in the swamp and beside the blue-bordered pool a chat complained disconsolately. Mrs. Comstock went into the cabin, but she returned immediately, laying the violin and bow across Elnora's lap. “I wish you would give us a little music,” she said.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:25 am


Billy was swinging in the hammock, at peace with himself and all the world, when he thought he heard something. He sat bolt upright, his eyes staring. Once he opened his lips, then thought again and closed them. The sound persisted. Billy vaulted the fence, and ran down the road with his queer sidewise hop. When he neared the Comstock cabin, he left the warm dust of the highway and stepped softly at slower pace over the rank grasses of the roadside. He had heard aright. The violin was in the grape arbour, singing a perfect jumble of everything, poured out in an exultant tumult. The strings were voicing the joy of a happy girl heart.

Billy climbed the fence enclosing the west woods and crept toward the arbour. He was not a spy and not a sneak. He merely wanted to satisfy his child-heart as to whether Mrs. Comstock was at home, and Elnora at last playing her loved violin with her mother's consent. One peep sufficed. Mrs. Comstock sat in the moonlight, her head leaning against the arbour; on her face was a look of perfect peace and contentment. As he stared at her the bow hesitated a second and Mrs. Comstock spoke:

“That's all very melodious and sweet,” she said, “but I do wish you could play Money Musk and some of the tunes I danced as a girl.”

Elnora had been carefully avoiding every note that might be reminiscent of her father. At the words she laughed softly and began “Turkey in the Straw.” An instant later Mrs. Comstock was dancing in the moon light. Ammon sprang to her side, caught her in his arms, while to Elnora's laughter and the violin's impetus they danced until they dropped panting on the arbour bench.

Billy scarcely knew when he reached the road. His light feet barely touched the soft way, so swiftly he flew. He vaulted the fence and burst into the house.

“Aunt Margaret! Uncle Wesley!” he screamed. “Listen! Listen! She's playing it! Elnora's playing her violin at home! And Aunt Kate is dancing like anything before the arbour! I saw her in the moonlight! I ran down! Oh, Aunt Margaret!”

Billy fled sobbing to Margaret's breast.

“Why Billy!” she chided. “Don't cry, you little dunce! That's what we've all prayed for these many years; but you must be mistaken about Kate. I can't believe it.”

Billy lifted his head. “Well, you just have to!” he said. “When I say I saw anything, Uncle Wesley knows I did. The city man was dancing with her. They danced together and Elnora laughed. But it didn't look funny to me; I was scared.”

“Who was it said 'wonders never cease,'” asked Wesley. “You mark my word, once you get Kate Comstock started, you can't stop her. There's a wagon load of penned-up force in her. Dancing in the moonlight! Well, I'll be hanged!”

Billy was at his side instantly. “Whoever does it will have to hang me, too,” he cried.

Sinton threw his arm around Billy and drew him closely. “Tell us all about it, son,” he said. Billy told. “And when Elnora just stopped a breath, 'Can't you play some of the old things I knew when I was a girl?' said her ma. Then Elnora began to do a thing that made you want to whirl round and round, and quicker 'an scat there was her ma a-whirling. The city man, he ups and grabs her and whirls, too, and back in the woods I was going just like they did. Elnora begins to laugh, and I ran to tell you, cos I knew you'd like to know. Now, all the world is right, ain't it?” ended Billy in supreme satisfaction.

“You just bet it is!” said Wesley.

Billy looked steadily at Margaret. “Is it, Aunt Margaret?”

Margaret Sinton smiled at him bravely.

An hour later when Billy was ready to climb the stairs to his room, he went to Margaret to say good night. He leaned against her an instant, then brought his lips to her ear. “Wish I could get your little girls back for you!” he whispered and dashed toward the stairs.

Down at the Comstock cabin the violin played on until Elnora was so tired she scarcely could lift the bow. Then Philip went home. The women walked to the gate with him, and stood watching him from sight.

“That's what I call one decent young man!” said Mrs. Comstock. “To see him fit in with us, you'd think he'd been brought up in a cabin; but it's likely he's always had the very cream o' the pot.”

“Yes, I think so,” laughed Elnora, “but it hasn't hurt him. I've never seen anything I could criticise. He's teaching me so much, unconsciously. You know he graduated from Harvard, and has several degrees in law. He's coming in the morning, and we are going to put in a big day on Catocalae.”

“Which is——?”

“Those gray moths with wings that fold back like big flies, and they appear as if they had been carved from old wood. Then, when they fly, the lower wings flash out and they are red and black, or gold and black, or pink and black, or dozens of bright, beautiful colours combined with black. No one ever has classified all of them and written their complete history, unless the Bird Woman is doing it now. She wants everything she can get about them.”

“I remember,” said Mrs. Comstock. “They are mighty pretty things. I've started up slews of them from the vines covering the logs, all my life. I must be cautious and catch them after this, but they seem powerful spry. I might get hold of something rare.” She thought intently and added, “And wouldn't know it if I did. It would just be my luck. I've had the rarest thing on earth in reach this many a day and only had the wit to cinch it just as it was going. I'll bet I don't let anything else escape me.”

Next morning Philip came early, and he and Elnora went at once to the fields and woods. Mrs. Comstock had come to believe so implicitly in him that she now stayed at home to complete the work before she joined them, and when she did she often sat sewing, leaving them wandering hours at a time. It was noon before she finished, and then she packed a basket of lunch. She found Elnora and Philip near the violet patch, which was still in its prime. They all lunched together in the shade of a wild crab thicket, with flowers spread at their feet, and the gold orioles streaking the air with flashes of light and trailing ecstasy behind them, while the red-wings, as always, asked the most impertinent questions. Then Mrs. Comstock carried the basket back to the cabin, and Philip and Elnora sat on a log, resting a few minutes. They had unexpected luck, and both were eager to continue the search.

“Do you remember your promise about these violets?” asked he. “To-morrow is Edith's birthday, and if I'd put them special delivery on the morning train, she'd get them in the late afternoon. They ought to keep that long. She leaves for the North next day.”

“Of course, you may have them,” said Elnora. “We will quit long enough before supper to gather a large bunch. They can be packed so they will carry all right. They should be perfectly fresh, especially if we gather them this evening and let them drink all night.”

Then they went back to hunt Catocalae. It was a long and a happy search. It led them into new, unexplored nooks of the woods, past a red-poll nest, and where goldfinches prospected for thistledown for the cradles they would line a little later. It led them into real forest, where deep, dark pools lay, where the hermit thrush and the wood robin extracted the essence from all other bird melody, and poured it out in their pure bell-tone notes. It seemed as if every old gray tree-trunk, slab of loose bark, and prostrate log yielded the flashing gray treasures; while of all others they seemed to take alarm most easily, and be most difficult to capture.

Philip came to Elnora at dusk, daintily holding one by the body, its dark wings showing and its long slender legs trying to clasp his fingers and creep from his hold.

“Oh for mercy's sake!” cried Elnora, staring at him.

“I half believe it!” exulted Ammon.

“Did you ever see one?”

“Only in collections, and very seldom there.”

Elnora studied the black wings intently. “I surely believe that's Sappho,” she marvelled. “The Bird Woman will be overjoyed.”

“We must get the cyanide jar quickly,” said Philip.

“I wouldn't lose her for anything. Such a chase as she led me!”

Elnora brought the jar and began gathering up paraphernalia.

“When you make a find like that,” she said, “it's the right time to quit and feel glorious all the rest of that day. I tell you I'm proud! We will go now. We have barely time to carry out our plans before supper. Won't mother be pleased to see that we have a rare one?”

“I'd like to see any one more pleased than I am!” said Philip Ammon. “I feel as if I'd earned my supper to-night. Let's go.”

He took the greater part of the load and stepped aside for Elnora to precede him. She followed the path, broken by the grazing cattle, toward the cabin and nearest the violet patch she stopped, laid down her net, and the things she carried. Philip passed her and hurried straight toward the back gate.

“Aren't you going to——?” began Elnora.

“I'm going to get this moth home in a hurry,” he said. “This cyanide has lost its strength, and it's not working well. We need some fresh in the jar.”

He had forgotten the violets! Elnora stood looking after him, a curious expression on her face. One second so—then she picked up the net and followed. At the blue-bordered pool she paused and half turned back, then she closed her lips firmly and went on. It was nine o'clock when Philip said good-bye, and started to town. His gay whistle floated to them from the farthest corner of the Limberlost. Elnora complained of being tired, so she went to her room and to bed. But sleep would not come. Thought was racing in her brain and the longer she lay the wider awake she grew. At last she softly slipped from bed, lighted her lamp and began opening boxes. Then she went to work. Two hours later a beautiful birch bark basket, strongly and artistically made, stood on her table. She set a tiny alarm clock at three, returned to bed and fell asleep instantly with a smile on her lips.

She was on the floor with the first tinkle of the alarm, and hastily dressing, she picked up the basket and a box to fit it, crept down the stairs, and out to the violet patch. She was unafraid as it was growing light, and lining the basket with damp mosses she swiftly began picking, with practised hands, the best of the flowers. She scarcely could tell which were freshest at times, but day soon came creeping over the Limberlost and peeped at her. The robins awoke all their neighbours, and a babel of bird notes filled the air. The dew was dripping, while the first strong rays of light fell on a world in which Elnora worshipped. When the basket was filled to overflowing, she set it in the stout pasteboard box, packed it solid with mosses, tied it firmly and slipped under the cord a note she had written the previous night.

Then she took a short cut across the woods and walked swiftly to Onabasha. It was after six o'clock, but all of the city she wished to avoid were asleep. She had no trouble in finding a small boy out, and she stood at a distance waiting while he rang Dr. Ammon's bell and delivered the package for Philip to a maid, with the note which was to be given him at once.

On the way home through the woods passing some baited trees she collected the captive moths. She entered the kitchen with them so naturally that Mrs. Comstock made no comment. After breakfast Elnora went to her room, cleared away all trace of the night's work and was out in the arbour mounting moths when Philip came down the road. “I am tired sitting,” she said to her mother. “I think I will walk a few rods and meet him.”

“Who's a trump?” he called from afar.

“Not you!” retorted Elnora. “Confess that you forgot!”

“Completely!” said Philip. “But luckily it would not have been fatal. I wrote Polly last week to send Edith something appropriate to-day, with my card. But that touch from the woods will be very effective. Thank you more than I can say. Aunt Anna and I unpacked it to see the basket, and it was a beauty. She says you are always doing such things.”

“Well, I hope not!” laughed Elnora. “If you'd seen me sneaking out before dawn, not to awaken mother and coming in with moths to make her think I'd been to the trees, you'd know it was a most especial occasion.”

“Then Philip understood two things: Elnora's mother did not know of the early morning trip to the city, and the girl had come to meet him to tell him so.

“You were a brick to do it!” he whispered as he closed the gate behind them. “I'll never forget you for it. Thank you ever so much.”

“I did not do that for you,” said Elnora tersely. “I did it mostly to preserve my own self-respect. I saw you were forgetting. If I did it for anything besides that, I did it for her.”

“Just look what I've brought!” said Philip, entering the arbour and greeting Mrs. Comstock. “Borrowed it of the Bird Woman. And it isn't hers. A rare edition of Catocalae with coloured plates. I told her the best I could, and she said to try for Sappho here. I suspect the Bird Woman will be out presently. She was all excitement.”

Then they bent over the book together and with the mounted moth before them determined her family. The Bird Woman did come later, and carried the moth away, to put into a book and Elnora and Philip were freshly filled with enthusiasm.

So these days were the beginning of the weeks that followed. Six of them flying on Time's wings, each filled to the brim with interest. After June, the moth hunts grew less frequent; the fields and woods were searched for material for Elnora's grade work. The most absorbing occupation they found was in carrying out Mrs. Comstock's suggestion to learn the vital thing for which each month was distinctive, and make that the key to the nature work. They wrote out a list of the months, opposite each the things all of them could suggest which seemed to pertain to that month alone, and then tried to sift until they found something typical. Mrs. Comstock was a great help. Her mother had been Dutch and had brought from Holland numerous quaint sayings and superstitions easily traceable to Pliny's Natural History; and in Mrs. Comstock's early years in Ohio she had heard much Indian talk among her elders, so she knew the signs of each season, and sometimes they helped. Always her practical thought and sterling common sense were useful. When they were afield until exhausted they came back to the cabin for food, to prepare specimens and classify them, and to talk over the day. Sometimes Philip brought books and read while Elnora and her mother worked, and every night Mrs. Comstock asked for the violin. Her perfect hunger for music was sufficient evidence of how she had suffered without it. So the days crept by, golden, filled with useful work and pure pleasure.

The grosbeak had led the family in the maple abroad and a second brood, in a wild grape vine clambering over the well, was almost ready for flight. The dust lay thick on the country roads, the days grew warmer; summer was just poising to slip into fall, and Philip remained, coming each day as if he had belonged there always.

One warm August afternoon Mrs. Comstock looked up from the ruffle on which she was engaged to see a blue-coated messenger enter the gate.

“Is Philip Ammon here?” asked the boy.

“He is,” said Mrs. Comstock.

“I have a message for him.”

“He is in the woods back of the cabin. I will ring the bell. Do you know if it is important?”

“Urgent,” said the boy; “I rode hard.”

Mrs. Comstock stepped to the back door and clanged the dinner bell sharply, paused a second, and rang again. In a short time Philip and Elnora ran down the path.

“Are you ill, mother?” cried Elnora.

Mrs. Comstock indicated the boy. “There is an important message for Philip,” she said.

He muttered an excuse and tore open the telegram. His colour faded slightly. “I have to take the first train,” he said. “My father is ill and I am needed.”

He handed the sheet to Elnora. “I have about two hours, as I remember the trains north, but my things are all over Uncle Doc's house, so I must go at once.”

“Certainly,” said Elnora, giving back the message. “Is there anything I can do to help? Mother, bring Philip a glass of buttermilk to start on. I will gather what you have here.”

“Never mind. There is nothing of importance. I don't want to be hampered. I'll send for it if I miss anything I need.”

Philip drank the milk, said good-bye to Mrs. Comstock; thanked her for all her kindness, and turned to Elnora.

“Will you walk to the edge of the Limberlost with me?” he asked. Elnora assented. Mrs. Comstock followed to the gate, urged him to come again soon, and repeated her good-bye. Then she went back to the arbour to await Elnora's return. As she watched down the road she smiled softly.

“I had an idea he would speak to me first,” she thought, “but this may change things some. He hasn't time. Elnora will come back a happy girl, and she has good reason. He is a model young man. Her lot will be very different from mine.”

She picked up her embroidery and began setting dainty precise little stitches, possible only to certain women.

On the road Elnora spoke first. “I do hope it is nothing serious,” she said. “Is he usually strong?”

“Quite strong,” said Philip. “I am not at all alarmed but I am very much ashamed. I have been well enough for the past month to have gone home and helped him with some critical cases that were keeping him at work in this heat. I was enjoying myself so I wouldn't offer to go, and he would not ask me to come, so long as he could help it. I have allowed him to overtax himself until he is down, and mother and Polly are north at our cottage. He's never been sick before, and it's probable I am to blame that he is now.”

“He intended you to stay this long when you came,” urged Elnora.

“Yes, but it's hot in Chicago. I should have remembered him. He is always thinking of me. Possibly he has needed me for days. I am ashamed to go to him in splendid condition and admit that I was having such a fine time I forgot to come home.”

“You have had a fine time, then?” asked Elnora.

They had reached the fence. Philip vaulted over to take a short cut across the fields. He turned and looked at her.

“The best, the sweetest, and most wholesome time any man ever had in this world,” he said. “Elnora, if I talked hours I couldn't make you understand what a girl I think you are. I never in all my life hated anything as I hate leaving you. It seems to me that I have not strength to do it.”

“If you have learned anything worth while from me,” said Elnora, “that should be it. Just to have strength to go to your duty, and to go quickly.”

He caught the hand she held out to him in both his. “Elnora, these days we have had together, have they been sweet to you?”

“Beautiful days!” said Elnora. “Each like a perfect dream to be thought over and over all my life. Oh, they have been the only really happy days I've ever known; these days rich with mother's love, and doing useful work with your help. Good-bye! You must hurry!”

Philip gazed at her. He tried to drop her hand, only clutched it closer. Suddenly he drew her toward him. “Elnora,” he whispered, “will you kiss me good-bye?”

Elnora drew back and stared at him with wide eyes. “I'd strike you sooner!” she said. “Have I ever said or done anything in your presence that made you feel free to ask that, Philip Ammon?”

“No!” panted Philip. “No! I think so much of you I wanted to touch your lips once before I left you. You know, Elnora——”

“Don't distress yourself,” said Elnora calmly. “I am broad enough to judge you sanely. I know what you mean. It would be no harm to you. It would not matter to me, but here we will think of some one else. Edith Carr would not want your lips to-morrow if she knew they had touched mine to-day. I was wise to say: 'Go quickly!'”

Philip still clung to her. “Will you write me?” he begged.

“No,” said Elnora. “There is nothing to say, save good-bye. We can do that now.”

He held on. “Promise that you will write me only one letter,” he urged. “I want just one message from you to lock in my desk, and keep always. Promise you will write once, Elnora.”

She looked into his eyes, and smiled serenely. “If the talking trees tell me this winter, the secret of how a man may grow perfect, I will write you what it is, Philip. In all the time I have known you, I never have liked you so little. Good-bye.”

She drew away her hand and swiftly turned back to the road. Philip Ammon, wordless, started toward Onabasha on a run.

Elnora crossed the road, climbed the fence and sought the shelter of their own woods. She chose a diagonal course and followed it until she came to the path leading past the violet patch. She went down this hurriedly. Her hands were clenched at her side, her eyes dry and bright, her cheeks red-flushed, and her breath coming fast. When she reached the patch she turned into it and stood looking around her.

The mosses were dry, the flowers gone, weeds a foot high covered it. She turned away and went on down the path until she was almost in sight of the cabin.

Mrs. Comstock smiled and waited in the arbour until it occurred to her that Elnora was a long time coming, so she went to the gate. The road stretched away toward the Limberlost empty and lonely. Then she knew that Elnora had gone into their own woods and would come in the back way. She could not understand why the girl did not hurry to her with what she would have to tell. She went out and wandered around the garden. Then she stepped into the path and started along the way leading to the woods, past the pool now framed in a thick setting of yellow lilies. Then she saw, and stopped, gasping for breath. Her hands flew up and her lined face grew ghastly. She stared at the sky and then at the prostrate girl figure. Over and over she tried to speak, but only a dry breath came. She turned and fled back to the garden.

In the familiar enclosure she gazed around her like a caged animal seeking escape. The sun beat down on her bare head mercilessly, and mechanically she moved to the shade of a half-grown hickory tree that voluntarily had sprouted beside the milk house. At her feet lay an axe with which she made kindlings for fires. She stooped and picked it up. The memory of that prone figure sobbing in the grass caught her with a renewed spasm. She shut her eyes as if to close it out. That made hearing so acute she felt certain she heard Elnora moaning beside the path. The eyes flew open. They looked straight at a few spindling tomato plants set too near the tree and stunted by its shade. Mrs. Comstock whirled on the hickory and swung the axe. Her hair shook down, her clothing became disarranged, in the heat the perspiration streamed, but stroke fell on stroke until the tree crashed over, grazing a corner of the milk house and smashing the garden fence on the east.

At the sound Elnora sprang to her feet and came running down the garden walk. “Mother!” she cried. “Mother! What in the world are you doing?”

Mrs. Comstock wiped her ghastly face on her apron. “I've laid out to cut that tree for years,” she said. “It shades the beets in the morning, and the tomatoes in the afternoon!”

Elnora uttered one wild little cry and fled into her mother's arms. “Oh mother!” she sobbed. “Will you ever forgive me?”

Mrs. Comstock's arms swept together in a tight grip around Elnora.

“There isn't a thing on God's footstool from a to izzard I won't forgive you, my precious girl!” she said. “Tell mother what it is!”

Elnora lifted her wet face. “He told me,” she panted, “just as soon as he decently could—that second day he told me. Almost all his life he's been engaged to a girl at home. He never cared anything about me. He was only interested in the moths and growing strong.”

Mrs. Comstock's arms tightened. With a shaking hand she stroked the bright hair.

“Tell me, honey,” she said. “Is he to blame for a single one of these tears?”

“Not one!” sobbed Elnora. “Oh mother, I won't forgive you if you don't believe that. Not one! He never said, or looked, or did anything all the world might not have known. He likes me very much as a friend. He hated to go dreadfully!”

“Elnora!” the mother's head bent until the white hair mingled with the brown. “Elnora, why didn't you tell me at first?”

Elnora caught her breath in a sharp snatch. “I know I should!” she sobbed. “I will bear any punishment for not, but I didn't feel as if I possibly could. I was afraid.”

“Afraid of what?” the shaking hand was on the hair again.

“Afraid you wouldn't let him come!” panted Elnora. “And oh, mother, I wanted him so!”
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:25 am


For the following week Mrs. Comstock and Elnora worked so hard there was no time to talk, and they were compelled to sleep from physical exhaustion. Neither of them made any pretence of eating, for they could not swallow without an effort, so they drank milk and worked. Elnora kept on setting bait for Catacolae and Sphinginae, which, unlike the big moths of June, live several months. She took all the dragonflies and butterflies she could, and when she went over the list for the man of India, she found, to her amazement, that with Philip's help she once more had it complete save a pair of Yellow Emperors.

This circumstance was so surprising she had a fleeting thought of writing Philip and asking him to see if he could not secure her a pair. She did tell the Bird Woman, who from every source at her command tried to complete the series with these moths, but could not find any for sale.

“I think the mills of the Gods are grinding this grist,” said Elnora, “and we might as well wait patiently until they choose to send a Yellow Emperor.”

Mrs. Comstock invented work. When she had nothing more to do, she hoed in the garden although the earth was hard and dry and there were no plants that really needed attention. Then came a notification that Elnora would be compelled to attend a week's session of the Teachers' Institute held at the county seat twenty miles north of Onabasha the following week. That gave them something of which to think and real work to do. Elnora was requested to bring her violin. As she was on the programme of one of the most important sessions for a talk on nature work in grade schools, she was driven to prepare her speech, also to select and practise some music. Her mother turned her attention to clothing.

They went to Onabasha together and purchased a simple and appropriate fall suit and hat, goods for a dainty little coloured frock, and a dress skirt and several fancy waists. Margaret Sinton came down and the sewing began. When everything was finished and packed, Elnora kissed her mother good-bye at the depot, and entered the train. Mrs. Comstock went into the waiting-room and dropped into a seat to rest. Her heart was so sore her whole left side felt tender. She was half starved for the food she had no appetite to take. She had worked in dogged determination until she was exhausted. For a time she simply sat and rested. Then she began to think. She was glad Elnora had gone where she would be compelled to fix her mind on other matters for a few days. She remembered the girl had said she wanted to go.

School would begin the following week. She thought over what Elnora would have to do to accomplish her work successfully. She would be compelled to arise at six o'clock, walk three miles through varying weather, lead the high school orchestra, and then put in the remainder of the day travelling from building to building over the city, teaching a specified length of time every week in each room. She must have her object lessons ready, and she must do a certain amount of practising with the orchestra. Then a cold lunch at noon, and a three-mile walk at night.

“Humph!” said Mrs. Comstock, “to get through that the girl would have to be made of cast-iron. I wonder how I can help her best?”

She thought deeply.

“The less she sees of what she's been having all summer, the sooner she'll feel better about it,” she muttered.

She arose, went to the bank and inquired for the cashier.

“I want to know just how I am fixed here,” she said.

The cashier laughed. “You haven't been in a hurry,” he replied. “We have been ready for you any time these twenty years, but you didn't seem to pay much attention. Your account is rather flourishing. Interest, when it gets to compounding, is quite a money breeder. Come back here to a table and I will show you your balances.”

Mrs. Comstock sank into a chair and waited while the cashier read a jumble of figures to her. It meant that her deposits had exceeded her expenses from one to three hundred dollars a year, according to the cattle, sheep, hogs, poultry, butter, and eggs she had sold. The aggregate of these sums had been compounding interest throughout the years. Mrs. Comstock stared at the total with dazed and unbelieving eyes. Through her sick heart rushed the realization, that if she merely had stood before that wicket and asked one question, she would have known that all those bitter years of skimping for Elnora and herself had been unnecessary. She arose and went back to the depot.

“I want to send a message,” she said. She picked up the pencil, and with rash extravagance, wrote, “Found money at bank didn't know about. If you want to go to college, come on first train and get ready.” She hesitated a second and then she said to herself grimly, “Yes, I'll pay for that, too,” and recklessly added, “With love, Mother.” Then she sat waiting for the answer. It came in less than an hour. “Will teach this winter. With dearest love, Elnora.”

Mrs. Comstock held the message a long time. When she arose she was ravenously hungry, but the pain in her heart was a little easier. She went to a restaurant and ate some food, then to a dressmaker where she ordered four dresses: two very plain every-day ones, a serviceable dark gray cloth suit, and a soft light gray silk with touches of lavender and lace. She made a heavy list of purchases at Brownlee's, and the remainder of the day she did business in her direct and spirited way. At night she was so tired she scarcely could walk home, but she built a fire and cooked and ate a hearty meal.

Later she went out beside the west fence and gathered an armful of tansy which she boiled to a thick green tea. Then she stirred in oatmeal until it was a stiff paste. She spread a sheet over her bed and began tearing strips of old muslin. She bandaged each hand and arm with the mixture and plastered the soggy, evil-smelling stuff in a thick poultice over her face and neck. She was so tired she went to sleep, and when she awoke she was half skinned. She bathed her face and hands, did the work and went back to town, coming home at night to go through the same process.

By the third morning she was a raw even red, the fourth she had faded to a brilliant pink under the soothing influence of a cream recommended. That day came a letter from Elnora saying that she would remain where she was until Saturday morning, and then come to Ellen Brownlee's at Onabasha and stay for the Saturday's session of teachers to arrange their year's work. Sunday was Ellen's last day at home, and she wanted Elnora very much. She had to call together the orchestra and practise them Sunday; and could not come home until after school Monday night. Mrs. Comstock at once answered the letter saying those arrangements suited her.

The following day she was a pale pink, later a delicate porcelain white. Then she went to a hairdresser and had the rope of snowy hair which covered her scalp washed, dressed, and fastened with such pins and combs as were decided to be most becoming. She took samples of her dresses, went to a milliner, and bought a street hat to match her suit, and a gray satin with lavender orchids to wear with the silk dress. Her last investment was a loose coat of soft gray broadcloth with white lining, and touches of lavender on the embroidered collar, and gray gloves to match.

Then she went home, rested and worked by turns until Monday. When school closed on that evening, Elnora, so tired she almost trembled, came down the long walk after a late session of teachers' meeting, to be stopped by a messenger boy.

“There's a lady wants to see you most important. I am to take you to the place,” he said.

Elnora groaned. She could not imagine who wanted her, but there was nothing to do but find out; tired and anxious to see her mother as she was.

“This is the place,” said the boy, and went his way whistling. Elnora was three blocks from the high school building on the same street. She was before a quaint old house, fresh with paint and covered with vines. There was a long wide lot, grass-covered, closely set with trees, and a barn and chicken park at the back that seemed to be occupied. Elnora stepped on the veranda which was furnished with straw rugs, bent-hickory chairs, hanging baskets, and a table with a work-box and magazines, and knocked at the screen door.

Inside she could see polished floors, walls freshly papered in low-toned harmonious colours, straw rugs and madras curtains. It seemed to be a restful, homelike place to which she had come. A second later down an open stairway came a tall, dark-eyed woman with cheeks faintly pink and a crown of fluffy snow-white hair. She wore a lavender gingham dress with white collar and cuffs, and she called as she advanced: “That screen isn't latched! Open it and come see your brand-new mother, my girl.”

Elnora stepped inside the door. “Mother!” she cried. “You my mother! I don't believe it!”

“Well, you better!” said Mrs. Comstock, “because it's true! You said you wished I were like the other girls' mothers, and I've shot as close the mark as I could without any practice. I thought that walk would be too much for you this winter, so I just rented this house and moved in, to be near you, and help more in case I'm needed. I've only lived here a day, but I like it so well I've a mortal big notion to buy the place.”

“But mother!” protested Elnora, clinging to her wonderingly. “You are perfectly beautiful, and this house is a little paradise, but how will we ever pay for it? We can't afford it!”

“Humph! Have you forgotten I telegraphed you I'd found some money I didn't know about? All I've done is paid for, and plenty more to settle for all I propose to do.”

Mrs. Comstock glanced around with satisfaction.

“I may get homesick as a pup before spring,” she said, “but if I do I can go back. If I don't, I'll sell some timber and put a few oil wells where they don't show much. I can have land enough cleared for a few fields and put a tenant on our farm, and we will buy this and settle here. It's for sale.”

“You don't look it, but you've surely gone mad!”

“Just the reverse, my girl,” said Mrs. Comstock, “I've gone sane. If you are going to undertake this work, you must be convenient to it. And your mother should be where she can see that you are properly dressed, fed, and cared for. This is our—let me think—reception-room. How do you like it? This door leads to your workroom and study. I didn't do much there because I wasn't sure of my way. But I knew you would want a rug, curtains, table, shelves for books, and a case for your specimens, so I had a carpenter shelve and enclose that end of it. Looks pretty neat to me. The dining-room and kitchen are back, one of the cows in the barn, and some chickens in the coop. I understand that none of the other girls' mothers milk a cow, so a neighbour boy will tend to ours for a third of the milk. There are three bedrooms, and a bath upstairs. Go take one, put on some fresh clothes, and come to supper. You can find your room because your things are in it.”

Elnora kissed her mother over and over, and hurried upstairs. She identified her room by the dressing-case. There were a pretty rug, and curtains, white iron bed, plain and rocking chairs to match her case, a shirtwaist chest, and the big closet was filled with her old clothing and several new dresses. She found the bathroom, bathed, dressed in fresh linen and went down to a supper that was an evidence of Mrs. Comstock's highest art in cooking. Elnora was so hungry she ate her first real meal in two weeks. But the bites went down slowly because she forgot about them in watching her mother.

“How on earth did you do it?” she asked at last. “I always thought you were naturally brown as a nut.”

“Oh, that was tan and sunburn!” explained Mrs. Comstock. “I always knew I was white underneath it. I hated to shade my face because I hadn't anything but a sunbonnet, and I couldn't stand for it to touch my ears, so I went bareheaded and took all the colour I accumulated. But when I began to think of moving you in to your work, I saw I must put up an appearance that wouldn't disgrace you, so I thought I'd best remove the crust. It took some time, and I hope I may die before I ever endure the feel and the smell of the stuff I used again, but it skinned me nicely. What you now see is my own with a little dust of rice powder, for protection. I'm sort of tender yet.”

“And your lovely, lovely hair?” breathed Elnora.

“Hairdresser did that!” said Mrs. Comstock. “It cost like smoke. But I watched her, and with a little help from you I can wash it alone next time, though it will be hard work. I let her monkey with it until she said she had found 'my style.' Then I tore it down and had her show me how to build it up again three times. I thought my arms would drop. When I paid the bill for her work, the time I'd taken, the pins, and combs she'd used, I nearly had heart failure, but I didn't turn a hair before her. I just smiled at her sweetly and said, 'How reasonable you are!' Come to think of it, she was! She might have charged me ten dollars for what she did quite as well as nine seventy-five. I couldn't have helped myself. I had made no bargain to begin on.”

Then Elnora leaned back in her chair and shouted, in a gust of hearty laughter, so a little of the ache ceased in her breast. There was no time to think, the remainder of that evening, she was so tired she had to sleep, while her mother did not awaken her until she barely had time to dress, breakfast and reach school. There was nothing in the new life to remind her of the old. It seemed as if there never came a minute for retrospection, but her mother appeared on the scene with more work, or some entertaining thing to do.

Mrs. Comstock invited Elnora's friends to visit her, and proved herself a bright and interesting hostess. She digested a subject before she spoke; and when she advanced a view, her point was sure to be original and tersely expressed. Before three months people waited to hear what she had to say. She kept her appearance so in mind that she made a handsome and a distinguished figure.

Elnora never mentioned Philip Ammon, neither did Mrs. Comstock. Early in December came a note and a big box from him. It contained several books on nature subjects which would be of much help in school work, a number of conveniences Elnora could not afford, and a pair of glass-covered plaster casts, for each large moth she had. In these the upper and underwings of male and female showed. He explained that she would break her specimens easily, carrying them around in boxes. He had seen these and thought they would be of use. Elnora was delighted with them, and at once began the tedious process of softening the mounted moths and fitting them to the casts moulded to receive them. Her time was so taken in school, she progressed slowly, so her mother undertook this work. After trying one or two very common ones she learned to handle the most delicate with ease. She took keen pride in relaxing the tense moths, fitting them to the cases, polishing the glass covers to the last degree and sealing them. The results were beautiful to behold.

Soon after Elnora wrote to Philip:


I am writing to thank you for the books, and the box of conveniences sent me for my work. I can use everything with fine results. Hope I am giving good satisfaction in my position. You will be interested to learn that when the summer's work was classified and pinned, I again had my complete collection for the man of India, save a Yellow Emperor. I have tried everywhere I know, so has the Bird Woman. We cannot find a pair for sale. Fate is against me, at least this season. I shall have to wait until next year and try again.

Thank you very much for helping me with my collection and for the books and cases.

Sincerely yours,


Philip was disappointed over that note and instead of keeping it he tore it into bits and dropped them into the waste basket.

That was precisely what Elnora had intended he should do. Christmas brought beautiful cards of greeting to Mrs. Comstock and Elnora, Easter others, and the year ran rapidly toward spring. Elnora's position had been intensely absorbing, while she had worked with all her power. She had made a wonderful success and won new friends. Mrs. Comstock had helped in every way she could, so she was very popular also.

Throughout the winter they had enjoyed the city thoroughly, and the change of life it afforded, but signs of spring did wonderful things to the hearts of the country-bred women. A restlessness began on bright February days, calmed during March storms and attacked full force in April. When neither could bear it any longer they were forced to discuss the matter and admit they were growing ill with pure homesickness. They decided to keep the city house during the summer, but to return to the farm to live as soon as school closed.

So Mrs. Comstock would prepare breakfast and lunch and then slip away to the farm to make up beds in her ploughed garden, plant seeds, trim and tend her flowers, and prepare the cabin for occupancy. Then she would go home and make the evening as cheerful as possible for Elnora; in these days she lived only for the girl.

Both of them were glad when the last of May came and the schools closed. They packed the books and clothing they wished to take into a wagon and walked across the fields to the old cabin. As they approached it, Mrs. Comstock said to Elnora: “You are sure you won't be lonely here?”

Elnora knew what she really meant.

“Quite sure,” she said. “For a time last fall I was glad to be away, but that all wore out with the winter. Spring made me homesick as I could be. I can scarcely wait until we get back again.”

So they began that summer as they had begun all others—with work. But both of them took a new joy in everything, and the violin sang by the hour in the twilight.
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Re: A Girl of the Limberlost, by Gene Stratton Porter

Postby admin » Mon Jun 24, 2019 5:26 am


Edith Carr stood in a vine-enclosed side veranda of the Lake Shore Club House waiting while Philip Ammon gave some important orders. In a few days she would sail for Paris to select a wonderful trousseau she had planned for her marriage in October. To-night Philip was giving a club dance in her honour. He had spent days in devising new and exquisite effects in decorations, entertainment, and supper. Weeks before the favoured guests had been notified. Days before they had received the invitations asking them to participate in this entertainment by Philip Ammon in honour of Miss Carr. They spoke of it as “Phil's dance for Edith!”

She could hear the rumble of carriages and the panting of automobiles as in a steady stream they rolled to the front entrance. She could catch glimpses of floating draperies of gauze and lace, the flash of jewels, and the passing of exquisite colour. Every one was newly arrayed in her honour in the loveliest clothing, and the most expensive jewels they could command. As she thought of it she lifted her head a trifle higher and her eyes flashed proudly.

She was robed in a French creation suggested and designed by Philip. He had said to her: “I know a competent judge who says the distinctive feature of June is her exquisite big night moths. I want you to be the very essence of June that night, as you will be the embodiment of love. Be a moth. The most beautiful of them is either the pale-green Luna or the Yellow Imperialis. Be my moon lady, or my gold Empress.”

He took her to the museum and showed her the moths. She instantly decided on the yellow. Because she knew the shades would make her more startlingly beautiful than any other colour. To him she said: “A moon lady seems so far away and cold. I would be of earth and very near on that night. I choose the Empress.”

So she matched the colours exactly, wrote out the idea and forwarded the order to Paquin. To-night when Philip Ammon came for her, he stood speechless a minute and then silently kissed her hands.

For she stood tall, lithe, of grace inborn, her dark waving hair high piled and crossed by gold bands studded with amethyst and at one side an enamelled lavender orchid rimmed with diamonds, which flashed and sparkled. The soft yellow robe of lightest weight velvet fitted her form perfectly, while from each shoulder fell a great velvet wing lined with lavender, and flecked with embroidery of that colour in imitation of the moth. Around her throat was a wonderful necklace and on her arms were bracelets of gold set with amethyst and rimmed with diamonds. Philip had said that her gloves, fan, and slippers must be lavender, because the feet of the moth were that colour. These accessories had been made to order and embroidered with gold. It had been arranged that her mother, Philip's, and a few best friends should receive his guests. She was to appear when she led the grand march with Philip Ammon. Miss Carr was positive that she would be the most beautiful, and most exquisitely gowned woman present. In her heart she thought of herself as “Imperialis Regalis,” as the Yellow Empress. In a few moments she would stun her world into feeling it as Philip Ammon had done, for she had taken pains that the history of her costume should be whispered to a few who would give it circulation. She lifted her head proudly and waited, for was not Philip planning something unusual and unsurpassed in her honour? Then she smiled.

But of all the fragmentary thoughts crossing her brain the one that never came was that of Philip Ammon as the Emperor. Philip the king of her heart; at least her equal in all things. She was the Empress—yes, Philip was but a mere man, to devise entertainments, to provide luxuries, to humour whims, to kiss hands!

“Ah, my luck!” cried a voice behind her.

Edith Carr turned and smiled.

“I thought you were on the ocean,” she said.

“I only reached the dock,” replied the man, “when I had a letter that recalled me by the first limited.”

“Oh! Important business?”

“The only business of any importance in all the world to me. I'm triumphant that I came. Edith, you are the most superb woman in every respect that I have ever seen. One glimpse is worth the whole journey.”

“You like my dress?” She moved toward him and turned, lifting her arms. “Do you know what it is intended to represent?”

“Yes, Polly Ammon told me. I knew when I heard about it how you would look, so I started a sleuth hunt, to get the first peep. Edith, I can become intoxicated merely with looking at you to-night.”

He half-closed his eyes and smilingly stared straight at her. He was taller than she, a lean man, with close-cropped light hair, steel-gray eyes, a square chin and “man of the world” written all over him.

Edith Carr flushed. “I thought you realized when you went away that you were to stop that, Hart Henderson,” she cried.

“I did, but this letter of which I tell you called me back to start it all over again.”

She came a step closer. “Who wrote that letter, and what did it contain concerning me?” she demanded.

“One of your most intimate chums wrote it. It contained the hazard that possibly I had given up too soon. It said that in a fit of petulance you had broken your engagement with Ammon twice this winter, and he had come back because he knew you did not really mean it. I thought deeply there on the dock when I read that, and my boat sailed without me. I argued that anything so weak as an engagement twice broken and patched up again was a mighty frail affair indeed, and likely to smash completely at any time, so I came on the run. I said once I would not see you marry any other man. Because I could not bear it, I planned to go into exile of any sort to escape that. I have changed my mind. I have come back to haunt you until the ceremony is over. Then I go, not before. I was insane!”

The girl laughed merrily. “Not half so insane as you are now, Hart!” she cried gaily. “You know that Philip Ammon has been devoted to me all my life. Now I'll tell you something else, because this looks serious for you. I love him with all my heart. Not while he lives shall he know it, and I will laugh at him if you tell him, but the fact remains: I intend to marry him, but no doubt I shall tease him constantly. It's good for a man to be uncertain. If you could see Philip's face at the quarterly return of his ring, you would understand the fun of it. You had better have taken your boat.”

“Possibly,” said Henderson calmly. “But you are the only woman in the world for me, and while you are free, as I now see my light, I remain near you. You know the old adage.”

“But I'm not 'free!'” cried Edith Carr. “I'm telling you I am not. This night is my public acknowledgment that Phil and I are promised, as our world has surmised since we were children. That promise is an actual fact, because of what I just have told you. My little fits of temper don't count with Phil. He's been reared on them. In fact, I often invent one in a perfect calm to see him perform. He is the most amusing spectacle. But, please, please, do understand that I love him, and always shall, and that we shall be married.”

“Just the same, I'll wait and see it an accomplished fact,” said Henderson. “And Edith, because I love you, with the sort of love it is worth a woman's while to inspire, I want your happiness before my own. So I am going to say this to you, for I never dreamed you were capable of the feeling you have displayed for Phil. If you do love him, and have loved him always, a disappointment would cut you deeper than you know. Go careful from now on! Don't strain that patched engagement of yours any further. I've known Philip all my life. I've known him through boyhood, in college, and since. All men respect him. Where the rest of us confess our sins, he stands clean. You can go to his arms with nothing to forgive. Mark this thing! I have heard him say, 'Edith is my slogan,' and I have seen him march home strong in the strength of his love for you, in the face of temptations before which every other man of us fell. Before the gods! that ought to be worth something to a girl, if she really is the delicate, sensitive, refined thing she would have man believe. It would take a woman with the organism of an ostrich to endure some of the men here to-night, if she knew them as I do; but Phil is sound to the core. So this is what I would say to you: first, your instincts are right in loving him, why not let him feel it in the ways a woman knows? Second, don't break your engagement again. As men know the man, any of us would be afraid to the soul. He loves you, yes! He is long-suffering for you, yes! But men know he has a limit. When the limit is reached, he will stand fast, and all the powers can't move him. You don't seem to think it, but you can go too far!”

“Is that all?” laughed Edith Carr sarcastically.

“No, there is one thing more,” said Henderson. “Here or here-after, now and so long as I breathe, I am your slave. You can do anything you choose and know that I will kneel before you again. So carry this in the depths of your heart; now or at any time, in any place or condition, merely lift your hand, and I will come. Anything you want of me, that thing will I do. I am going to wait; if you need me, it is not necessary to speak; only give me the faintest sign. All your life I will be somewhere near you waiting for it.”

“Idjit! You rave!” laughed Edith Carr. “How you would frighten me! What a bugbear you would raise! Be sensible and go find what keeps Phil. I was waiting patiently, but my patience is going. I won't look nearly so well as I do now when it is gone.”

At that instant Philip Ammon entered. He was in full evening dress and exceptionally handsome. “Everything is ready,” he said; “they are waiting for us to lead the march. It is formed.”

Edith Carr smiled entrancingly. “Do you think I am ready?”

Philip looked what he thought, and offered his arm. Edith Carr nodded carelessly to Hart Henderson, and moved away. Attendants parted the curtains and the Yellow Empress bowing right and left, swept the length of the ballroom and took her place at the head of the formed procession. The large open dancing pavilion was draped with yellow silk caught up with lilac flowers. Every corner was filled with bloom of those colours. The music was played by harpers dressed in yellow and violet, so the ball opened.

The midnight supper was served with the same colours and the last half of the programme was being danced. Never had girl been more complimented and petted in the same length of time than Edith Carr. Every minute she seemed to grow more worthy of praise. A partners' dance was called and the floor was filled with couples waiting for the music. Philip stood whispering delightful things to Edith facing him. From out of the night, in at the wide front entrance to the pavilion, there swept in slow wavering flight a large yellow moth and fluttered toward the centre cluster of glaring electric lights. Philip Ammon and Edith Carr saw it at the same instant.

“Why, isn't that——?” she began excitedly.

“It's a Yellow Emperor! This is fate!” cried Philip. “The last one Elnora needs for her collection. I must have it! Excuse me!”

He ran toward the light. “Hats! Handkerchiefs! Fans! Anything!” he panted. “Every one hold up something and stop that! It's a moth; I've got to catch it!”

“It's yellow! He wants it for Edith!” ran in a murmur around the hall. The girl's face flushed, while she bit her lips in vexation.

Instantly every one began holding up something to keep the moth from flying back into the night. One fan held straight before it served, and the moth gently settled on it.

“Hold steady!” cried Philip. “Don't move for your life!” He rushed toward the moth, made a quick sweep and held it up between his fingers. “All right!” he called. “Thanks, every one! Excuse me a minute.”

He ran to the office.

“An ounce of gasolene, quick!” he ordered. “A cigar box, a cork, and the glue bottle.”

He poured some glue into the bottom of the box, set the cork in it firmly, dashed the gasolene over the moth repeatedly, pinned it to the cork, poured the remainder of the liquid over it, closed the box, and fastened it. Then he laid a bill on the counter.

“Pack that box with cork around it, in one twice its size, tie securely and express to this address at once.”

He scribbled on a sheet of paper and shoved it over.

“On your honour, will you do that faithfully as I say?” he asked the clerk.

“Certainly,” was the reply.

“Then keep the change,” called Philip as he ran back to the pavilion.

Edith Carr stood where he left her, thinking rapidly. She heard the murmur that arose when Philip started to capture the exquisite golden creature she was impersonating. She saw the flash of surprise that went over unrestrained faces when he ran from the room, without even showing it to her. “The last one Elnora needs,” rang in her ears. He had told her that he helped collect moths the previous summer, but she had understood that the Bird Woman, with whose work Miss Carr was familiar, wanted them to put in a book.

He had spoken of a country girl he had met who played the violin wonderfully, and at times, he had shown a disposition to exalt her as a standard of womanhood. Miss Carr had ignored what he said, and talked of something else. But that girl's name had been Elnora. It was she who was collecting moths! No doubt she was the competent judge who was responsible for the yellow costume Philip had devised. Had Edith Carr been in her room, she would have torn off the dress at the thought.

Being in a circle of her best friends, which to her meant her keenest rivals and harshest critics, she grew rigid with anger. Her breath hurt her paining chest. No one thought to speak to the musicians, and seeing the floor filled, they began the waltz. Only part of the guests could see what had happened, and at once the others formed and commenced to dance. Gay couples came whirling past her.

Edith Carr grew very white as she stood alone. Her lips turned pale, while her dark eyes flamed with anger. She stood perfectly still where Philip had left her, and the approaching men guided their partners around her, while the girls, looking back, could be seen making exclamations of surprise.

The idolized only daughter of the Carr family hoped that she would drop dead from mortification, but nothing happened. She was too perverse to step aside and say that she was waiting for Philip. Then came Tom Levering dancing with Polly Ammon. Being in the scales with the Ammon family, Tom scented trouble from afar, so he whispered to Polly: “Edith is standing in the middle of the floor, and she's awful mad about something.”

“That won't hurt her,” laughed Polly. “It's an old pose of hers. She knows she looks superb when she is angry, so she keeps herself furious half the time on purpose.”

“She looks like the mischief!” answered Tom. “Hadn't we better steer over and wait with her? She's the ugliest sight I ever saw!”

“Why, Tom!” cried Polly. “Stop, quickly!”

They hurried to Edith.

“Come dear,” said Polly. “We are going to wait with you until Phil returns. Let's go after a drink. I am so thirsty!”

“Yes, do!” begged Tom, offering his arm. “Let's get out of here until Phil comes.”

There was the opportunity to laugh and walk away, but Edith Carr would not accept it.

“My betrothed left me here,” she said. “Here I shall remain until he returns for me, and then—he will be my betrothed no longer!”

Polly grasped Edith's arm.

“Oh, Edith!” she implored. “Don't make a scene here, and to-night. Edith, this has been the loveliest dance ever given at the club house. Every one is saying so. Edith! Darling, do come! Phil will be back in a second. He can explain! It's only a breath since I saw him go out. I thought he had returned.”

As Polly panted these disjointed ejaculations, Tom Levering began to grow angry on her account.

“He has been gone just long enough to show every one of his guests that he will leave me standing alone, like a neglected fool, for any passing whim of his. Explain! His explanation would sound well! Do you know for whom he caught that moth? It is being sent to a girl he flirted with all last summer. It has just occurred to me that the dress I am wearing is her suggestion. Let him try to explain!”

Speech unloosed the fountain. She stripped off her gloves to free her hands. At that instant the dancers parted to admit Philip. Instinctively they stopped as they approached and with wondering faces walled in Edith and Philip, Polly and Tom.

“Mighty good of you to wait!” cried Philip, his face showing his delight over his success in capturing the Yellow Emperor. “I thought when I heard the music you were going on.”

“How did you think I was going on?” demanded Edith Carr in frigid tones.

“I thought you would step aside and wait a few seconds for me, or dance with Henderson. It was most important to have that moth. It completes a valuable collection for a person who needs the money. Come!”

He held out his arms.

“I 'step aside' for no one!” stormed Edith Carr. “I await no other girl's pleasure! You may 'complete the collection' with that!”

She drew her engagement ring from her finger and reached to place it on one of Philip's outstretched hands. He saw and drew back. Instantly Edith dropped the ring. As it fell, almost instinctively Philip caught it in air. With amazed face he looked closely at Edith Carr. Her distorted features were scarcely recognizable. He held the ring toward her.

“Edith, for the love of mercy, wait until I can explain,” he begged. “Put on your ring and let me tell you how it is.”

“I know perfectly 'how it is,'” she answered. “I never shall wear that ring again.”

“You won't even hear what I have to say? You won't take back your ring?” he cried.

“Never! Your conduct is infamous!”

“Come to think of it,” said Philip deliberately, “it is 'infamous' to cut a girl, who has danced all her life, out of a few measures of a waltz. As for asking forgiveness for so black a sin as picking up a moth, and starting it to a friend who lives by collecting them, I don't see how I could! I have not been gone three minutes by the clock, Edith. Put on your ring and finish the dance like a dear girl.”

He thrust the glittering ruby into her fingers and again held out his arms. She dropped the ring, and it rolled some distance from them. Hart Henderson followed its shining course, and caught it before it was lost.

“You really mean it?” demanded Philip in a voice as cold as hers ever had been.

“You know I mean it!” cried Edith Carr.

“I accept your decision in the presence of these witnesses,” said Philip Ammon. “Where is my father?” The elder Ammon with a distressed face hurried to him. “Father, take my place,” said Philip. “Excuse me to my guests. Ask all my friends to forgive me. I am going away for awhile.”

He turned and walked from the pavilion. As he went Hart Henderson rushed to Edith Carr and forced the ring into her fingers. “Edith, quick. Come, quick!” he implored. “There's just time to catch him. If you let him go that way, he never will return in this world. Remember what I told you.”

“Great prophet! aren't you, Hart?” she sneered. “Who wants him to return? If that ring is thrust upon me again I shall fling it into the lake. Signal the musicians to begin, and dance with me.”

Henderson put the ring into his pocket, and began the dance. He could feel the muscular spasms of the girl in his arms, her face was cold and hard, but her breath burned with the scorch of fever. She finished the dance and all others, taking Phil's numbers with Henderson, who had arrived too late to arrange a programme. She left with the others, merely inclining her head as she passed Ammon's father taking his place, and entered the big touring car for which Henderson had telephoned. She sank limply into a seat and moaned softly.

“Shall I drive awhile in the night air?” asked Henderson.

She nodded. He instructed the chauffeur.

She raised her head in a few seconds. “Hart, I'm going to pieces,” she said. “Won't you put your arm around me a little while?”

Henderson gathered her into his arms and her head fell on his shoulder. “Closer!” she cried.

Henderson held her until his arms were numb, but he did not know it. The tricks of fate are cruel enough, but there scarcely could have been a worse one than that: To care for a woman as he loved Edith Carr and have her given into his arms because she was so numb with misery over her trouble with another man that she did not know or care what she did. Dawn was streaking the east when he spoke to her.

“Edith, it is growing light.”

“Take me home,” she said.

Henderson helped her up the steps and rang the bell.

“Miss Carr is ill,” he said to the footman. “Arouse her maid instantly, and have her prepare something hot as quickly as possible.”

“Edith,” he cried, “just a word. I have been thinking. It isn't too late yet. Take your ring and put it on. I will go find Phil at once and tell him you have, that you are expecting him, and he will come.”

“Think what he said!” she cried. “He accepted my decision as final, 'in the presence of witnesses,' as if it were court. He can return it to me, if I ever wear it again.”

“You think that now, but in a few days you will find that you feel very differently. Living a life of heartache is no joke, and no job for a woman. Put on your ring and send me to tell him to come.”


“Edith, there was not a soul who saw that, but sympathized with Phil. It was ridiculous for you to get so angry over a thing which was never intended for the slightest offence, and by no logical reasoning could have been so considered.”

“Do you think that?” she demanded.

“I do!” said Henderson. “If you had laughed and stepped aside an instant, or laughed and stayed where you were, Phil would have been back; or, if he needed punishment in your eyes, to have found me having one of his dances would have been enough. I was waiting. You could have called me with one look. But to publicly do and say what you did, my lady—I know Phil, and I know you went too far. Put on that ring, and send him word you are sorry, before it is too late.”

“I will not! He shall come to me.”

“Then God help you!” said Henderson, “for you are plunging into misery whose depth you do not dream. Edith, I beg of you——”

She swayed where she stood. Her maid opened the door and caught her. Henderson went down the hall and out to his car.
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